tag:blogger.com,1999:blog-49019238863117695972024-03-19T12:29:45.883+01:00PAWEŁ DUDKOart dossier on-linePaweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comBlogger38125tag:blogger.com,1999:blog-4901923886311769597.post-36031824455746452492023-04-12T10:00:00.089+02:002023-04-30T13:14:11.161+02:00MemFlux [NFT:generative.xyz]<p><b></b></p>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggBMn-B22FfdEO_K0TDjEA-XuC_FWptKlFChu207Vj5bohI19owSMz2rDMXGlPmTkBE4gIbr93yv7C92tK9eA_PjN1nLUlZEIJqYBTLBPb6tRgsvxafUhbmmEocJQuei3RIW_HsAG9uhxlbPEK6ZUHXZu4IjagseT9-758XgVOxZeXNFWjsjMWQQ/s960/MemFlux%20-%20Pawel%20Dudko.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="960" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggBMn-B22FfdEO_K0TDjEA-XuC_FWptKlFChu207Vj5bohI19owSMz2rDMXGlPmTkBE4gIbr93yv7C92tK9eA_PjN1nLUlZEIJqYBTLBPb6tRgsvxafUhbmmEocJQuei3RIW_HsAG9uhxlbPEK6ZUHXZu4IjagseT9-758XgVOxZeXNFWjsjMWQQ/w640-h640/MemFlux%20-%20Pawel%20Dudko.jpg" width="640" /></a>
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<p></p>
<p>
<b><i>MemFlux</i></b> is a generative approach to the artist's exploration of light as the
essence of photography – a crucial factor in image creation. Vibrant lights
react to each other's presence and create a visual play of abstract
murmuration. Based on deterministic values behaviors change and can be
observed in the process. The constant, infinite motion resembles structures
inspired by natural phenomena.
</p><p><br /></p>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhReKC0agMLHC-r03FCkdO-SYIMh2Zjikdc6gq9kG8CJ6NaHx-s7uxb0NKiU5I5AHOGgxr0WjxZB9Nolwbjuft4MWuQ8MnZWdjSu1cNwgcBJ2ds3mqLAYAs0WzrADnh9sispASXDWgSqbZNPRDRR-qZBgwEnARTU4vdabM5ZfXmhOfMBvtRzcnxDQ/s961/Flux%20by%20Pawel%20Dudko%20(4).png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="949" data-original-width="961" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhReKC0agMLHC-r03FCkdO-SYIMh2Zjikdc6gq9kG8CJ6NaHx-s7uxb0NKiU5I5AHOGgxr0WjxZB9Nolwbjuft4MWuQ8MnZWdjSu1cNwgcBJ2ds3mqLAYAs0WzrADnh9sispASXDWgSqbZNPRDRR-qZBgwEnARTU4vdabM5ZfXmhOfMBvtRzcnxDQ/w640-h632/Flux%20by%20Pawel%20Dudko%20(4).png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div style="text-align: center;"><i>MemFlux</i></div><div style="text-align: center;">sample output, long-form generative infinite animation, still, 2023, dimensions variable</div></td></tr></tbody></table><div style="text-align: center;"><br /></div><p><b><i>MemFlux</i></b> consists of 25 color palettes and 5 visual modes that bring a wide variety of visual outputs. The sky feature is based on a texture that affects
the image detail, introducing a more organic and diverse landscape of colors. The movement and interaction between elements result from collective behaviors
and create a dynamic swarm of entities, whose aggregate parameters affect the overall image.</p><p><br /></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAFqTb-FB-Jx0xHYd6KOidorpeuukol0ralF3bCeT7lzZ8xlTHc9tVPWxyMytu3XSOKqpqr-gtb_P8tjE2lgYqLFwot5aOYU8PaWlhosJbJX5z7GOP7p3-T0L7h_0uJG6g-1d75ojSvXZ-15F3SVWzqnqE2XY-9IEooGKYXhvMRPtqyC7VsQsxPw/s961/Flux%20by%20Pawel%20Dudko%20(2).png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="949" data-original-width="961" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAFqTb-FB-Jx0xHYd6KOidorpeuukol0ralF3bCeT7lzZ8xlTHc9tVPWxyMytu3XSOKqpqr-gtb_P8tjE2lgYqLFwot5aOYU8PaWlhosJbJX5z7GOP7p3-T0L7h_0uJG6g-1d75ojSvXZ-15F3SVWzqnqE2XY-9IEooGKYXhvMRPtqyC7VsQsxPw/w640-h632/Flux%20by%20Pawel%20Dudko%20(2).png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>MemFlux </i><br />sample output, long-form generative infinite animation, still, 2023, dimensions variable</td></tr></tbody></table><br /><p>In addition to the deterministic output, <b><i>MemFlux</i></b> has an interactive mode that fetches and displays data directly from
the Bitcoin node, allowing for real-time changes. For instance, new
transactions appearing or leaving the mempool affect the similar behavior of
visible lights. The blur value mirrors long-term steady growth of blockchain
size. The bigger the database, the more vague the output becomes. There are
also mid-term shifts based on blockchain difficulty, which is represented by
the light radii. Finally, the total fee gathered in the pool affects the
movement speed and resets short-term. The data makes the artwork grow, change
and react to the current state of the blockchain. The end result is
unpredictable and will continue to evolve over time.</p>
<p>The standard Bitcoin RPC protocol is used to make the artwork resistant to any
changes and improve longevity. In case default nodes are not operable, the
user can input node address manually.</p><p><br /></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3O-kZ0jnud8c7JtOZTgm6OJiGB19lyj2BsMimid3JtP_iNcT464LESOwyQtqQ_TECRXKyc4gYirAhd0KLpnue41zsgW3EY4hYWPs9I8e2GVgJK3VqYgnzD1Vppn-Kxb959YTuRLg-XVN8KkvsFw1wU9LOVuuvToZKWzlyaoDkOLpspVJjB8eOcA/s961/Flux%20by%20Pawel%20Dudko%20(3).png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="949" data-original-width="961" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3O-kZ0jnud8c7JtOZTgm6OJiGB19lyj2BsMimid3JtP_iNcT464LESOwyQtqQ_TECRXKyc4gYirAhd0KLpnue41zsgW3EY4hYWPs9I8e2GVgJK3VqYgnzD1Vppn-Kxb959YTuRLg-XVN8KkvsFw1wU9LOVuuvToZKWzlyaoDkOLpspVJjB8eOcA/w640-h632/Flux%20by%20Pawel%20Dudko%20(3).png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>MemFlux </i><br />sample output, long-form generative infinite animation, still, 2023, dimensions variable</td></tr></tbody></table>
<h3><br /></h3><h3>Technical specs:</h3>
<p></p>
<ul style="text-align: left;">
<li>infinite long-form generative animation</li>
<li>resolution agnostic – adjusts to fill the display aspect ratio</li>
<li>HTML, VanillaJS, WebGL (no external libraries)</li>
<li>10.9 kB</li>
<li>100% on-chain (the Bitcoin blockchain)</li>
<li>5 features/traits: Collective, Lights, Palette, Radius, Sky</li>
</ul>
<p> </p>
<h3 style="text-align: left;">Live Script</h3>
<p style="text-align: justify;">
Below is a live script.
</p><p style="text-align: justify;">
Press <br />
<code>[R]</code> or <code>[refresh website]</code> – change the input hash and the result<br />
<code>[B]</code> – fetch and display data from the Bitcoin node<br />
<code>[N]</code> – enter custom Bitcoin node address with public RPC access<br /><br />
<a href="https://pdudko.com/MemFlux/" target="_blank">Click here to view script in a new window</a>.</p>
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</div>
</div><div><br /></div>
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<a href="https://generative.xyz/generative/1003463" target="_blank"><h1><b>MemFlux @ Generative.xyz</b></h1>
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-24252694934105955912022-10-28T16:00:00.049+02:002023-04-30T13:14:13.645+02:00Totem [New Spirituality:Mark Rothko Art Center:Daugavpils:Latvia] <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvWRghfkWMGKb2oUyBXOHSZ922AFHutbqz8IcuVLoEszF8-gD_bZMTkML0HvxSlDa1bjzH54yz0ZgVqPp1m3mX5MIpotz9MoXLtvARRuUQ6u7UaWn_1r2gid1-5EZd85rkRvIaD6-rO6x7LoXbI8tx02RAKb9xznVg0j8t1T1EtM4LSwFrsH69jA/s1920/P_Totem2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="886" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvWRghfkWMGKb2oUyBXOHSZ922AFHutbqz8IcuVLoEszF8-gD_bZMTkML0HvxSlDa1bjzH54yz0ZgVqPp1m3mX5MIpotz9MoXLtvARRuUQ6u7UaWn_1r2gid1-5EZd85rkRvIaD6-rO6x7LoXbI8tx02RAKb9xznVg0j8t1T1EtM4LSwFrsH69jA/w296-h640/P_Totem2.jpg" width="296" /></a>
</div>
<br />
<div style="text-align: justify;">
<i>Totem</i> is a conceptual deliberation on the subject of spirituality in
modern society.
</div>
<p style="text-align: justify;">
The name 'totem' relates to the idea of one's venerated deity, guardian,
virtue, or in other words – beliefs in general. In this context totems don't
have to be perceived as animalistic sculptures, or visualized spirits, but
rather as a value that's in a way worshiped and crucial in one's life. It
might represent anything, such as the closest like family, friends, and loved
ones, through material values, wealth, career, and finishing on purely
abstract virtues, spirits, or deities.
</p>
<div class="separator" style="clear: both; text-align: center;">
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</div>
<br />
<p style="text-align: justify;">
The <i>Totem </i>is a generative 3D object – each viewer has their own
individual experience. The generated features are based on the unique user
identification number that is extracted from their device. ID is created based
on available data such as device type, operating system, web browser,
language, hardware configuration, etc. This way every visitor gets their own
totem – their own set of traits that would define the experience.
</p>
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<blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/tv/Cki3ay4jmKY/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: auto; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/tv/Cki3ay4jmKY/?utm_source=ig_embed&utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;">Wyświetl ten post na Instagramie</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/tv/Cki3ay4jmKY/?utm_source=ig_embed&utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank">Post udostępniony przez Paweł Dudko (@p.dudko)</a></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
</div>
<br />
<p style="text-align: justify;">
The nature of mobile devices limits perception to personal experience. Any
totem perceived via one's own device would be different from other viewers'
experiences. It is possible to compare and discuss but might be difficult to
understand bigger and smaller differences. On the one hand, everyone expects
the same artwork, on the other – the output is personalized and unique.
</p>
<p style="text-align: justify;">
A mundane device becomes the definition of a transcendent experience. A very
personal device, carried and used daily, is on the other hand something
unimaginably commercial, privacy ignoring and turning many of its users
into a set of data gathered by corporations for use in advertising and/or
influence.
</p>
<p style="text-align: justify;">
The process of creating a user's unique ID is similar to those, which are used
by advertising companies.
</p>
<p style="text-align: justify;">
Can a device change our habits? Our beliefs?
</p>
<p style="text-align: justify;">
Can it influence, build, or discard our <i>totems</i>?
</p>
<p style="text-align: justify;">Are our <i>totems </i>safe?</p>
<div class="instagram-wrapper">
<blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/tv/CkrB6GyDIap/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/tv/CkrB6GyDIap/?utm_source=ig_embed&utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;">Wyświetl ten post na Instagramie</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"></div></div></a><p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/tv/CkrB6GyDIap/?utm_source=ig_embed&utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank">Post udostępniony przez Paweł Dudko (@p.dudko)</a></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
</div>
<br /><br />
<h3 style="text-align: left;">Live Script</h3>
<p style="text-align: justify;">
Below is a live script. Due to system settings it won't display AR experience below.
</p><p style="text-align: justify;">Click on the link below and open the website in Chrome browser on an Android device.<br />
Follow the instructions on the screen.<br />
You can move freely in the space, walk around, and inside the digital representation.<br />
<i>iOS users need WebXR Viewer browser available in App Store.</i><br />
<a href="https://pdudko.com/totem/" target="_blank">Click here to view script in a new window</a>.</p>
<!----------------------------- SCRIPT ------------------------>
<style>
/* IFRAME FOR P5JS SCRIPT */
.box {
position: relative;
width: 100%;
/* desired width */
/* margin: 5px; */
}
.box:before {
content: "";
display: block;
padding-top: 100%;
/* initial ratio */
}
.content {
position: absolute;
top: 0;
left: 0;
bottom: 0;
right: 0;
background: #fff;
color: #fff;
/* display: flex;
align-items: center; */
line-height:100%;
height:100%;
text-align: center;
display: flex;
align-items: center;
justify-content: center;
}
@media screen and (max-width: 800px) {
.box:before {
content: "";
display: block;
padding-top: 180%;
/* initial ratio */
}
}
</style>
<div class="box">
<div class="content">
<iframe frameborder="0" src="https://pdudko.com/totem/" style="height: 100%; width: 100%;"></iframe>
</div>
</div><div><br /></div>
<!----------------------------- END OF SCRIPT ------------------------>
<div style="text-align: center;"><b><a href="https://pdudko.com/totem/" target="_blank">Open script in a new window for Augmented Reality experience</a></b></div>
<br />
<p style="text-align: justify;">
<i>Totem </i>is an augmented reality experience, premiered at the <i>New Spirituality</i> show at Mark Rothko Art Center in Daugavpils, Latvia.
</p>
<div style="text-align: justify;">
More about the exhibition <i>New Spirituality</i>: <a href="https://www.rothkocenter.com/en/ekspozicija/new-spirituality/" target="_blank">#1</a> <a href="https://www.rothkocenter.com/en/ekspozicija/new-spirituality-artists-and-artworks/" target="_blank">#2</a>
</div>
<div style="text-align: justify;"><br /></div>
Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comMihaila iela 3, Daugavpils, LV-5401, Łotwa55.8838121 26.497401527.573578263821155 -8.6588485000000013 84.194045936178838 61.653651499999995tag:blogger.com,1999:blog-4901923886311769597.post-72973042792792341512022-10-07T16:00:00.057+02:002023-04-30T13:14:16.089+02:00Populations & DePopulation [Numeric Art:Gdańsk:Poland]<div class="separator"><br /></div>
<p></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;">
<tbody>
<tr>
<td style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ax--A525UzNQrnZT_elbwMBhQVsoKXjQA_4rtGV82XL8XTssKThw-JfOy2BKyE2bkgeKK4HOKUpi-Q4KLE8rg_xZ2y5UN1ySH96OMpCvhIrbBzEW-HynQMKUuforeeARZDBb0ZLTaYD-HGp9YTEDGM11UuHKgaWOBIkPgM2rZ3wzF-v00BjCXA/s1920/Populations%201.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ax--A525UzNQrnZT_elbwMBhQVsoKXjQA_4rtGV82XL8XTssKThw-JfOy2BKyE2bkgeKK4HOKUpi-Q4KLE8rg_xZ2y5UN1ySH96OMpCvhIrbBzEW-HynQMKUuforeeARZDBb0ZLTaYD-HGp9YTEDGM11UuHKgaWOBIkPgM2rZ3wzF-v00BjCXA/w640-h360/Populations%201.jpg" width="640" /></a>
</td>
</tr>
<tr>
<td class="tr-caption" style="text-align: center;">
<i>Populations & DePopulation</i>, general view |
<i>Populacje & DePopulacja</i>, widok ogólny ekspozycji
</td>
</tr>
</tbody>
</table>
<p></p>
<p style="text-align: justify;">
The "Populations" cycle of objects is based on mathematical algorithms
strongly correlated with the reality of living nature. The form and parametric
topology were created using tools designed for building and analyzing urban
systems, with the final shape given by the mechanized process of spatial
printing.
</p>
<p style="text-align: justify;">
The cycle consists of 18 3D prints placed inside Petri dishes – laboratory
vessels designed for the cultivation of microorganisms. The source of the form
was the division of the plane by the Voronoi tessellation, and its complement
– the physical record of the process. The moving printing head left a trace of
its movement in the form of thin fibers, creating a unique network of
connections between the object's points. The digitally generated and
"soulless" artwork is rooted in mathematical theories relating to the
structures of nature, with each detail representing a record of the process
resulting from the physical nature of the material and tool – a spatial
network created as a side effect or artifact of the technology used.
</p>
<p style="text-align: justify;"></p>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmA2jLpM0PhESHCJBOLcGI9DyVCjAs2FBu-37AbrLC3hVGgsEPdhdEwVJ2I9BoGFUpTcUlNduS16MZxiajvreIW0dLfFm-1-pwxZUHCNo8pJDc2jdVbAkC6iy6H5O2H8uH-09PAsblkXs2jTWsDcHT_HhImd14XsTBcqTWTdt-0frSzenSTf2sXw/s1920/Populations%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmA2jLpM0PhESHCJBOLcGI9DyVCjAs2FBu-37AbrLC3hVGgsEPdhdEwVJ2I9BoGFUpTcUlNduS16MZxiajvreIW0dLfFm-1-pwxZUHCNo8pJDc2jdVbAkC6iy6H5O2H8uH-09PAsblkXs2jTWsDcHT_HhImd14XsTBcqTWTdt-0frSzenSTf2sXw/w360-h640/Populations%209.jpg" width="360" /></a>
</div>
<p></p>
<p style="text-align: justify;">
<i><b>Populations<br /></b></i>objects, 2016, 12 × Ø120×20 mm: Petri dishes, 3D print (PLA)
</p>
<p style="text-align: justify;">
<i><b>Populacje<br /></b></i>obiekty, 2016, 12 × Ø120×20 mm: szalki Petriego, druk 3D (PLA)
</p>
<div style="text-align: justify;"><br /></div>
<p style="text-align: justify;">
The significant aspect of 3D printing is the semantic change that occurs
during the preparation of the virtual model. The developing form changes its
meaning depending on the stage or context in which it is placed. Preliminary,
geometrical structures without reference points do not allow the observation
of spatial relations. The presented graphics evoke biological phenomena, but
they were created as one of the first stages of "Populations" (a graphic
representation of the analysis results) and determined the object's
topography. Extracted from the process and exposed, they are, however, an
important comment and interpretation vector.
</p>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg21c99P42wpXxSlplVV7BeurrjE9eo92wHYdLR27KJv3WUNPwApK4qhUsPweN2t2HO-pkO5U0pJKUD3FX9N3TyaczwUvvTrWW3wE50v54X98b-LNUsVcZlltZKbUBzBNAmiBTvVxStUuqlj4hOvNDhdWfCox3MUaLuWz2KNSktBMeR5ynUStVnQ/s1920/Populations%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg21c99P42wpXxSlplVV7BeurrjE9eo92wHYdLR27KJv3WUNPwApK4qhUsPweN2t2HO-pkO5U0pJKUD3FX9N3TyaczwUvvTrWW3wE50v54X98b-LNUsVcZlltZKbUBzBNAmiBTvVxStUuqlj4hOvNDhdWfCox3MUaLuWz2KNSktBMeR5ynUStVnQ/w640-h360/Populations%202.jpg" width="640" /></a>
</div>
<br />
<p style="text-align: justify;">
<i><b>Populations<br /></b></i>graphics, 2016, 500 × 700 mm: print on paper
</p>
<p style="text-align: justify;">
<i><b>Populacje<br /></b></i>grafiki, 2016, 500 × 700 mm: druk na papierze
</p>
<div style="text-align: justify;"><br /></div>
<p style="text-align: justify;">
"DePopulation" is a kind of reversal of the process, playing against it.
Unlike analytical and systematically generated "Populations," the object was
created based on demiurgic interference. At first contact with the object, it
becomes obvious that we are dealing with a representation of urban tissue.
However, a closer analysis leads to the conclusion that the proportions are
not only unrealistic but would create a space entirely unsuitable for living
and existing. The intuitive perception is replaced by a sense of unreality or
even a dystopian vision. The ambiguity of the title, in this context, refers
not only to futuristic considerations but also to a dialogue with earlier
works.
</p>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOJ_I7nzUYJvuArNRqDggQridUcwzwWj6s0TJIWSzjqeruJjCG5qA078bnWBp8u7aUbcie6Lk6bYU9NLyLk-yKJVXHeZbLePZbkwAeY_U4Tr8wz7stj0HICXzvLKkZNG9AOxd6tDaGFr5MYae0J9rldREVHB45UnlWMCQ-Ve44FNPzGNUv1AV3MA/s1920/Populations10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOJ_I7nzUYJvuArNRqDggQridUcwzwWj6s0TJIWSzjqeruJjCG5qA078bnWBp8u7aUbcie6Lk6bYU9NLyLk-yKJVXHeZbLePZbkwAeY_U4Tr8wz7stj0HICXzvLKkZNG9AOxd6tDaGFr5MYae0J9rldREVHB45UnlWMCQ-Ve44FNPzGNUv1AV3MA/w360-h640/Populations10.jpg" width="360" /></a>
</div>
<p style="text-align: justify;">
<i><b>DePopulation<br /></b></i>object, 2022, Ø160×280 mm: glass, MDF, 3D print (PLA)
</p>
<p style="text-align: justify;">
<i><b>DePopulacja<br /></b></i>obiekt, 2022, Ø160×280 mm: szkło, MDF, druk 3D (PLA)
</p>
<div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9NUCGj4xl8DuuoGbbeW950lrUjqg65CZMwTFOmm9BvMYaz5PKZASB3KDWwyAI4ngvcsBG8f9C44Hjcj-RmpLXUh-spxmOW93owkvHjesIL2HL3DiiEZQqZQ5MkbviWB76YeI2nnFfr6Ig3Dv0pXoxkwlnTFPFtHEH9gPcs5KuUGfot0aAojHwSw/s1920/Populations%207.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1920" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9NUCGj4xl8DuuoGbbeW950lrUjqg65CZMwTFOmm9BvMYaz5PKZASB3KDWwyAI4ngvcsBG8f9C44Hjcj-RmpLXUh-spxmOW93owkvHjesIL2HL3DiiEZQqZQ5MkbviWB76YeI2nnFfr6Ig3Dv0pXoxkwlnTFPFtHEH9gPcs5KuUGfot0aAojHwSw/w360-h640/Populations%207.jpg" width="360" /></a></div>
<p style="text-align: justify;">
Cykl obiektów „Populacje” opiera się na algorytmach matematycznych, silnie
skorelowanych z rzeczywistością ożywionej natury. Forma i parametryczność
topologii powstała przy użyciu narzędzi przeznaczonych do budowania i analizy
systemów urbanistycznych, a ostateczny kształt nadał zmechanizowany proces
druku przestrzennego.
</p>
<p style="text-align: justify;">
Cykl tworzy 18 wydruków 3D umieszczonych wewnątrz szalek Petriego – naczyń
laboratoryjnych przeznaczonych do hodowli mikroorganizmów. Źródłem formy stał
się podział płaszczyzny tesselacją Woronoja, a jej dopełnieniem – fizyczny
zapis procesu. Przemieszczająca się głowica drukująca zostawiła ślad toru
ruchu w postaci cienkich włókien, tworząc unikalną sieć połączeń pomiędzy
punktami obiektu. Cyfrowo wygenerowane i „bezduszne” dzieło jest zakorzenione
w teoriach matematycznych odnoszących się do struktur natury, detal zaś
stanowi rejestrację procesu, wynikającego z fizycznego charakteru materiału i
narzędzia – przestrzenną sieć, powstałą jako efekt uboczny – artefakt –
zastosowanej technologii.
</p>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9sEpJDYP5j9rQ_9ycljXToD2x8brdLdklYumqbwj8jDRYBVBM5T-UJ37mZtmeOOB0YlzWULw9vBFqjMqvN14bLHgdVYryrfAEAg_DWO6lezZ4jZd_tsQMZswvLuR62101HAta1NL2S0DrLDZg4Al1_H--TBwMlEbFAYWrjQQV3FoPn-ymk2iW2A/s1920/Populations%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9sEpJDYP5j9rQ_9ycljXToD2x8brdLdklYumqbwj8jDRYBVBM5T-UJ37mZtmeOOB0YlzWULw9vBFqjMqvN14bLHgdVYryrfAEAg_DWO6lezZ4jZd_tsQMZswvLuR62101HAta1NL2S0DrLDZg4Al1_H--TBwMlEbFAYWrjQQV3FoPn-ymk2iW2A/w360-h640/Populations%206.jpg" width="360" /></a>
</div>
<br />
<p style="text-align: justify;">
Istotna w aspekcie druku przestrzennego jest zmiana znaczeniowa zachodząca w
trakcie przygotowania modelu wirtualnego. Rozwijająca się forma zmienia swoje
znaczenie w zależności od etapu czy kontekstu, w jakim jest umieszczana.
Wstępne, geometryczne struktury, bez punktów odniesienia nie pozwalają na
zauważenie relacji przestrzennych. Prezentowane grafiki przywodzą na myśl
fenomeny biologiczne. Powstawały jednak jako jeden z pierwszych etapów
„Populacji” (graficzne przedstawienie wyników analizy) i determinowały
topografię obiektu. Wyekstrahowane z procesu i wyeksponowane, stanowią jednak
istotny komentarz i wektor interpretacji.
</p>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTWYxAScUU7ILjYdXte6F39bdD2MzPOCLmBJbaOTz6MrONWKfWpNScWhAEun3mnE77rHl3HKIXyzdnP2rPKpNfrIEJ1_quArxOA4GBEQv-HrQTQ-J9fumNWF0VuJZZ0eivtLYvMagGjt0WSYRFcmbpL2CsX4pZrPYx4buCZN_3CE8T2_iZ6T7CIg/s1920/Populations%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTWYxAScUU7ILjYdXte6F39bdD2MzPOCLmBJbaOTz6MrONWKfWpNScWhAEun3mnE77rHl3HKIXyzdnP2rPKpNfrIEJ1_quArxOA4GBEQv-HrQTQ-J9fumNWF0VuJZZ0eivtLYvMagGjt0WSYRFcmbpL2CsX4pZrPYx4buCZN_3CE8T2_iZ6T7CIg/w640-h360/Populations%203.jpg" width="640" /></a>
</div>
<div class="separator" style="clear: both; text-align: center;"><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZqtOn-hWklYls_BVO3rtdyfCGiw4nml6TU7wNcSRxGrkvj3A5uRm5tAfXSlHhj-st-OO7Ng7PSwrV5iqvu9Bjz-mHg9uoVlSCCjqTOlI_s-R7qWGuXpqd-PlkB1tXpWVghTZPbdLs-H9EnDBSPf-xDQ-4Hm-Qp1ZyWU--zC-G9Qt5CtvDJwYN0w/s1920/Populations%208.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1920" data-original-width="1080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZqtOn-hWklYls_BVO3rtdyfCGiw4nml6TU7wNcSRxGrkvj3A5uRm5tAfXSlHhj-st-OO7Ng7PSwrV5iqvu9Bjz-mHg9uoVlSCCjqTOlI_s-R7qWGuXpqd-PlkB1tXpWVghTZPbdLs-H9EnDBSPf-xDQ-4Hm-Qp1ZyWU--zC-G9Qt5CtvDJwYN0w/w360-h640/Populations%208.jpg" width="360" /></a></div><br />
<p style="text-align: justify;">
„DePopulacja” to swego rodzaju odwrócenie procesu, gra przeciw niemu. W
odróżnieniu od analitycznych i systemowo generowanych „Populacji”, powstał
obiekt oparty na demiurgicznej ingerencji. Przy pierwszym zetknięciu z
obiektem, oczywistym staje się fakt, że mamy do czynienia z przedstawieniem
tkanki urbanistycznej. Jednak bliższa analiza prowadzi do wniosków, że
proporcje są nie tylko nierealne, ale wręcz tworzyłyby przestrzeń, całkowicie
niezdatną do zamieszkania i bytowania. Intuicyjny odbiór zastępowany jest
poczuciem nierealności, czy wręcz dystopijną wizją. Dwuznaczność tytułu w tym
kontekście odnosi się nie tylko do futurystycznych rozważań, ale także do
dialogu z wcześniejszymi pracami.
</p>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD7iWnYaaI01J8zFcHjF1d-OYJMmuOjjJgs7hkwmUq2HkN4ajX_hW5YqYGhrHVA6XRm9DesDSMYj7aq3q-Z1QKStln-GTYyRK2iwaee8XxwkMkyyGQDRU72ckedYpDZbQYtcNyhfU2iTNQgscIsSdi4g0UwhxSkIImzRm0dSdZ24qzegD70cUyLA/s1920/Populations%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD7iWnYaaI01J8zFcHjF1d-OYJMmuOjjJgs7hkwmUq2HkN4ajX_hW5YqYGhrHVA6XRm9DesDSMYj7aq3q-Z1QKStln-GTYyRK2iwaee8XxwkMkyyGQDRU72ckedYpDZbQYtcNyhfU2iTNQgscIsSdi4g0UwhxSkIImzRm0dSdZ24qzegD70cUyLA/w640-h360/Populations%205.jpg" width="640" /></a>
</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Video report from the <i>Numeric Art </i>exhibition in Przestrzeń Sztuki WL4, Mleczny Piotr, Gdańsk, Poland, 1st–31st of October, 2022.</div><div class="separator" style="clear: both; text-align: left;"><br />Relacja filmowa z wystawy <i>Sztuka Numeryczna</i> w Przestrzeni Sztuki WL4, Mleczny Piotr w Gdańsku w dniach 1–31 października 2022 r.<br /><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div>
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<!--INSTAGRAM VIDEO-->Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comPopiełuszki, 80-863 Gdańsk, Polska54.3604735 18.661989726.050239663821152 -16.4942603 82.67070733617885 53.8182397tag:blogger.com,1999:blog-4901923886311769597.post-40991927002825957242022-08-30T09:41:00.012+02:002023-04-30T13:14:20.857+02:00Ingress [NFT:artblocks.io]<div></div>
<div style="font-size: 0px; text-align: justify;"><i>Ingress </i>is an immersive, interactive virtual space filled with color and lights. A visitor stands in the middle of the synthetic space with nothing to define their orientation or the interior scale. Sight direction might be an initial clue to the positioning, but as it turns out, in some cases, it would be misleading. Floating, pulsating and blending lights either close the surroundings or open it to infinity. Even though there are no restrictions in viewing direction, the visitor's position is bonded to the center.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNwODNKKr0mKbw6vaX17vUh7VY2e83mzTLFWsoA0gXKImanXoM-vlEmdn0Rl0dnTqbaI3webn8K5HHMnBN-Ykh7B185oyayqk-RhbpDlfhK_v-YSS8TFqSa9JAo2a7Fq7cS5ZJcEzhg5Udu4JAxQ9fH-X3YlbNNRdcAXFRs36K2S4ZAfbf72g2lw/s1200/Ingress-04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNwODNKKr0mKbw6vaX17vUh7VY2e83mzTLFWsoA0gXKImanXoM-vlEmdn0Rl0dnTqbaI3webn8K5HHMnBN-Ykh7B185oyayqk-RhbpDlfhK_v-YSS8TFqSa9JAo2a7Fq7cS5ZJcEzhg5Udu4JAxQ9fH-X3YlbNNRdcAXFRs36K2S4ZAfbf72g2lw/w640-h640/Ingress-04.jpg" width="640" /></a>
</div>
<div style="text-align: justify;"><b><i><span style="font-size: x-small;">Ingress</span></i></b></div><div><span style="font-size: x-small;"> digital image, still, 2022, dimensions variable<br /></span></div>
<p style="text-align: left;"><br /></p>
<div style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;">
<code> const void;<br />
let light;<br />
let expanse;</code>
</div>
<div style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;">
<code><br />project = {<br />
"animated" : true,<br />
"generative" : true,<br />
"immersive" : true<br />}</code>
</div>
<div style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;">
<code><br />function encounter() {<br /> return;<br />}</code>
</div>
<p style="text-align: left;"><br /></p>
<h3 style="text-align: left;">Genesis</h3>
<p style="text-align: justify;">
The basic concept for <i>Ingress </i>appeared during the time of working
on <i>Chroma Theory</i>. An erratic rendering of the shader experiment was so inspiring, that I promised myself to take
a closer look later on.
</p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwwcriF2xHdJm_X6rZ0U50-ZvhCHZ0N4hjtZffd6wIzOB5uDI-tvegHgQ1F5k_Dgnqww69MRgTx6EIsHhyNIW58lqs0ObUCNl3tBtaXDmU5-GjM0rGmjhkZzfPNlYLh98wdJgv1BZ1fjOomxeHG1LzfoHGj2719avRSN4xKq3dtIK920tSm67hdA/s1200/Ingress-early.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwwcriF2xHdJm_X6rZ0U50-ZvhCHZ0N4hjtZffd6wIzOB5uDI-tvegHgQ1F5k_Dgnqww69MRgTx6EIsHhyNIW58lqs0ObUCNl3tBtaXDmU5-GjM0rGmjhkZzfPNlYLh98wdJgv1BZ1fjOomxeHG1LzfoHGj2719avRSN4xKq3dtIK920tSm67hdA/w400-h400/Ingress-early.jpg" width="400" /></a></div>
<div style="text-align: justify;"><b><i><span style="font-size: x-small;">Ingress</span></i></b></div><div><span style="font-size: x-small;"> digital image, still, 2022, dimensions variable</span><br /></div>
<p style="text-align: justify;">I picked
up <i>Ingress </i>and started working on the project. At first, from the coding perspective, it
was a more complex derivative of its predecessor. Core features were
upgraded to bring a richer and more organic experience, e.g. movement, speed, color, and
variation. Although I enjoyed the visual effect, I missed the immersion. The
idea for three-dimensional rendering came soon after that.
</p>
<p style="text-align: justify;">
Moving, shimmering, and overlapping lights in 3D space were mesmerizing. It
allowed adding the interactive element and let the viewer decide. A real impact was using a built-in gyroscope to fully experience the virtual world in a single gesture. On a mobile device, the project follows your moves and brings you into a virtual experience. </p><p style="text-align: justify;">Since desktops don't really have a gyroscope built-in and moving it would be quite exhausting, I added a gamelike keyboard and/or mouse navigation to get a fully interactive design.</p>
<h3 style="text-align: justify;">Idea</h3>
<p style="text-align: justify;">
<i>Ingress </i>is an immersive, interactive virtual space filled with color and lights. A visitor stands in the middle of the synthetic space with nothing to define their orientation or the interior scale. Sight direction might be an initial clue to the positioning, but as it turns out, in some cases, it would be misleading. Floating, pulsating and blending lights either close the surroundings or open it to infinity. Even though there are no restrictions in viewing direction, the visitor's position is bonded to the center. </p><p style="text-align: justify;">The feeling might be calming, or disturbing. One might find it a beautiful and peaceful surrounding for contemplation, while others will recognize reminiscences of dark video games. Some spaces might be perceived as energetic music clubs, while others will resemble temples' interiors.</p><p style="text-align: justify;">Mobile rendering brings an even more powerful experience. When the device is moved, the visuals change accordingly. A small screen held in the viewer's hand turns into a discrete window allowing for some augmented voyeurism. The urge to see the hidden space makes the visitor move around, reach out and discover the ambiance. It's an opportunity of experiencing the second world, located in an unknown dimension.</p>
<p style="text-align: justify;">
As usual, on Art Blocks, the minting transaction hash determines the unique
output composition. The long string of numbers and letters (e.g.
<code>0x42b2a150459f9364f8cd5ea86c3cb3b0bffa0fcbae30caf593fbde0d60eca1e9</code>) is decoded into deterministic pseudorandom values, which define the
features (further explained below).</p>
<h3 style="text-align: left;">Live Script</h3>
<p style="text-align: justify;">
Below is a live script. Press <code>[R]</code> or <span style="font-family: monospace;">[refresh website]</span> to change the input hash and the result.
</p><p style="text-align: justify;">Mobile devices are recommended for the most intuitive, augmented, and immersive experience. The script is aspect ratio independent – <a href="https://pdudko.com/Ingress/" target="_blank">click here to view it in a new window</a>.</p><p style="text-align: justify;"><i>iOS 13+ devices need orientation data permission.</i></p>
<!----------------------------- SCRIPT ------------------------>
<style>
/* IFRAME FOR P5JS SCRIPT */
.box {
position: relative;
width: 100%;
/* desired width */
/* margin: 5px; */
}
.box:before {
content: "";
display: block;
padding-top: 100%;
/* initial ratio */
}
img {
min-width: 100%;
height: auto;
}
.content {
position: absolute;
top: 0;
left: 0;
bottom: 0;
right: 0;
background: #fff;
color: #fff;
/* display: flex;
align-items: center; */
line-height:100%;
height:100%;
text-align: center;
display: flex;
align-items: center;
justify-content: center;
}
@media screen and (max-width: 800px) {
.box:before {
content: "";
display: block;
padding-top: 180%;
/* initial ratio */
}
}
</style>
<div class="box">
<div class="content">
<iframe frameborder="0" src="https://pdudko.com/Ingress/" style="height: 100%; width: 100%;"></iframe>
</div>
</div><div><br /></div>
<!----------------------------- END OF SCRIPT ------------------------>
<div><div style="text-align: center;"><b><a href="https://pdudko.com/Ingress/" target="_blank">Open script in a new window for augmented experience</a></b></div>
<h3 style="text-align: left;">Navigation</h3>
<div>Desktop/laptop device: </div>
<div><code>[LMB] + drag, [arrows]</code> – navigate</div>
<div><code>[scroll], [+], [-]</code> – zoom in/out</div>
<div><code>[1]</code> – still camera preset | <i>Composition</i> feature</div>
<div><code>[2]</code> – preset camera movement</div>
<div><code>[any key]</code> – stop camera movement</div>
<div><br /></div>
<div>Mobile device:</div>
<div><code>device's orientation</code> – immersive navigation</div>
<div><code>pinch</code> – zoom in/out</div>
<!----------------------------- GALLERY STYLE ------------------------>
<style>
.row {
display: flex;
flex-wrap: wrap;
padding: 0 4px;
justify-content: space-between;
}
.column {
flex: 100%;
max-width: 100%;
justify-content: space-between;
}
.column img {
display: block;
vertical-align: middle;
}
.kontener {
display: block;
position: relative;
width: calc(100% - 2em);
margin: 1em;
transition: 0.5s ease-in-out;
}
.obraz {
display: block;
width: 100%;
height: auto;
transition: 0.5s ease-in-out;
}
.overlay {
position: absolute;
top: 0;
bottom: 0;
left: 0;
right: 0;
height: 100%;
width: 100%;
opacity: 0;
transition: 0.5s ease-in-out;
background-color: black;
}
.kontener:hover .overlay {
opacity: 0.0;
/* transform: scale(1.1);
z-index: 999999; */
}
.kontener:hover .obraz {
/* transform: scale(1.1);
z-index: 999998; */
}
.kontener:hover {
transform: scale(1.1);
z-index: 98;
}
.text {
color: white;
/* font-size: 20px; */
position: absolute;
top: 50%;
left: 50%;
transform: translate(-50%, -50%);
-ms-transform: translate(-50%, -50%);
text-align: center;
font-family: monospace;
}
/* Tablet Styles */
@media only screen and (min-width: 481px) {
.column {
flex: 50%;
max-width: 50%;
}
.kontener {
width: calc(100% - 2em);
margin: 1em;
}
}
/* Desktop Styles */
@media only screen and (min-width: 1024px) {
.column {
flex: 33.3%;
max-width: 33.3%;
}
.kontener {
width: calc(100% - 1em);
margin: .5em;
}
}
.niewidoczne {
display: none;
width: 0 px !important;
}
</style>
<!----------------------------- END OF GALLERY STYLE ------------------------>
<h3>Examples</h3>
<div class="row">
<div class="column">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8vkyfaMVg2z2k5Pbesw4Xz7pV03wOwU-8JAsu43YyrS2TeJTKzhsveNZ6DyjtlrhvaLpYxrmgjFGhsqCOcuPs4IgzBfq5g9Oid_yXM3S4IfXkJ7C-Bgl99dlouCC0xUx39In4FXI9UuKwtXhMWq6G6-_RAcG7303zR5-CAN2BkGELIV2VxFfwkA/s1200/Ingress-01.jpg">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8vkyfaMVg2z2k5Pbesw4Xz7pV03wOwU-8JAsu43YyrS2TeJTKzhsveNZ6DyjtlrhvaLpYxrmgjFGhsqCOcuPs4IgzBfq5g9Oid_yXM3S4IfXkJ7C-Bgl99dlouCC0xUx39In4FXI9UuKwtXhMWq6G6-_RAcG7303zR5-CAN2BkGELIV2VxFfwkA/s640/Ingress-01.jpg" />
<div class="overlay">
<div class="text">hash: 0x032b8411c3ad3c89b5b1cad3585b440c43282c647169bfd112c45796aafddc5b</div>
</div>
</div>
<!--</a>--></a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqn-7cPGye-0L3eEwTThnmABRa8iXceOy-82vMnXCZkgdcmTH4RxpbHGk0n6mHTCbXIX-0_B7FFhLkg_W9jKB0AV8U7GYrLJAdDsRKX7z5pFw7BMXQLXkDOWNJwW2L_4tsedakxn94wlb5YPs9C0U6RIUdLyK5dUz474ve0bOzK3fWZnqiL2vrEw/s1200/Ingress-02.jpg">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqn-7cPGye-0L3eEwTThnmABRa8iXceOy-82vMnXCZkgdcmTH4RxpbHGk0n6mHTCbXIX-0_B7FFhLkg_W9jKB0AV8U7GYrLJAdDsRKX7z5pFw7BMXQLXkDOWNJwW2L_4tsedakxn94wlb5YPs9C0U6RIUdLyK5dUz474ve0bOzK3fWZnqiL2vrEw/s640/Ingress-02.jpg" />
<div class="overlay">
<div class="text">hash: 0x29fdcc36c58c8170ca8ef486b160c3aac8eaa70d875d32f30cf15198014909a0</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNc9zTuQqWUp7aLVbLzdDBF6IjAmEgZ1A5dI1lDy8vPUCXYps51Y_XFX9db6oQn43q1qDiEScJ0lIyJLAKYZvNTqhFzeEq1m6kBH-Stij2RUbr9Y-287GifU5odwxSBoK2QbItN38G7Sk0ujB-V_blnvVOCetiMcdexQaVfzxRmn6Kcn0htZCaVw/s1200/Ingress-03.jpg">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNc9zTuQqWUp7aLVbLzdDBF6IjAmEgZ1A5dI1lDy8vPUCXYps51Y_XFX9db6oQn43q1qDiEScJ0lIyJLAKYZvNTqhFzeEq1m6kBH-Stij2RUbr9Y-287GifU5odwxSBoK2QbItN38G7Sk0ujB-V_blnvVOCetiMcdexQaVfzxRmn6Kcn0htZCaVw/s640/Ingress-03.jpg" />
<div class="overlay">
<div class="text">hash: 0x5b1e5cc89c5ba7174ccdd2c8973738a6a1ae718cc71b2b7c8eef7f27f4d34ec4</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpV6WF6dkY_4VjhgLiQlc1aK7Cs4hzvezJQnc6iLHl7m1GAaqYdnMz1-RVT-qq_6sLr4LMy35DbE0uobP0zYYJd4PhlHusxcresC23_RoUi2aKWGkmHT_wrZRi8vy-GBVrStK7CuAMbekVchDBrz_OMRNnC-p2Htdkl6xVFGJ__Xfptua_lk6YHQ/s1200/Ingress-13.jpg">
<div class="kontener">
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<div style="text-align: justify;"><b><i><span style="font-size: x-small;">Ingress</span></i></b></div><div><span style="font-size: x-small;">multiple stills, digital image, 2022, dimensions variable, hover for hash details</span></div>
<h3 style="text-align: left;">Features</h3>
<h4 style="text-align: left;"><i>Palette</i></h4>
<p style="text-align: justify;">
<i>Ingress </i>is available in a total of 44 predefined palettes. Two of
which are distinct: <i>Desaturated </i>and <i>Pale Luster</i>. The first offers
a true grayscale image, while the second is highly desaturated, with only a
hint of color perceivable.
</p>
<h4 style="text-align: left;"><i>Composition</i></h4>
<p style="text-align: justify;">
The initial view (set by pressing <i>1</i> on the keyboard) represents
the total of 8 compositions, of which each is unique. Compositions
<i>gate, ingress, and egress </i>refers to <i>vertical lights </i>with
various camera positions. <i>Hub </i>and <i>edge-hub</i> display
<i>horizontal lights. Firewall</i> sets the camera facing the
<i>wall</i> frontally and <i>angular</i> targets the corner of the
interior. <i>Base</i> composition focuses on the floor, which is visually significantly distinct from other variations.
</p>
<h4><i>Walls</i></h4>
<h4>
<p style="font-weight: 400; text-align: justify;">
The algorithm determines the complexity of the space, which is reflected by
the <i>walls</i> feature. It can vary from 4 to 1280. There are two sets of values. The first one is based on prismatic geometry and is represented by numbers: <i>4</i>,<i> 6</i>,<i> 8</i>,<i> 10</i>,<i> 12</i>,<i> 16</i>,<i> 32</i>, and<i> 64</i>. The second one is a platonic solid with a variety of complexity, which results in <i>20</i>, <i>80</i>, <i>320</i>, and <i>1280 </i>walls.</p><p style="font-weight: 400; text-align: justify;">The higher
value, the more complex the rendering.
</p>
</h4>
<h4 style="text-align: left;"><i>Dense</i></h4>
<p style="text-align: justify;">
The <i>dense </i>feature is responsible for rendering a higher number of
lights. In this case, the lights are significantly smaller, but their number is between 500
and 1000 (compared to the 10–20 range without).
</p>
<h4 style="text-align: left;"><i>Noisy</i></h4>
<p style="text-align: justify;">
Adds extra tiny lights, ranging from 40 to 400. These
additional lights tend to appear and disappear quicker than regular lights.
</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieHjUPp5dHXiMmbDm8MikpZlCLsDOwmckQR4rK7QctzyyC3oaPdKqewLw7qavEgjQaejLHEqNpF-wD6TGAqlmKXBu9A9DNFTWv2FabN7Z_xIIDqnPeo88t01oFhg48Ud_K28Cd3CaN71brMtkGwItI3K1AHX93rQ1sSCha6KO6-FnuRM6FgOCOOQ/s1200/Ingress-15.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieHjUPp5dHXiMmbDm8MikpZlCLsDOwmckQR4rK7QctzyyC3oaPdKqewLw7qavEgjQaejLHEqNpF-wD6TGAqlmKXBu9A9DNFTWv2FabN7Z_xIIDqnPeo88t01oFhg48Ud_K28Cd3CaN71brMtkGwItI3K1AHX93rQ1sSCha6KO6-FnuRM6FgOCOOQ/s320/Ingress-15.jpg" width="320" /></a></div><div style="text-align: justify;"><b><i><span style="font-size: x-small;">Ingress</span></i></b></div><div><span style="font-size: x-small;">digital image, still, 2022, dimensions variable</span></div><h4 style="text-align: justify;"><i style="text-align: left;">Symmetry</i></h4>
<p style="text-align: justify;">
It's a feature responsible for the pattern arrangement of lights. There are 3 possible setups. In prismatic architecture (ref. <i>walls </i>feature), <i>Symmetry</i> produces visible axes, <i>SuperSymmetry</i> brings even more reflection to an output. However, if the feature is represented by <i>Glitch</i>, the
pattern is more complex and pseudo-randomized. </p><p style="text-align: justify;">In platonic architecture, <i>Glitch</i> is still irregular and can potentially generate any possible arrangement, <i>Symmetry</i> is partially randomized, and <i>SuperSymmetry</i> aims to generate regular polygons (not always succeeds though ;) ).</p>
<h4 style="text-align: left;"><i>Pulse</i></h4>
<p style="text-align: justify;">
<i>Pulse</i> is a late developed feature, yet it is very intuitive. The
<i>noisy</i> value results in pseudo-random movement and
appearance of the lights. The <i>X-axial</i> and <i>Y-axial</i> create,
well, a moving pulse of lights.
</p>
<h4 style="text-align: left;">
<i>Haziness</i></h4>
<p style="text-align: justify;">
The feature is responsible for the strength and mixing of the lights. Among
the mints, some are <i>tranquil</i> or <i>calm</i>, while others
flicker <i>nervously</i>.
</p>
<h4 style="text-align: left;"><i>Particle Speed</i></h4>
<p style="text-align: justify;">
Represents the speed of the lights' movement. From smoothly <i>floating</i>,
through <i>mild</i> to <i>hectic</i> changes and overlaps.</p><h4 style="text-align: justify;"><i>FOV</i></h4><p style="text-align: justify;">Simply – <i>Field Of View </i>– an initial camera angle that could be adjusted interactively while visiting <i>Ingress</i>. Naturally, it can be <i>narrow</i>, <i>regular</i>, or <i>wide</i>.</p>
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5mwS1kK_REB-8KsuQRBg3u2S1HxMhiWMk9jBTSgcybI7Q2cKbBMCZrA2_mK1Yu2RnbcJoDEYkCsbOjOIzs6ki8tom8C2HHk4X0IYUdCvE6uPriVUJdH-1BAmfET0EeO8t-jqH2-OErOFN0vHGKOchD9ZUOsA_Qn4zie1pjoQEpTWiZxK0ib6AeA/s1200/Ingress-14.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5mwS1kK_REB-8KsuQRBg3u2S1HxMhiWMk9jBTSgcybI7Q2cKbBMCZrA2_mK1Yu2RnbcJoDEYkCsbOjOIzs6ki8tom8C2HHk4X0IYUdCvE6uPriVUJdH-1BAmfET0EeO8t-jqH2-OErOFN0vHGKOchD9ZUOsA_Qn4zie1pjoQEpTWiZxK0ib6AeA/w640-h640/Ingress-14.jpg" width="640" /></a></div><div style="text-align: justify;"><b><i><span style="font-size: x-small;">Ingress</span></i></b></div><div><span style="font-size: x-small;">digital image, still, 2022, dimensions variable</span></div>
<div align="center"><a href="https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/377" target="_blank"><h1><b>Ingress @ Art Blocks</b></h1>
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</div></div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-61726131104612709542022-01-28T12:15:00.039+01:002023-04-30T13:14:23.628+02:00Dark Chroma Theory [NFT:OpenSea.io]<div></div>
<div style="text-align: justify;">
<b><i>Dark Chroma Theory</i> is a collection of 16, 10-seconds loop animations based on color theory.</b></div>
<div style="text-align: justify;"><br />
<i>Dark Chroma Theory</i> project is a revision of <a href="https://www.pdudko.com/2021/10/chroma-theory.html"><i>Chroma Theory</i></a> published on Art Blocks.<a name='more'></a>
The code has been updated with certain features, e.g.: dark background only, looped animation, organic movement, wider color range, spots number, and appearance reviewed.
<br />
<br />
</div>
<style>
/* IMG fader style */
#fader {
position: relative;
/*height: auto;*/
width: 100%;
margin: 0 auto;
display: block;
padding-bottom: 100%;
margin-bottom: 20px;
}
@keyframes fade {
0% {opacity:1;}
6% {opacity:1;}
9% {opacity:0;}
96% {opacity:0;}
100% {opacity:1;}
}
#fader img {
animation-name: fade;
animation-timing-function: ease-in-out;
animation-iteration-count: infinite;
animation-duration: 24s;
position: absolute;
left: 0;
top: 0;
max-width: 100%;
width: 100%;
height: auto;
vertical-align: middle;
border: 0;
display: block;
}
#fader img:nth-of-type(1) {animation-delay: 22s;}
#fader img:nth-of-type(2) {animation-delay: 20s;}
#fader img:nth-of-type(3) {animation-delay: 18s;}
#fader img:nth-of-type(4) {animation-delay: 16s;}
#fader img:nth-of-type(5) {animation-delay: 14s;}
#fader img:nth-of-type(6) {animation-delay: 12s;}
#fader img:nth-of-type(7) {animation-delay: 10s;}
#fader img:nth-of-type(8) {animation-delay: 8s;}
#fader img:nth-of-type(9) {animation-delay: 6s;}
#fader img:nth-of-type(10) {animation-delay: 4s;}
#fader img:nth-of-type(11) {animation-delay: 2s;}
#fader img:nth-of-type(12) {animation-delay: 0;}
</style>
<div style="text-align: justify;">
<div id="fader">
<img alt="hash: 0xa1901" src="https://blogger.googleusercontent.com/img/a/AVvXsEi2iAaoz_9FT5WoI5S0jk2-I87lAqiSDRbSPKyMxkjKk-POidqsn0-dfelmG2XllFRSAHN2nUfR08hINI1Q7rnBicY4vyG1O18Bf8g0wp22RWfk4WWwvLtU9sUWfnENAZo0XDu_p1nYN-Jntn2Zx3guPQzGhMWkZY0hfjZQ8IhxBOEbV6xq0biygw=s920" />
<img alt="hash: 0x543b" src="https://blogger.googleusercontent.com/img/a/AVvXsEjbigLMr0bQwnMzXy9n9lHxpg9LsaMym1eK_TlYXbMB-Y7UbDr9pM66-hpu_RPGmoYOjFf-AeJpjHvzuw2Ex4mJGPCmDeySEMyF8lnryM8bPDe74w2OcLLS3Z6Wb7EUwnPS9MP6CZpAgDsh_W-ZGteyyi7fvlKZyHkHlEtm_0GJFVRtQB35bmsAVw=s920" />
<img alt="hash: 0xb78f" src="https://blogger.googleusercontent.com/img/a/AVvXsEiVZPKq5qGBlfsFfQ8UcOR6i5aKuKG_RLn6qU5_VCFghYue0-3EHAbJiQvpnLJ6w7GbLXUAKI7_b_7g5N8_VumjP_YqP6dPqEVdzCoieuHkbhwfWOizEU0hB0SsMi6jkYdcrDUwRdo4FJ6AeRxV8RLVK3ax1PjxuQumzgdH9DwLyp8C7AC8o0cT9A=s920" />
<img alt="hash: 0x7d4e" src="https://blogger.googleusercontent.com/img/a/AVvXsEizeQ0QLip-8IYeS9kOqHkgbyD4GzN0zjqUlnurRR2WiOcbf91QBTjFkN18AC8Y7sFmOGlhHrssyqC5uPETH7RA_aYk66nPuWG-8el4_Z8oDStPAQ1lHsc9WykkC1LQtEy6PnF83UIf86WBj1EJ05_-bdZnRXiZf0sAQqYZY6zVI5FLuMBDLLPy-A=s920" />
<img alt="hash: 0x59ac" src="https://blogger.googleusercontent.com/img/a/AVvXsEg56herW7WsiT9VermrEq1PRnjlbaSKxJhQMcjsFq57ZobKwiW66YCht5UetMZpz3YU0WAwaXshFdotFNoATk5eNAwQGnAlgb5cbSY6CvKh14pgJ05RuZriwviRMKbAWeeeqeunl5qkr847kVI1fi2faaYqS15BA8VoRIc266fbpMtfGaK0loK8tQ=s920" />
<img alt="hash: 0x3d7a" src="https://blogger.googleusercontent.com/img/a/AVvXsEg3N6uO0Rh5l4WrECIxlOCyyE1Iz-HSHr18tcPlNLF6Ne5MQouTVUaw3c0ln39wi_V17OBBu9q8dH1qRfFui0EE93gDpAM2Hyqct2vhWPzutLXxE7310FqgcM4fpg8urfgIejdzgHU9YfIBsYMUOlnsG9nAxj7qfM7Ke4WBUR04AZydh3MjF1SANg=s920" />
<img alt="hash: 0xd817" src="https://blogger.googleusercontent.com/img/a/AVvXsEgbr4IBT_WUrkjfbrtA7bUgU40N5nTKOzVuuNbRWNfeksGGy9rddp82U87WMBtbAZDGjsrgENcEodvsx8RD1Cywvpi47Nw4MH6FC8VUdmBOk7pxEpuVwY3oWV0doHJuGcRjWvqw_sWf-i74x4_6SH58oRN9xsBOOePNkeOtW-RV39mOxk9tBSx6Tw=s920" />
<img alt="hash: 0xb9cc" src="https://blogger.googleusercontent.com/img/a/AVvXsEh6guOo6GsVyajdZ6nJJgiDIx5EYoG39ZqeJ_o6uAJcqtiZ-D1uuWRsKJQ6Ofcm--PBEfamVpeDAV_UfyYk13WfmF-2fKlAMniNrsdgWCAQyFcO98J16bQQyWK27BmzL3-fM3h6MgfPRF_HFfMHoDv1NKSGTjGJyYZaXeqmCyshlad93zLoK-8nXQ=s920" />
<img alt="hash: 0x20f2" src="https://blogger.googleusercontent.com/img/a/AVvXsEjbtLow_oMMJrr7Z8P3BfuqrscgsD8fVvDq3hmN0jtNCsUB3g-fU8ZSC-j-TVvMohlpx85U1tHH0hvSbmKeCzvE0tdm6n61-oa1ijGvG1G7B2ew0EM66B9Oc2z2nE34RR4ljf78BNQxBpWmzPQejNawIeq6FQrcjOByNUaBk7t-H5h50U4wypGpmQ=s920" />
<img alt="hash: 0xc6f1" src="https://blogger.googleusercontent.com/img/a/AVvXsEgJBfIC4PWpPlcoyBQZPRu5wGuCQchoZPLdomTCH4FvyjeblRMsve40Z4ayqxHiu9SHE2v8n0fCH-uHmVU3yPVQxsTisxbLHOVXirYeAtKd966vtTQhtELrBQbGkLEWAiRACYB88_WXOiC8gRHalj9ecj8kZG_A_5cbqsXbNn8KH_EVOoQ2V9eCRg=s920" />
<img alt="hash: 0x46b2" src="https://blogger.googleusercontent.com/img/a/AVvXsEgWrtjleKaWR8ttCbPeBEyiz_sMmvNnT5fpM-Fh2y1ioVJeuucdORQ15Yr4hjMSd0-sPZRgWpiTCLf-c8Z7GY5Urt6hvJ19xSOYjoaOxVQEoluPe7JsRpzUxK6wXPbS3PREZGmX3jCHz54BF7-cB8qHeyXeJE01zZGQg-W2vtmem1--c-J6mJgsVw=s920" />
<img alt="hash: 0x7ce6" src="https://blogger.googleusercontent.com/img/a/AVvXsEg2ku1SqqFGJGD6-yE0q0LwiIlQ3kSL2Z8JSTGs_SElSL0uWI0698WJZBPqcNzbR6m6e884HzHYo8kT6Ru9K9XVYP5jIyQagRNH3-oO25if78L3z-UJWMzb66-Jq380IMJ6Cviyexk39k4pQdp-NV2Euv_W9u0meIDx_KfL-QyV9uYGBUkxGDRYAA=s920" />
</div>
</div>
<div style="text-align: justify;"><b><i>Dark Chroma Theory</i></b></div><div>multiple stills fading, digital image, 2022, dimensions variable, titles:<br />
<div style="text-align: center;"><code>
0xa190, 0x543b, 0xb78f,<br />
0x7d4e, 0x59ac, 0x3d7a,<br />
0xd817, 0xb9cc, 0x20f2,<br />
0xc6f1, 0x46b2, 0x7ce6 <br /></code></div>
</div><br />
<div style="text-align: justify;"><b><i>Dark Chroma Theory</i></b> is a set of looped 10-seconds animations filled with color, where you can experience slight movement, irregular pulse, and tonal diffusion. It's the abstract study of color coexistence and mutual interference, from pastel hues to vivid compositions. A minimalistic variation on visual media art. A set of 16 outputs has been chosen and minted on OpenSea Polygon blockchain.</div>
<div style="text-align: justify;"><br /></div>
<div style="text-align: justify;">
While working on <a href="http://genuary.art" target="_blank">Genuary 2022</a> prompts I've found some new ways to improve <i>Chroma Theory</i> with more developed color relations. I tried the new solutions and decided to create a small collection of outcomes. The idea of the center spot was abandoned and replaced with a higher spots number. The elements' movement and dissolution were improved to be more organic and looped.<br />
To visually distinguish the new outputs from the <a href="https://www.artblocks.io/project/170">Art Blocks Chroma Theory</a> Theory I decided to set a dark background, which was a nice addition to the idea of color study.
</div>
<div style="text-align: justify;"><br /></div>
<style>
.row {
display: flex;
flex-wrap: wrap;
padding: 0 4px;
justify-content: space-between;
}
.column {
flex: 100%;
max-width: 100%;
justify-content: space-between;
}
.column img {
display: block;
vertical-align: middle;
}
.kontener {
display: block;
position: relative;
width: calc(100% - 2em);
margin: 1em;
transition: 0.5s ease-in-out;
}
.obraz {
display: block;
width: 100%;
height: auto;
transition: 0.5s ease-in-out;
}
.overlay {
position: absolute;
top: 0;
bottom: 0;
left: 0;
right: 0;
height: 100%;
width: 100%;
opacity: 0;
transition: 0.5s ease-in-out;
background-color: black;
}
.kontener:hover .overlay {
opacity: 0.5;
/* transform: scale(1.1);
z-index: 999999; */
}
.kontener:hover .obraz {
/* transform: scale(1.1);
z-index: 999998; */
}
.kontener:hover {
transform: scale(1.1);
z-index: 98;
}
.text {
color: white;
/* font-size: 20px; */
position: absolute;
top: 50%;
left: 50%;
transform: translate(-50%, -50%);
-ms-transform: translate(-50%, -50%);
text-align: center;
font-family: monospace;
}
/* Tablet Styles */
@media only screen and (min-width: 481px) {
.column {
flex: 50%;
max-width: 50%;
}
.kontener {
width: calc(100% - 2em);
margin: 1em;
}
}
/* Desktop Styles */
@media only screen and (min-width: 1024px) {
.column {
flex: 33.3%;
max-width: 33.3%;
}
.kontener {
width: calc(100% - 1em);
margin: .5em;
}
}
.niewidoczne {
display: none;
width: 0 px !important;
}
</style>
<div class="row">
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEgIZstWgDDL6IBpTepJH1EyW9l4khxBu7BUuevjHes8t78mCcsxDFztiAeO9nb-0WAEbrbj3--xTQ9Z0cMM9k7XOUlYP_fjlrVibc6Fz8CVBOYvnlINqqr6MpFjHCSKdUMB4Z244qtWluXjwrnaxBlT0RN-z1yI55Ck2ACMeNXlNZhGJH85T5ek4g=s926">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEgIZstWgDDL6IBpTepJH1EyW9l4khxBu7BUuevjHes8t78mCcsxDFztiAeO9nb-0WAEbrbj3--xTQ9Z0cMM9k7XOUlYP_fjlrVibc6Fz8CVBOYvnlINqqr6MpFjHCSKdUMB4Z244qtWluXjwrnaxBlT0RN-z1yI55Ck2ACMeNXlNZhGJH85T5ek4g=s640" />
<div class="overlay">
<div class="text">hash: 0x12d7</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEjbigLMr0bQwnMzXy9n9lHxpg9LsaMym1eK_TlYXbMB-Y7UbDr9pM66-hpu_RPGmoYOjFf-AeJpjHvzuw2Ex4mJGPCmDeySEMyF8lnryM8bPDe74w2OcLLS3Z6Wb7EUwnPS9MP6CZpAgDsh_W-ZGteyyi7fvlKZyHkHlEtm_0GJFVRtQB35bmsAVw=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEjbigLMr0bQwnMzXy9n9lHxpg9LsaMym1eK_TlYXbMB-Y7UbDr9pM66-hpu_RPGmoYOjFf-AeJpjHvzuw2Ex4mJGPCmDeySEMyF8lnryM8bPDe74w2OcLLS3Z6Wb7EUwnPS9MP6CZpAgDsh_W-ZGteyyi7fvlKZyHkHlEtm_0GJFVRtQB35bmsAVw=s640" />
<div class="overlay">
<div class="text">hash: 0x543b</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEiVZPKq5qGBlfsFfQ8UcOR6i5aKuKG_RLn6qU5_VCFghYue0-3EHAbJiQvpnLJ6w7GbLXUAKI7_b_7g5N8_VumjP_YqP6dPqEVdzCoieuHkbhwfWOizEU0hB0SsMi6jkYdcrDUwRdo4FJ6AeRxV8RLVK3ax1PjxuQumzgdH9DwLyp8C7AC8o0cT9A=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEiVZPKq5qGBlfsFfQ8UcOR6i5aKuKG_RLn6qU5_VCFghYue0-3EHAbJiQvpnLJ6w7GbLXUAKI7_b_7g5N8_VumjP_YqP6dPqEVdzCoieuHkbhwfWOizEU0hB0SsMi6jkYdcrDUwRdo4FJ6AeRxV8RLVK3ax1PjxuQumzgdH9DwLyp8C7AC8o0cT9A=s640" />
<div class="overlay">
<div class="text">hash: 0xb78f</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEizeQ0QLip-8IYeS9kOqHkgbyD4GzN0zjqUlnurRR2WiOcbf91QBTjFkN18AC8Y7sFmOGlhHrssyqC5uPETH7RA_aYk66nPuWG-8el4_Z8oDStPAQ1lHsc9WykkC1LQtEy6PnF83UIf86WBj1EJ05_-bdZnRXiZf0sAQqYZY6zVI5FLuMBDLLPy-A=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEizeQ0QLip-8IYeS9kOqHkgbyD4GzN0zjqUlnurRR2WiOcbf91QBTjFkN18AC8Y7sFmOGlhHrssyqC5uPETH7RA_aYk66nPuWG-8el4_Z8oDStPAQ1lHsc9WykkC1LQtEy6PnF83UIf86WBj1EJ05_-bdZnRXiZf0sAQqYZY6zVI5FLuMBDLLPy-A=s640" />
<div class="overlay">
<div class="text">hash: 0x7d4e</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEg56herW7WsiT9VermrEq1PRnjlbaSKxJhQMcjsFq57ZobKwiW66YCht5UetMZpz3YU0WAwaXshFdotFNoATk5eNAwQGnAlgb5cbSY6CvKh14pgJ05RuZriwviRMKbAWeeeqeunl5qkr847kVI1fi2faaYqS15BA8VoRIc266fbpMtfGaK0loK8tQ=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEg56herW7WsiT9VermrEq1PRnjlbaSKxJhQMcjsFq57ZobKwiW66YCht5UetMZpz3YU0WAwaXshFdotFNoATk5eNAwQGnAlgb5cbSY6CvKh14pgJ05RuZriwviRMKbAWeeeqeunl5qkr847kVI1fi2faaYqS15BA8VoRIc266fbpMtfGaK0loK8tQ=s640" />
<div class="overlay">
<div class="text">hash: 0x59ac</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEg3N6uO0Rh5l4WrECIxlOCyyE1Iz-HSHr18tcPlNLF6Ne5MQouTVUaw3c0ln39wi_V17OBBu9q8dH1qRfFui0EE93gDpAM2Hyqct2vhWPzutLXxE7310FqgcM4fpg8urfgIejdzgHU9YfIBsYMUOlnsG9nAxj7qfM7Ke4WBUR04AZydh3MjF1SANg=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEg3N6uO0Rh5l4WrECIxlOCyyE1Iz-HSHr18tcPlNLF6Ne5MQouTVUaw3c0ln39wi_V17OBBu9q8dH1qRfFui0EE93gDpAM2Hyqct2vhWPzutLXxE7310FqgcM4fpg8urfgIejdzgHU9YfIBsYMUOlnsG9nAxj7qfM7Ke4WBUR04AZydh3MjF1SANg=s640" />
<div class="overlay">
<div class="text">hash: 0x3d7a</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEgbr4IBT_WUrkjfbrtA7bUgU40N5nTKOzVuuNbRWNfeksGGy9rddp82U87WMBtbAZDGjsrgENcEodvsx8RD1Cywvpi47Nw4MH6FC8VUdmBOk7pxEpuVwY3oWV0doHJuGcRjWvqw_sWf-i74x4_6SH58oRN9xsBOOePNkeOtW-RV39mOxk9tBSx6Tw=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEgbr4IBT_WUrkjfbrtA7bUgU40N5nTKOzVuuNbRWNfeksGGy9rddp82U87WMBtbAZDGjsrgENcEodvsx8RD1Cywvpi47Nw4MH6FC8VUdmBOk7pxEpuVwY3oWV0doHJuGcRjWvqw_sWf-i74x4_6SH58oRN9xsBOOePNkeOtW-RV39mOxk9tBSx6Tw=s640" />
<div class="overlay">
<div class="text">hash: 0xd817</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEh6guOo6GsVyajdZ6nJJgiDIx5EYoG39ZqeJ_o6uAJcqtiZ-D1uuWRsKJQ6Ofcm--PBEfamVpeDAV_UfyYk13WfmF-2fKlAMniNrsdgWCAQyFcO98J16bQQyWK27BmzL3-fM3h6MgfPRF_HFfMHoDv1NKSGTjGJyYZaXeqmCyshlad93zLoK-8nXQ=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEh6guOo6GsVyajdZ6nJJgiDIx5EYoG39ZqeJ_o6uAJcqtiZ-D1uuWRsKJQ6Ofcm--PBEfamVpeDAV_UfyYk13WfmF-2fKlAMniNrsdgWCAQyFcO98J16bQQyWK27BmzL3-fM3h6MgfPRF_HFfMHoDv1NKSGTjGJyYZaXeqmCyshlad93zLoK-8nXQ=s640" />
<div class="overlay">
<div class="text">hash: 0xb9cc</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEjbtLow_oMMJrr7Z8P3BfuqrscgsD8fVvDq3hmN0jtNCsUB3g-fU8ZSC-j-TVvMohlpx85U1tHH0hvSbmKeCzvE0tdm6n61-oa1ijGvG1G7B2ew0EM66B9Oc2z2nE34RR4ljf78BNQxBpWmzPQejNawIeq6FQrcjOByNUaBk7t-H5h50U4wypGpmQ=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEjbtLow_oMMJrr7Z8P3BfuqrscgsD8fVvDq3hmN0jtNCsUB3g-fU8ZSC-j-TVvMohlpx85U1tHH0hvSbmKeCzvE0tdm6n61-oa1ijGvG1G7B2ew0EM66B9Oc2z2nE34RR4ljf78BNQxBpWmzPQejNawIeq6FQrcjOByNUaBk7t-H5h50U4wypGpmQ=s640" />
<div class="overlay">
<div class="text">hash: 0x20f2</div>
</div>
</div>
</a>
</div>
<div class="column">
<a href="https://blogger.googleusercontent.com/img/a/AVvXsEh6ve5HqHvF5sqUTEG1jHvjMwcWh87h6gcH3DjlCcmkkb8JNaw31q953KR0rfXcDKsLtg3dOyjvXhvs-Hu0ODKyU6gOLBx0DzflE5vLGmnKZn0x5Wjj45axfpFunZry-pEVkTi-q1nM-pJTxBgCWEdil4c13B-PB7Zk0r9jPm6x48Jg85g_wk1ybQ=s920">
<div class="kontener">
<img class="obraz" src="https://blogger.googleusercontent.com/img/a/AVvXsEh6ve5HqHvF5sqUTEG1jHvjMwcWh87h6gcH3DjlCcmkkb8JNaw31q953KR0rfXcDKsLtg3dOyjvXhvs-Hu0ODKyU6gOLBx0DzflE5vLGmnKZn0x5Wjj45axfpFunZry-pEVkTi-q1nM-pJTxBgCWEdil4c13B-PB7Zk0r9jPm6x48Jg85g_wk1ybQ=s920" />
<div class="overlay">
<div class="text">hash: 0xaa28</div>
</div>
</div>
</a>
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<div class="column">
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<div class="text">hash: 0x46b2</div>
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<div class="text">hash: 0x7ce6</div>
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<div style="text-align: justify;"><b><i>Dark Chroma Theory</i></b></div><div>multiple stills, digital image, 2022, dimensions variable, hover for title</div>
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<div class="separator" style="text-align: center;">
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<div style="text-align: justify;"><b><i>Dark Chroma Theory 0x7D4E</i></b></div>
<div>animation loop, 10 seconds, digital image, 2022, dimensions variable </div>
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<div align="center"><a href="https://opensea.io/collection/dark-chroma-theory" target="_blank"><h1><b>Dark Chroma Theory @ OpenSea.io</b></h1>
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<div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwg-A8eXI5MBW32oS1wr9vOrqs6mKP4bS3uNNWEji6h1ZClK2ZnMj6whbFXNyvB1V8OPzEM8PbM8-3ZfwEBRQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><div><br /></div>
-->Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-16392587244700112252021-10-26T21:11:00.019+02:002023-04-30T13:14:27.075+02:00Chroma Theory [NFT:artblocks.io]<div></div>
<div style="text-align: justify;">
<b><i>Chroma Theory</i> is an infinite scripted digital animation that is based on color theory.</b></div><div style="text-align: justify;"><br />
All of the spots visible in a single rendering are subject to the rules of perception, mixing, matching, or contrasting colors.<a name='more'></a>
It is an NFT-specific artwork, making it possible to create generative individual pieces that are unique for their owners.<br />
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<div style="text-align: justify;"><b><i>Chroma Theory</i></b></div><div>multiple stills fading, digital image, 2021, dimensions variable, hashes:<br/>
<div style="text-align: center"><code>
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0xc41f9f078ebf4130fe17a70600645d6a5d970ab8b222208d31dfaee6ec2ac12a,<br />
0x2800dfc0bc5b52f8047e08dd435cb17fc4328767bc5edb5106ff554213205ddc,<br />
0xcde86f23980b20c4d79a9138c3ac24edac6626c7e98878b40fa88c2ce2e42468,<br />
0x5b1e5cc89c5ba7174ccdd2c8973738a6a1ae718cc71b2b7c8eef7f27f4d34ec4,<br />
0x97c72f9996afb076481c8f9d0f6b478b90df1aac4caa457d0a8988cc5864bde7,<br />
0x10617676bc76cb2ad2abe7ff638babb4167d7962069fc9ea4c0e3467d74a0103,<br />
0x254f8cd443f293980e378181ee2da664447db51103aa40e114a0b2fbc5622f03,<br />
0x0abd12f4fc6d3e4d83718ba3c3466f6fee6654a49cae5c82ca5956100f7988f9,<br />
0xd4acda2e303c33b828d50532ae36de453472be0d21096c1028711c495b0952a6,<br />
0x032b8411c3ad3c89b5b1cad3585b440c43282c647169bfd112c45796aafddc5b <br /></code></div>
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<div style="text-align: justify;"><b><i>Chroma Theory</i></b> is the infinite animation filled with color, where you can experience slight movement, irregular pulse, and tonal diffusion. It's the abstract study of color coexistence and mutual interference, from pastel hues to vivid compositions. A minimalistic variation on visual media art. Every aspect (colors, sizes, mixing, and movement) is assigned to the process of minting, which makes every piece unique. Sit back, relax and give it time.</div>
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This project is a homecoming to the beginning of my art creation – photography and CGI. Ever since I've started to explore the generative art world, I wanted to offer people unique items, that they could relate to and claim a personal piece. Finding out about the NFT and <a href="https://artblocks.io/">artblocks.io</a> was a dream come true.</div><div style="text-align: justify;"><br />
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Until <i>Chroma Theory</i>, in generative projects like <a href="https://www.pdudko.com/2019/11/oblicza-kola.html"><i>The Faces of the Circle</i></a> [2018], <i><a href="http://www.pdudko.com/2016/09/niezbedneMA.html">(Un)necessary</a> </i>[2016], or <a href="http://www.pdudko.com/2016/08/populacje-cialo-otwarte.html"><i>Populations</i></a> [2016] final artworks were selected by me and limited to those, I decided to create and exhibit. There are no such limitations in the digital world, which makes art more personal with a hint of surprise.
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<h3>SAMPLE CONFIGURATIONS</h3>
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<div style="text-align: justify;"><b><i>Chroma Theory</i></b></div><div>multiple stills, digital image, 2021, dimensions variable, hover for hash details</div>
<br />
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<div style="text-align: justify;"><b><i>Chroma Theory</i></b></div><div>still, digital image, 2021, dimensions variable, hash:
<div style="text-align: center;"><code>0x40914df97759927819529f6c1c80d29f7867bc59615f5c6d33a8078167155baa</code></div>
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</style>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-37424696129039643752021-09-04T18:00:00.265+02:002023-04-30T13:14:29.836+02:00Ex-machina [solo exhibition:Baszta Gallery:Zbąszyń:Poland]<div>
<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5-8SQGgROOfYlh5UppjFa6xYSOOZ_xHLp0UpTzWJYXK4Al7pcLJUP1MvqYuzIQHFbTAxvPebeWWqUkTquP-z-2Pxkjru7GxxTrcDtsMZflyrDFbRgdEXhnXQwH76QgFK704zdBLZYyQ/s2048/Ex-machina+by+Pawel+Dudko+detail+01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5-8SQGgROOfYlh5UppjFa6xYSOOZ_xHLp0UpTzWJYXK4Al7pcLJUP1MvqYuzIQHFbTAxvPebeWWqUkTquP-z-2Pxkjru7GxxTrcDtsMZflyrDFbRgdEXhnXQwH76QgFK704zdBLZYyQ/w640-h480/Ex-machina+by+Pawel+Dudko+detail+01.jpg" width="640" /></a></div><p></p><p>
<i style="text-align: justify;">Ex-machina</i><span style="text-align: justify;">
is a solo exhibition in Baszta Gallery in Zbąszyń, Poland. The leitmotiv
of the show is the author's device </span><i style="text-align: justify;">Machine Creative</i><span style="text-align: justify;">, which was used to create and present other objects. </span>
</p>
<p style="text-align: justify;">
The idea behind <i>Machine Creative</i> was to build a device that
would function as a creator, replicating the process from human-machine
relation to machine-object creation. An artist, a creator, replaced by a
device is not a new idea. However, it is still an issue to determine where
the creative process comes from and how it exactly works. With all the
knowledge, it still resembles a mystery. The process is reflected in the
exhibition. <i>Machine Creative</i> produces objects from which all are
different and each is unique. Although the mechanism is designed to extrude
the material steadily, the filament is uniform and the extrusion is
protected from external factors, every creation is one of a kind.
</p>
<p style="text-align: justify;">
The device was used to create multiple objects, which were placed in
different contexts.
</p>
</div>
<div>
More on the device: <a href="https://www.pdudko.com/2020/09/machine-creative-ministry-of-culture.html">Machine Creative [MKiDN Scholarship "Culture on the Web"</a>]
</div>
<div><br /></div>
<div style="align: center;"><iframe allow="autoplay; fullscreen" allowfullscreen="" frameborder="0" height="416" src="https://player.vimeo.com/video/463200510" width="740"></iframe></div>
<br /><a href="https://vimeo.com/463200510">Machine Creative</a> from <a href="https://vimeo.com/pdudko">Paweł Dudko</a> on <a href="https://vimeo.com">Vimeo</a>.
<br><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie7nbW_hsneADGBwn9Vad7f-dPFmRKA2U19mppK4qxPh-hMHygubuhA7TvJbJdA2A-Ijc2YXCLvAQ2DQiZMvjg6HTIUtIgGyR3S4rpkiNWsBtoki5BvuTZ74Lys-UKZ9UYR_yhTcuHVw/s2048/Ex-machina+by+Pawel+Dudko+02.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie7nbW_hsneADGBwn9Vad7f-dPFmRKA2U19mppK4qxPh-hMHygubuhA7TvJbJdA2A-Ijc2YXCLvAQ2DQiZMvjg6HTIUtIgGyR3S4rpkiNWsBtoki5BvuTZ74Lys-UKZ9UYR_yhTcuHVw/w640-h426/Ex-machina+by+Pawel+Dudko+02.jpg" width="640" /></a>
</div>
<div><br /></div>
<div style="text-align: justify;">
<i>Ex-machina </i>to indywidualna wystawa w Galerii Baszta w Zbąszyniu.
Leitmotivem stało się autorskie urządzenie <i>Maszyna Twórcza</i>, które
zostało wykorzystane do stworzenia i zaprezentowania pozostałych obiektów.
</div>
<div style="text-align: justify;">
<p style="text-align: justify;">
Ideą stojącą za <i>Maszyną Twórczą </i>była budowa urządzenia,
które mogłoby funkcjonować jako twórca, powielając relację człowiek–maszyna
w kontekście twórczym maszyna–utwór. Zastąpienie artysty, kreatora, przez
urządzenie nie jest nową ideą. Jednakże naukowym problemem wciąż pozostaje
odpowiedź na pytanie, gdzie zaczyna się proces kreatywny, skąd pochodzi i w
jaki dokładnie sposób przebiega. Z całą dotychczasową wiedzą naukową, to
zagadnienie pozostaje tajemnicą. Proces twórczy znajduje swoje odbicie w
wystawie. <i>Maszyna Twórcza </i>tworzy obiekty, z których każdy jest
inny i unikatowy. Pomimo, że mechanizm został zaprojektowany tak, aby w
jednostajnym i stałym tempie ekstrudować materiał, użyty filament jest
jednorodny, a całość jest osłonięta od warunków zewnętrznych, każdy obiekt
jest niepowtarzalny.
</p>
<p style="text-align: justify;">
Urządzenie zostało wykorzystane do stworzenia obiektów, które następnie
zostały umieszczone w różnych kontekstach.
</p>
<p style="text-align: justify;">
Więcej o <i>Maszynie Twórczej</i>: <a href="https://www.pdudko.com/2020/09/machine-creative-ministry-of-culture.html">Maszyna Twórcza [Stypendium MKiDN „Kultura w sieci”]</a>
</p>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdLToDLyAJQagkft2ppHmFpI-4c_vt6REvXJiMOu7GXzoCRpyhFY95wisC_rGGnUksTJlZvUXTA16A5cVM192hA5jgGn6gZWC99xvEXsfsVuQ3OsupDpm-46N2bYghQwvi-wSV8Ss8vQ/s2048/Machine+creative+by+Pawel+Dudko+02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdLToDLyAJQagkft2ppHmFpI-4c_vt6REvXJiMOu7GXzoCRpyhFY95wisC_rGGnUksTJlZvUXTA16A5cVM192hA5jgGn6gZWC99xvEXsfsVuQ3OsupDpm-46N2bYghQwvi-wSV8Ss8vQ/w640-h640/Machine+creative+by+Pawel+Dudko+02.jpg" width="640" /></a>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJdIgdVUr6qAhOAEd7AUmrTan9-GcIfxP-rYvvAMRBKm4UeglSPL2NjTwuxQo72ycPl9RxJBd-2NVrUFy0eW7p_GSwbmcr5cKmqXch3kiQ5w4ma7LT2qeKfqz9i1TzlZHhpzgOh9gXZA/s2048/Machine+creative+by+Pawel+Dudko+03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJdIgdVUr6qAhOAEd7AUmrTan9-GcIfxP-rYvvAMRBKm4UeglSPL2NjTwuxQo72ycPl9RxJBd-2NVrUFy0eW7p_GSwbmcr5cKmqXch3kiQ5w4ma7LT2qeKfqz9i1TzlZHhpzgOh9gXZA/w640-h640/Machine+creative+by+Pawel+Dudko+03.jpg" width="640" /></a>
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<div>
<b><i>Machine creative</i></b>
</div>
<div>
<p>
device, 2020, FDM PLA printer elements, electronics, stainless steel,
plywood, glass, MDF, 30 × 30 × 150 cm
</p>
<div>
<b><i>Maszyna Twórcza</i></b>
</div>
<div>
<p>
urządzenie, 2020, elementy drukarki FDM PLA, elektronika, stal nierdzewna,
sklejka, szkło, MDF, 30 × 30 × 150 cm
</p>
<p><br /></p>
<p><br /></p>
</div>
</div>
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<br /></b>
<p>
<b><i>Untitled</i></b>
</p>
<p>
object, 2021, FDM PLA prints, plywood, glass, MDF, 30 × 30 × 150 cm
</p>
<div>
<p>
<b><i>Bez tytułu</i></b>
</p>
<p>
obiekt, 2021, wydruki FDM PLA, sklejka, szkło, MDF, 30 × 30 × 150 cm
</p>
<p><br /></p>
<p><br /></p>
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</div>
<br />
<div>
<b><i>Untitled</i></b>
</div>
</div>
<div>
<p>objects, 12 pcs., 2021, MDF frame, FDM PLA print, 27 × 27 × 6 cm each</p>
<p>
<b><i>Bez tytułu</i></b>
</p>
<p>
obiekty, 12 szt., 2021, rama MDF, druk FDM PLA, 27 × 27 × 6 cm każdy
</p>
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comGaleria Baszta, Zbąszyń52.2466061 15.915727452.245949217251166 15.914654516394043 52.247262982748836 15.916800283605957tag:blogger.com,1999:blog-4901923886311769597.post-25541616136547556522021-07-09T17:00:00.159+02:002023-04-30T13:14:32.206+02:00Dream collection [Experyment:Zbąszyń:Poland]<span style="color: white; font-size: 0px;">The <i>Dream collection</i> is based on an interactive activity, the essence of which is the transcription of the participant's statement into a visual form using an author's device. The resulting object becomes very personal, and the written content is only a sign of the event.</span><p><b><i></i></b></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic0VGgJ1Rrnup0W3Ugk4Uk05Ns6Pfwh7VjfacKTEob-PXOuUYA2Q7biuNd1eqr4M22gAZu9mMULD5RSRc0wRqD8Q_1THCBKTCDMy_C7kAMzC7jDTF_Vy3fNtrCheobV_Yh_lxslabheQ/s1539/Dream+collection+Dudko+fot.+D.Bulinska+%252838%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1124" data-original-width="1539" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic0VGgJ1Rrnup0W3Ugk4Uk05Ns6Pfwh7VjfacKTEob-PXOuUYA2Q7biuNd1eqr4M22gAZu9mMULD5RSRc0wRqD8Q_1THCBKTCDMy_C7kAMzC7jDTF_Vy3fNtrCheobV_Yh_lxslabheQ/w640-h468/Dream+collection+Dudko+fot.+D.Bulinska+%252838%2529.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, close-up | <b><i>Kolekcja marzeń</i></b>, zbliżenie, fot. Dorota Bulińska</td></tr></tbody></table><p></p><p><b><i>Dream collection</i></b></p><p>happening/objects, 2021, foam board, FDM PLA print, 15 × 15 × 1 cm </p><p><br /></p><p><b><i>Kolekcja marzeń</i></b></p><p>działanie/obiekty, 2021, płyta piankowa, druk FDM PLA, 15 × 15 × 1 cm</p><p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkS_LGtG431HCZb2MXFQmhqITi8p_lZxYJkESrB6OYIZTbkpMmXJ_E1r_kVcLHQqFWtwezDUPLlTXx-R2486j8rdHsMrUjcOP-P1nGsXEkRrqpCeV0eM_1TiHuDP48dZ7JYypT71BVhg/s2048/Dream+collection+Dudko+fot.+D.Bulinska+%252832%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="652" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkS_LGtG431HCZb2MXFQmhqITi8p_lZxYJkESrB6OYIZTbkpMmXJ_E1r_kVcLHQqFWtwezDUPLlTXx-R2486j8rdHsMrUjcOP-P1nGsXEkRrqpCeV0eM_1TiHuDP48dZ7JYypT71BVhg/s2048/Dream+collection+Dudko+fot.+D.Bulinska+%252832%2529.jpg" width="100%" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, general view | <b><i>Kolekcja marzeń</i></b>, widok ogólny ekspozycji, fot. Dorota Bulińska</td></tr></tbody></table><p></p><p style="text-align: justify;">The <i>Dream collection</i> is based on an interactive activity, the essence of which is the transcription of the participant's statement into a visual form using an author's device. The resulting object becomes very personal, and the written content is only a sign of the event.</p><p style="text-align: justify;"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_f8SY2L8dW22Qx26TMyAfFg3OU3qS3T9Pxy-xcWW_LH_jZhlwLlIjfm0B5tEQh_qVFe_Fv9TWvT-L5NHumo6qjIImLtR_I-GlCFioaJbaGky4oryp05DhTVXZ_LSmnXh4pEl-Q5crg/s1973/Dream+collection+Dudko+fot.+D.Bulinska+%252813%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1317" data-original-width="1973" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_f8SY2L8dW22Qx26TMyAfFg3OU3qS3T9Pxy-xcWW_LH_jZhlwLlIjfm0B5tEQh_qVFe_Fv9TWvT-L5NHumo6qjIImLtR_I-GlCFioaJbaGky4oryp05DhTVXZ_LSmnXh4pEl-Q5crg/w640-h428/Dream+collection+Dudko+fot.+D.Bulinska+%252813%2529.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, happening, participant signing the print | <b><i>Kolekcja marzeń</i></b>, działanie, uczestniczka podpisująca wydruk, fot. Dorota Bulińska</td></tr></tbody></table><p style="text-align: justify;">The participant is invited to tell about the chosen dream. The recording process takes 200 seconds (more than 3 minutes), which slowly turns their initial enthusiasm or anxiety into focus and reflection. One word, or even a short sentence, turns out to be insufficient. The participant has to focus on their image, expand it, make it more detailed, try to feel it with many senses. What initially was only a distant vision, with time takes shape, gain details, maybe even aromas or flavors.</p><div><div style="text-align: justify;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimRykf6wc-TKAxHbw4_hQf5JwaxDVjrpkjUXtI1dSe9XvuID8FeuE9-JnsjclGM9_fFMAU1OxFZyjjAm7OGjjSe1gLDtivEDmw0aXP6DZKUj8Q0DlZARGRVeZBFMbikquSgszX6DxEAQ/s2008/Dream+collection+Dudko+fot.+D.Bulinska+%252835%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1453" data-original-width="2008" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimRykf6wc-TKAxHbw4_hQf5JwaxDVjrpkjUXtI1dSe9XvuID8FeuE9-JnsjclGM9_fFMAU1OxFZyjjAm7OGjjSe1gLDtivEDmw0aXP6DZKUj8Q0DlZARGRVeZBFMbikquSgszX6DxEAQ/w640-h464/Dream+collection+Dudko+fot.+D.Bulinska+%252835%2529.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, device | <b><i>Kolekcja marzeń</i></b>, urządzenie, fot. Dorota Bulińska</td></tr></tbody></table><br /><div style="text-align: justify;">The object is created on a sheet placed on a rotating table. For 200 seconds, the table makes a full rotation and the 3D pen extrudes the filament. At this time, the recording takes place – the strength of the sound, the timbre of the voice, the pace of articulation directly affect the relief graph that appears. The recording is unidirectional. It is not possible to read what exactly was the dream, what the details or the words were. You can only try to guess the mood, emotions (reflection, excitement) and observe the changeability of the pace of speech.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The purpose of the <i>Dream collection </i>is to build a set of symbolic records of dreams and wishes. </div></div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: left;"><div style="padding:75% 0 0 0;position:relative;"><iframe src="https://player.vimeo.com/video/590215740?badge=0&autopause=0&player_id=0&app_id=58479&h=eea0d2e17f" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen style="position:absolute;top:0;left:0;width:100%;height:100%;" title="Dream collection by Pawel Dudko [sub].mov"></iframe></div><script src="https://player.vimeo.com/api/player.js"></script></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><div style="text-align: justify;"><i>Kolekcja marzeń </i>opiera się na interaktywnym działaniu, którego istotą jest transkrypcja wypowiedzi uczestników na formę wizualną przy wykorzystaniu autorskiej maszyny. Powstały obiekt staje się bardzo osobisty, a zapisana treść stanowi jedynie znak wydarzenia. </div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk1IzoCLTz2zSliqg6fRKuEt7NT86mz9vUv3KoWmW2XdPMN8F3LB8xCG2Cqmqw98KXrbtFg_PePW631RzUJxYlf5_yd46nvQehL7brk_QOmKwQfJkgSZ0oJ1Gdx2DhP9iwBzl6MglN2A/s2048/Dream+collection+Pawel+Dudko+02.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk1IzoCLTz2zSliqg6fRKuEt7NT86mz9vUv3KoWmW2XdPMN8F3LB8xCG2Cqmqw98KXrbtFg_PePW631RzUJxYlf5_yd46nvQehL7brk_QOmKwQfJkgSZ0oJ1Gdx2DhP9iwBzl6MglN2A/w640-h480/Dream+collection+Pawel+Dudko+02.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, detail | <b><i>Kolekcja marzeń</i></b>, detal, fot. Paweł Dudko</td></tr></tbody></table></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Uczestnik jest zaproszony do opowiedzenia o wybranym własnym marzeniu. Proces rejestracji trwa 200 sekund (ponad 3 minuty), co sprawia, że początkowy entuzjazm lub zdenerwowanie powoli zmienia się w skupienie i refleksję. Jedno słowo, czy nawet krótkie zdanie okazuje się być niewystarczające. Uczestnik musi skupić się na swoim wyobrażeniu, rozbudować je, uszczegółowić, starać się poczuć wieloma zmysłami. To, co początkowo było tylko odległą wizją, z czasem nabiera kształtów, szczegółów, może nawet aromatów, czy smaków.</div><div style="text-align: justify;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVLwFNOH2CVAxrY-bMT6PnGYmq-6_Fk6LwwlIZWqu9WAtwL0cGUz5AOIjmOM0pTylZVIMFuVlxSY25h9QmqL4xuOnS3Uv43Vui-S09HyyKvYLvP4cPXGBtwxX1P5t86FOAAn9KjLnaSg/s2048/Dream+collection+Dudko+fot.+D.Bulinska+%25286%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="2048" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVLwFNOH2CVAxrY-bMT6PnGYmq-6_Fk6LwwlIZWqu9WAtwL0cGUz5AOIjmOM0pTylZVIMFuVlxSY25h9QmqL4xuOnS3Uv43Vui-S09HyyKvYLvP4cPXGBtwxX1P5t86FOAAn9KjLnaSg/w640-h332/Dream+collection+Dudko+fot.+D.Bulinska+%25286%2529.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, filament | <b><i>Kolekcja marzeń</i></b>, filament, fot. Dorota Bulińska</td></tr></tbody></table><br /><div style="text-align: justify;">Obiekt powstaje na arkuszu umieszczonym na obracającym się stole. Przez 200 sekund stół wykonuje pełny obrót a długopis 3D ekstruduje filament. W tym czasie następuje rejestracja – siła dźwięku, tembr głosu, tempo artykulacji wpływają bezpośrednio na pojawiający się reliefowy wykres. Zapis jest jednokierunkowy. Nie ma możliwości dokładnego odczytania, co konkretnie było marzeniem, jakie były szczegóły, czy jakie padły słowa. Można jedynie próbować domyślić się nastroju, emocji (refleksji, ekscytacji) i obserwować zmienność tempa wypowiedzi.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Założeniem <i>Kolekcji marzeń </i>jest budowanie zbioru symbolicznych zapisów wypowiedzi.</div><div style="text-align: justify;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgckdz2GvSWf6vX6n5F33mBA3JbNEeh7DCKbsGCtgqcQiAD4-OUsgYUo5B0NA9Qp7DTXzvU8BIZBhHnvYdWXpkYp7WNN-uMg_Em-u098exqDjI3HncKjkirWp1T8_bxFccLRCNNbLwxUQ/s1827/Dream+collection+Dudko+fot.+D.Bulinska+%252830%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1827" data-original-width="1308" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgckdz2GvSWf6vX6n5F33mBA3JbNEeh7DCKbsGCtgqcQiAD4-OUsgYUo5B0NA9Qp7DTXzvU8BIZBhHnvYdWXpkYp7WNN-uMg_Em-u098exqDjI3HncKjkirWp1T8_bxFccLRCNNbLwxUQ/w458-h640/Dream+collection+Dudko+fot.+D.Bulinska+%252830%2529.jpg" width="458" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><i>Dream collection</i></b>, part of exhibition| <b><i>Kolekcja marzeń</i></b>, fragment ekspozycji, fot. Dorota Bulińska</td></tr></tbody></table><br /><div style="text-align: justify;"><br /></div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comGaleria Baszta, Zbąszyń, Polska52.246621 15.91570752.246456779101194 15.91543877909851 52.2467852208988 15.915975220901489tag:blogger.com,1999:blog-4901923886311769597.post-63001225029164444562021-05-30T18:00:00.008+02:002023-04-30T13:14:34.838+02:00Po prostu [Podlasie:Ratusz Kultury:Gdańsk:Poland]<div><span style="color: white; font-size: 0px;"><span>In Podlasie, there is a local language described as Podlachian, and by local residents as </span><i>prosta </i><span>[</span><i>simple</i><span>], </span><i>tutejsza </i><span>[</span><i>local</i><span>], </span><i>swoja </i><span>[</span><i>native</i><span>], or </span><i>nasza </i><span>[</span><i>our</i><span>]</span><i> mowa </i><span>[language]. It is still used in speech, and today, thanks to its popularizers, also in written and literary forms.</span></span></div><div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-weight: bold; margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyJH9GSK056L00sRL1nnwVFamGJCvD4riRHmtCawTskqbqLSaHZFde4wuc8GZrxONhNHP9PPMW_X3DL9NB-7E6nQ6QIzqpfgbjCwihQ2LoIF942CkYGIr5_iphQKNVSvjTnxz8pkyj2A/s2048/Po+prostu+Dudko+02.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyJH9GSK056L00sRL1nnwVFamGJCvD4riRHmtCawTskqbqLSaHZFde4wuc8GZrxONhNHP9PPMW_X3DL9NB-7E6nQ6QIzqpfgbjCwihQ2LoIF942CkYGIr5_iphQKNVSvjTnxz8pkyj2A/w640-h480/Po+prostu+Dudko+02.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><b>In Podlachian</b></i>, general view | <b><i>Po prostu</i></b>, widok ogólny</td></tr></tbody></table><i style="font-weight: bold;"><br /></i></div><div><b><i><br /></i></b></div><div><div><b><i>In Podlachian</i></b></div><div>object, 2021, MDF frame, FDM PLA print, 27 × 27 × 6 cm </div></div><div><b><i><br /></i></b></div><div><b><i>Po prostu</i></b></div><div><div>obiekt, 2021, rama MDF, druk FDM PLA, 27 × 27 × 6 cm </div></div><div><br /></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO9qojUmrvCUW3NDM-uWVUFtvlq-Ked9M2vjC6wZeUOMcrI8uQoQEIao-PuwITVetJIK0pQvdy5mDCbK6rtmA8eeigNn3mFUQ8GL3mm3RxEHKetkxEMDsormLl_Pqo3SxYc0TphnqfkQ/s2048/Po+prostu+Dudko+detail.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO9qojUmrvCUW3NDM-uWVUFtvlq-Ked9M2vjC6wZeUOMcrI8uQoQEIao-PuwITVetJIK0pQvdy5mDCbK6rtmA8eeigNn3mFUQ8GL3mm3RxEHKetkxEMDsormLl_Pqo3SxYc0TphnqfkQ/w640-h480/Po+prostu+Dudko+detail.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><b>In Podlachian</b></i>, detail | <b><i>Po prostu</i></b>, detal</td></tr></tbody></table><div><br /></div><div style="text-align: justify;"><span style="text-align: left;">In Podlasie, there is a local language described as Podlachian, and by local residents as </span><i style="text-align: left;">prosta </i><span style="text-align: left;">[</span><i style="text-align: left;">simple</i><span style="text-align: left;">], </span><i style="text-align: left;">tutejsza </i><span style="text-align: left;">[</span><i style="text-align: left;">local</i><span style="text-align: left;">], </span><i style="text-align: left;">swoja </i><span style="text-align: left;">[</span><i style="text-align: left;">native</i><span style="text-align: left;">], or </span><i style="text-align: left;">nasza </i><span style="text-align: left;">[</span><i style="text-align: left;">our</i><span style="text-align: left;">]</span><i style="text-align: left;"> mowa </i><span style="text-align: left;">[language]. It is still used in speech, and today, thanks to its popularizers, also in written and literary forms.</span></div><div><div><br /></div><div style="text-align: justify;">This undisputed element of heritage sometimes gives rise to ambivalent feelings. Among many people who use the Podlachian language, there is a conviction, e.g. with a lower social status related to their origin, level of education, religion, occupation, etc.</div><div style="text-align: justify;">For our grandparents, it was just the language they communicated in. For parents, a certain stigma of origin and belonging, inextricably linked with difficult life and hard work. For our generation, it is a symbol of heritage, a transitory world, identity, and roots.</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi79GS763pXYixdJnfTcoDHwQK_jVLecIM0BY-hpjOAfFKoX0-k4Duyx0s6CqUvRjPaA1CHAy-GNqXomCOer-CNpfvDmsxVQHJGJrg-_aPoN5SyYO3MlyMriEa6asvsCg4DVIC0qYI-KQ/s2048/Po+prostu+Dudko+03.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi79GS763pXYixdJnfTcoDHwQK_jVLecIM0BY-hpjOAfFKoX0-k4Duyx0s6CqUvRjPaA1CHAy-GNqXomCOer-CNpfvDmsxVQHJGJrg-_aPoN5SyYO3MlyMriEa6asvsCg4DVIC0qYI-KQ/w640-h480/Po+prostu+Dudko+03.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><b>In Podlachian</b></i>, close-up | <b><i>Po prostu</i></b>, zbliżenie<br /></td></tr></tbody></table><div><br /></div><div style="text-align: justify;">The object is a visual transcription of a statement by Joanna Troc, director, and actress who is inspired and creates in Belarusian. In the Podlachian language, Joanna talks about her roots, discovering her identity, and the importance of language for her and her work. Paweł Dudko's original machine transformed sound into a form of visual drawing. </div><div><br /></div><div style="text-align: justify;">The title in the original form is <i>Po prostu</i>, which has two meanings. The first one is <i>In Podlachian</i>, as it states it was spoken in the local language. The second meaning could be translated as <i>simply</i> or <i>in a plain, straightforward way.</i></div><div style="text-align: justify;"><br /></div><div>Attached to the object is a recorded utterance of 10 minutes 53 seconds. </div></div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwY6jfIIO7e_XVAKcA3SWl6tWo3lTsh1l8nbkddpPOvLOXrWwg5h_verwRcGvVmGYWOSzX5hQZERm3Z61uwutEjrnoFf-NXEbb2Kd64bm-y9ujd-N3TwLxWHmuDmsnIBSC4Pt1huwLAw/s2048/Po+prostu+Dudko+01.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwY6jfIIO7e_XVAKcA3SWl6tWo3lTsh1l8nbkddpPOvLOXrWwg5h_verwRcGvVmGYWOSzX5hQZERm3Z61uwutEjrnoFf-NXEbb2Kd64bm-y9ujd-N3TwLxWHmuDmsnIBSC4Pt1huwLAw/w480-h640/Po+prostu+Dudko+01.jpg" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b style="text-align: left;"><i><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;"><i><b>In Podlachian</b></i>, general view | <b><i>Po prostu</i></b>, widok ogólny</td></tr></tbody></table></i></b></td></tr></tbody></table><div><br /></div><div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Na Podlasiu występuje lokalny język określany jako podlaski, a przez lokalnych mieszkańców jako <i>prosta</i>, <i>tutejsza</i>, <i>swoja</i> czy <i>nasza mowa</i>. Wciąż jest stosowany w mowie, a współcześnie dzięki jego popularyzatorom także w formach pisanych i literackich.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Ten niekwestionowany element dziedzictwa niekiedy rodzi ambiwalentne uczucia. Wśród wielu ludzi posługujących się <i>prostą mową</i>, pokutuje przeświadczenie m.in. o niższym statusie społecznym związanym z pochodzeniem, poziomem edukacji, wyznawaną religią itp. </div><div style="text-align: justify;">Dla naszych dziadków to po prostu był język, jakim się porozumiewali. Dla rodziców pewien stygmat pochodzenia i przynależności, nierozerwalnie związany z trudnym życiem i ciężką pracą. Dla naszego pokolenia to symbol dziedzictwa, przemijającego świata, tożsamości i korzeni.</div><div><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHS3-Z_9ltrUvTCmbXcMo1UaLGfPF0B7PIzqcDnOYJeXy0pZiQCKAbosh_WkFXQRnDI-O9IxFMr04lolC6kzCp3jtOQ1aeJiWIoh4bkzAmG4ZkrGuD7DARQBqswj2ECIAjvvh1QK4OIQ/s2048/Po+prostu+Dudko+detail2.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHS3-Z_9ltrUvTCmbXcMo1UaLGfPF0B7PIzqcDnOYJeXy0pZiQCKAbosh_WkFXQRnDI-O9IxFMr04lolC6kzCp3jtOQ1aeJiWIoh4bkzAmG4ZkrGuD7DARQBqswj2ECIAjvvh1QK4OIQ/w640-h480/Po+prostu+Dudko+detail2.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><b>In Podlachian</b></i>, detail | <b><i>Po prostu</i></b>, detal</td></tr></tbody></table><div><br /></div><div style="text-align: justify;">Obiekt jest wizualną transkrypcją wypowiedzi Joanny Troc, reżyserki i aktorki inspirującej się i tworzącej w języku białoruskim. Joanna w <i>prostej mowie</i> opowiada o swoich korzeniach, odkrywaniu tożsamości i znaczeniu języka dla niej i dla jej twórczości. Autorska maszyna Pawła Dudko przekształciła dźwięk w formę wizualnego rysunku.</div><div><br /></div><div>Do obiektu dołączona jest zarejestrowana wypowiedź o długości 10 minut 53 sekund.</div></div><div><br /></div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comOpata Jacka Rybińskiego 25, 80-320 Gdańsk, Polska54.4088618 18.55923154.328869137026274 18.4219018984375 54.48885446297372 18.6965601015625tag:blogger.com,1999:blog-4901923886311769597.post-64934755300953446642020-09-01T14:17:00.154+02:002023-04-30T13:14:37.326+02:00Machine Creative [MKiDN Scholarship "Culture on the Web"]<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMS2KYrFR2uWKVBS4FEelr-jgf1JsD9TsKgUzHu4uQyhROkz9xw__GMZYkcjP9rxy_EeV5WVWnn4VdIPfNuMpW9mjWGO8r5ky2MefqLxn11A0WDOOkxQa89R4KZBn4MOyX8h_6O0zg5A/s1920/render_4K_blog.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMS2KYrFR2uWKVBS4FEelr-jgf1JsD9TsKgUzHu4uQyhROkz9xw__GMZYkcjP9rxy_EeV5WVWnn4VdIPfNuMpW9mjWGO8r5ky2MefqLxn11A0WDOOkxQa89R4KZBn4MOyX8h_6O0zg5A/w640-h360/render_4K_blog.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Machine Creative visualization – published on 18th of September 2020 – Facebook post #7<br/>
Maszyna Twórcza – wizualizacja – opublikowana 18 września 2020 – post 7. na facebooku
</td></tr></tbody></table><h2 style="text-align: justify;">Introduction | Wstęp</h2><p style="text-align: justify;">The creative process begins with an idea that the artist initially carries within himself. Then he tries to bring it out and show it the world using the chosen medium. I would like to uncover this process for my audience. Invite creators, artists, and viewers to participate as an active commentator, shy observer, or direct participant.</p>
<p style="text-align: justify;">
A machine-object will be used to show the creative process, the construction of which I will register, and make public. The source is a modern technology of 3D printing, resulting from my previous creative researches. I will reveal an observation of the development of the work, its creation, and its gradual evolution in the form of photo-video documentation in the Internet media. The final object will be both a work and a mechanical creator of subsequent objects created based on contact with recipients, their observations and built meanings.
</p>
<p style="text-align: justify;">
The object itself is a buckle that binds the idea of the project together.
The last stage will reveal the metaphorical nature of the object–creator
relationship in relation to the creator and his environment.</p>
<hr width="35%">
<p style="text-align: justify;">Proces twórczy rozpoczyna się od idei, którą artysta początkowo nosi w sobie. Następnie próbuje ją wydobyć i pokazać światu przy wykorzystaniu wybranego medium. Chciałbym ten proces odkryć dla odbiorców. Zaprosić twórców i widzów do uczestniczenia w roli czynnego komentatora, nieśmiałego obserwatora albo bezpośredniego uczestnika.</p><p style="text-align: justify;">Do ukazania procesu twórczego posłuży maszyna-obiekt, którego konstruowanie będę rejestrował i upubliczniał. Źródłem jest nowoczesna technologia druku przestrzennego, wynikająca z dotychczasowych poszukiwań twórczych. Obserwowanie rozwoju dzieła, jego tworzenia, stopniowej ewolucji ujawnię w postaci dokumentacji foto-video w mediach internetowych. Finalny obiekt będzie zarówno dziełem, jak i mechanicznym twórcą kolejnych obiektów powstałych w oparciu o kontakt z odbiorcami, ich obserwacje i nadane sensy.</p><p style="text-align: justify;">Sam obiekt jest klamrą spinającą ideę projektu. W ostatnim etapie ujawni się metaforyczność relacji obiekt–twórca w odniesieniu do twórcy i jego otoczenia.</p>
<h2 style="text-align: left;">Patronage | Mecenat</h2>
<div class="separator" style="clear: both; text-align: center;">
<img border="0" data-original-height="743" data-original-width="742" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixOEkUf8nFomufa6dJnNR5AkvhrsXsaXYbGlB5vkwEFFyGjRo0wtD68P2OQHn_dSFtqZLIx3TzzW6YdkJbWOtI5SfpNqbQPvw1ehxAuEUQXpUCAN2GI5L6oq8YgYmBLMbt9P9HRCi0Tg/s400/day00.JPG" width="200" />
</div>
<p></p>
<div style="text-align: center;"></div>
<div style="text-align: center;">
Zrealizowano w ramach programu stypendialnego
</div>
<div style="text-align: center;">Ministra Kultury i Dziedzictwa Narodowego</div>
<div style="text-align: center;"> – Kultura w sieci.</div>
<p></p>
<span></span><span><div style="text-align: center;">
Realized under the scholarship program<br />of the Minister of Culture and
National Heritage
</div>
<div style="text-align: center;"> – Culture on the Web.</div>
<div style="text-align: center;"><br /></div>
<h2 style="text-align: left;">Object | Obiekt</h2><div><p style="text-align: left;">The physical element of the project was the construction of the "Machine Creative". An object, based on 3D printing technology, but subjected to a process of deconstruction, so as to reveal the variability of subtle, negligible even factors. I've prepared a machine object with dimensions of approx. 30 × 30 × 150 cm, capable of creating other small, extruded objects.</p>
<hr width="35%">
<p style="text-align: left;">Fizycznym elementem projektu była budowa „Maszyny twórczej”. Obiektu opartego o technologię druku 3D, jednak poddaną procesowi dekonstrukcji tak, by unaocznić zmienność subtelnych, wręcz pomijalnych czynników. W ramach projektu zrealizowałem obiekt o wymiarach ok. 30 × 30 × 150 cm, zdolny do tworzenia kolejnych małych, ekstrudowanych obiektów.</p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyA9CYlPBkSygpCWLxFeOCfzeOI9j4VWPJRr-gTIxeo8o1J7wFCWSJniLDKPA1ERLCZNh43IkyVojwfg7veNv9KT9-a_vyGnocWBqjMgRF2qCP4T2n7qDccyiG43O1mtbFnvuRbf1EPQ/s2048/PANA3467+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyA9CYlPBkSygpCWLxFeOCfzeOI9j4VWPJRr-gTIxeo8o1J7wFCWSJniLDKPA1ERLCZNh43IkyVojwfg7veNv9KT9-a_vyGnocWBqjMgRF2qCP4T2n7qDccyiG43O1mtbFnvuRbf1EPQ/w480-h640/PANA3467+as+Smart+Object-1.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlSKZMrCrOOKxr7urXd28HXbCCiBiQOmBN7NeaVFEhSGCvlDlAFpsjJmpeiHzezwJs0vSZZIrcKsJDX7R6qZbas0qZh1gaKnQkibtrue_82GApJGY3XZDFldIqISb-ZXLp1_IgU6Y6ug/s2048/PANA3476+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlSKZMrCrOOKxr7urXd28HXbCCiBiQOmBN7NeaVFEhSGCvlDlAFpsjJmpeiHzezwJs0vSZZIrcKsJDX7R6qZbas0qZh1gaKnQkibtrue_82GApJGY3XZDFldIqISb-ZXLp1_IgU6Y6ug/w480-h640/PANA3476+as+Smart+Object-1.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p style="clear: both; text-align: left;">Extruded objects were created in a strictly controlled environment to reduce the possibility of the influence of external factors, and yet their uniqueness was inevitable. Because of this, they have become a kind of indirect record of a certain fragment of reality.</p><p style="clear: both; text-align: left;"></p>
<hr width="35%">
<p style="clear: both; text-align: left;">Ekstrudowane obiekty powstawały w ściśle kontrolowanym środowisku, możliwie redukując wpływ czynników zewnętrznych, a mimo to, nieunikniona była ich unikatowość. Dzięki temu, stały się swego rodzaju niebezpośrednim zapisem pewnego wycinka rzeczywistości.</p><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3szv0VZJu1Yk71ZUfURvWrAAGjHoAUp7IKVoGZMCr9XQmOJT8-So85WEtiOoY3rd67tPGB7o3RvImdVKYpGV5-reo9T_lq3WIkh0vvvs_7LxxVydEktISU02m3mw7ALVzcdUKEcxWAg/s2048/PANA3530+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3szv0VZJu1Yk71ZUfURvWrAAGjHoAUp7IKVoGZMCr9XQmOJT8-So85WEtiOoY3rd67tPGB7o3RvImdVKYpGV5-reo9T_lq3WIkh0vvvs_7LxxVydEktISU02m3mw7ALVzcdUKEcxWAg/w640-h480/PANA3530+as+Smart+Object-1.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi266Q2Bq5gdm_vazWaEw59RR_21ey1-PN_5ktuvg1hFUEIGxxvbc7s4tIU8NmGaFJDxAUNJaDoKHXUSXFRKIeRZqKn_UoKh68OLmYlwXf0wYejVa1_udLc-Xeli5RZT44epXpgvy8jUw/s2048/PANA3535+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi266Q2Bq5gdm_vazWaEw59RR_21ey1-PN_5ktuvg1hFUEIGxxvbc7s4tIU8NmGaFJDxAUNJaDoKHXUSXFRKIeRZqKn_UoKh68OLmYlwXf0wYejVa1_udLc-Xeli5RZT44epXpgvy8jUw/w640-h480/PANA3535+as+Smart+Object-1.jpg" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE76r8GG69CObNDQtm-z-a4jq7Vv3NVPUA08w9yc94lYhb_x2VOWH2JBtVOSZ8gKsFoViAhdCF-SBx7cxfaPZMoa-oiCclqvxY25-M2FUPhWFcs91eQkxghWKfC03oeGpoKvHW8ehLtA/s2048/PANA3544+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE76r8GG69CObNDQtm-z-a4jq7Vv3NVPUA08w9yc94lYhb_x2VOWH2JBtVOSZ8gKsFoViAhdCF-SBx7cxfaPZMoa-oiCclqvxY25-M2FUPhWFcs91eQkxghWKfC03oeGpoKvHW8ehLtA/w480-h640/PANA3544+as+Smart+Object-1.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAOhfuwinETouzQPgiEhuxNGoRd38xbx8xxHkEHymagc3UQVkmUPp3bQ5rwJSHSsewHzd7Cb77Ah9dbZe0BsQ6Btq2zgV2jvHbAhXQD__Lb27Bp6SVsUb3ANRZL1n41FHAWfyf3neDKA/s2048/PANA3549+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAOhfuwinETouzQPgiEhuxNGoRd38xbx8xxHkEHymagc3UQVkmUPp3bQ5rwJSHSsewHzd7Cb77Ah9dbZe0BsQ6Btq2zgV2jvHbAhXQD__Lb27Bp6SVsUb3ANRZL1n41FHAWfyf3neDKA/w480-h640/PANA3549+as+Smart+Object-1.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtZiauH5N7QB6UKlzs53Z245cT62f6oIpTQH3Gq7eMavp1qNISFi4_wtZhTBQy7GNkv_hZ-Mb6bcDZ72yDyrHl2DMEXaO6MkCR-R0rvOaONtpHx6F3roe1e6Cv-WSQcw1hnnZO46Z1IA/s2048/PANA3585+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtZiauH5N7QB6UKlzs53Z245cT62f6oIpTQH3Gq7eMavp1qNISFi4_wtZhTBQy7GNkv_hZ-Mb6bcDZ72yDyrHl2DMEXaO6MkCR-R0rvOaONtpHx6F3roe1e6Cv-WSQcw1hnnZO46Z1IA/w642-h480/PANA3585+as+Smart+Object-1.jpg" width="642" /></a></div><br />
<!--PROCESS --------------------------------->
<h2 style="text-align: left;">Process | Proces</h2>
<div class="separator" style="clear: both; text-align: left;">
<p>The entire creative process, from the first technical trials to the presentation of the final object, was reported via the Facebook social platform. Thanks to this, the audience's relationship with the process of creating the artwork was established. The original assumptions were fulfilled and the parallel between the creative work on the piece and the creator and his environment became noticeable. Just as I was building the "Machine", which was the source of other objects, the relationship with the environment had a direct impact on me – the creator.</p><p>However, this relationship also went beyond the basic reactions of social media. I received private messages with questions and associations. The subject of "Machine Creative" also appeared frequently in the conversations. The use of online media to gradually present the progress resulted in much greater audience interest, which translated into strong support for achieving the goal.</p>
<hr width="35%">
<p>Cały proces twórczy, od pierwszych prób technicznych, po prezentację finalnego obiektu, był relacjonowany za pośrednictwem platformy społecznościowej Facebook. Dzięki temu nawiązała się relacja odbiorców z procesem powstawania dzieła. Spełnione zostały pierwotne założenia i zauważalna stała się paralela pomiędzy pracą twórczą nad dziełem, a twórcą i jego środowiskiem. Tak, jak ja budowałem „Maszynę”, będącą źródłem kolejnych obiektów, tak relacja z otoczeniem wpływała bezpośrednio na mnie – twórcę.</p><p>Jednak ta zależność wykroczyła także poza podstawowe reakcje social mediów. Otrzymywałem wiadomości prywatne z pytaniami, skojarzeniami. Temat „Maszyny Twórczej” także często przewijał się w rozmowach. Wykorzystanie mediów internetowych do stopniowego przedstawiania postępów, spowodował dużo większe zainteresowanie odbiorców, co przekładało się na silne wsparcie do realizacji celu.</p></div>
<br/>
<div style="align: center;"><iframe allow="autoplay; fullscreen" allowfullscreen="" frameborder="0" height="416" src="https://player.vimeo.com/video/463200510" width="740"></iframe></div>
<br /><a href="https://vimeo.com/463200510">Machine Creative</a> from <a href="https://vimeo.com/pdudko">Paweł Dudko</a> on <a href="https://vimeo.com">Vimeo</a>.
<!--CRITICAL TEXT --------------------------------->
<h2 style="text-align: left;">Critical review | Tekst krytyczny<br /></h2>
<h3 style="text-align: left;"><b>Dorota Perszko „Maszyna Twórcza”</b></h3>
<div><p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;">
<span style="font-size: 11pt;">W jednej z najsłynniejszych
scen z filmu „Modern Time”, główny bohater grany przez Charlie
Chaplina (także autora scenariusza i reżysera), na skutek
bezrefleksyjnej zautomatyzowanej pracy przy taśmie produkcyjnej,
zostaje przypadkowo wciągnięty w jej tryby niczym brzuch lewiatana.
Choć motyw ten należy do kanonu sztuki filmowej, nie bez powodu
powraca każdorazowo w dyskursie wokół splotu natury ludzkiej i
techniki, który trwa od blisko 100 lat. Bawiąca do łez scena w
gruncie rzeczy podszyta jest gorzką diagnozą świata i człowieka,
uwikłanego w zdehumanizowane procesy, określone systemy władzy i
modele społeczne. Geniusz Chaplina w scenie z wielką maszyną
inspiruje także do zadania pytania o to, co wynika z tegoż do bólu
cielesnego zbliżenia, gdzie to istota ludzka przejmuje cechy
automatu, zaś technologia zasysa czynniki podmiotowe. </span>
</p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Tam
bowiem, gdzie pojawia się pytanie o rolę techniki i maszyn w życiu
człowieka, tam rodzi się pytanie o kondycję natury ludzkiej.
Dwudziestolecie międzywojenne – codzienność Charlie Chaplina,
ale też dadaistów, Aldousa Huxleya, Witkacego czy Martina
Heideggera najdotkliwiej oceniło maszynę (technologię) na wskroś
negatywnie, jako pochłaniacz ludzkiej egzystencji. </span>
</p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Tymczasem
swoją najnowszą maszynową realizację Paweł Dudko nazywa
„twórczą”, czym wbija klin w czarno-białe rozumienie
automatyzmu przypisanego technologii i intuicji jednoznacznie
przynależnej człowiekowi.</span></p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;">„<span style="font-size: 11pt;">Maszyna
twórcza” to kolejne autorskie urządzenie Dudko z pogranicza sztuk
plastycznych, digitalnych i performatywnych oparte o druk 3D. We
wczesnych realizacjach technologia ta służyła mu jako alternatywna
wobec tradycyjnych mediów metoda „wytwarzania” obiektów („Owoce
oświecenia” 2014, „Populacje” 2016). Już wtedy artysta
zadawał pytanie, czy wśród tradycyjnych mediów istnieje miejsce
dla techniki z pogranicza przemysłu i wytwórstwa. Z czasem jednak
projekty w technologii addytywnej Dudko rozwijał w kierunku analizy
struktury samego medium, a także jego rozciągłości performatywnej
(„Dźwięk obrazu | Obraz dźwięku”, 2016, „Oblicza koła”,
2018). Wnioski płynące z obserwacji tych działań, generowały
kolejne warstwy pytań o to, na ile urządzenie –
autorska drukarka 3D – zakotwiczona jest w obiektywnym,
zdehumaizowanym, nieomylnym systemie algorytmicznym. To samo pytanie
determinuje tożsamość „Maszyny twórczej”, jednak
w odróżnieniu od pozostałych realizacji, stanowi jej odgórną
tezę.</span></p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Wiele
jakości w „Maszynie twórczej” Dudko odwraca w stosunku do
wcześniejszych prac, w których mimo wszystko, podmiotem
kontrolującym pozostaje sam autor. Najnowsza, podobnie jak pozostałe
ujęta w bardzo oszczędne środki wizualne, prezentuje się jako
niepozorna gablota na postumencie. Cylindryczny klosik skrywa jednak
całą potencję obiektów, które dopiero „rodzą się” na
oczach widza. Po raz pierwszy od 2014 roku, odkąd Dudko używa
technologii addytywnej w swoich pracach, dochodzi do fizycznego
odwrócenia dyszy drukarki – wbrew jej logice i standardowemu
przeznaczeniu. Jednak to właśnie fakt zadziałania wbrew grawitacji
determinuje kluczowe dla realizacji powstawanie filigranowych
obiekcików wprost na oczach widza. Używając filamentu o
neutralnej, przypominającej ludzką skórę barwie maszyna tworzy
organiczne „ciałka” przypominające dziwaczne wytwory matki
natury, morskie żyjątka czy w końcu wycinki ludzkiego organizmu.
Zdawać by się mogło, że istnieje pewna zasada nawijania się
filamentowej nici – po początkowym przypadkowym „pluciu”
dyszy, zaczyna zeń wyrastać rachityczny korpus o zmieniającym się
przekroju. Obracająca się głowica dyszy przekazuje własny rytm
drgań na wyrastające obiekty, co wywołuje podczas obserwacji
nieodparte wrażenie tchnienia weń życia. Nie da się ukryć, że
uroda ich jest ambiwalentna, jak oko u Bataille’a – pociągające
i odrażające zarazem. Lecz i to właśnie zbliża wytwory „maszyny
twórczej” do natury bytu. Sam w sobie urokliwy, pełen napięcia i
niewiadomej proces rodzi potworzaste nieco organizmy, które sam
autor z dozą prześmiewczości nazywa „kiszkami” czy „robakami”.
</span>
</p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Akceptacja
brzydoty, którą dostrzegał już św. Augustyn wpisana jest w
tożsamość życia, co boleśnie podkreśla także Julia Kristeva w
swojej psychoanalitycznej teorii abiektu. Abiekt Kristeva wiąże ze
znaczeniem „wyrzutu”, „odpadu” a więc wszystkiego co stanowi
przeciwny biegun ludzkiej (rozumianej na kształt i podobieństwo
boskie) podmiotowości. Obrazowo można utożsamić abiekt z tym
wszystkim, co ludzki organizm pozbywa się jako zbędne – złe
wspomnienia, traumy, ale też pot, łzy, ekskrementy, wymiociny.
Podłości zakłócające piękno natury ludzkiej, lecz w istocie
trudne do wyparcia z jej tożsamości. Owa boleśnie ontologiczna
prawda Kristevy sprowadza się jednak do namysłu nad pochodzeniem
samego człowieka, który w istocie rzeczy także zyskuje status
abiektu jako „wyrzutu” z łona matki. </span>
</p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Cała
zresztą „Maszyna twórcza” pełna jest kontrastów, co sugeruje
już sam jej tytuł. Przypisanie automatowi cech wynikających
stricte z ludzkiej duchowości generuje podobny dadaistyczny nieco
sens jak w malarskich, utopijnych maszynach Francisa Picabii.
Powojenny strukturalizm przyniósł jednak przełom w myśleniu o
maszynie w stosunku do wspomnianego wcześniej przepełnionego
mrocznym profetyzmem okresu międzywojennego. W swoim „Micie
maszyny” Lewis Mumford analizuje, a przy tym oswaja rozumienie
tytułowej maszyny zasięgając do czasów prehistorycznych, a nawet
ewolucji samego człowieka. Pisze bowiem: „Przypuszczalnie
pierwszym wielkim przełomem było przekształcenie przednich kończyn
czworonoga z wyspecjalizowanych organów do poruszania się w swego
rodzaju uniwersalne narzędzie do wspinania, chwytania, uderzania,
rozrywania, tłuczenia, grzebania, trzymania. Ręce wczesnego
człowieka i narzędzia z kamienia odegrały istotną rolę w jego
rozwoju przede wszystkim dlatego, że […] ułatwiały
przygotowawcze funkcje zbierania, noszenia i macerowania pożywienia,
a tym samym uwalniały usta dla mowy.”
(Lewis Mumford, Mit
maszyny. Tom 1,
tłum. Michał Szczubiałka, PWN, Warszawa 2012, s. 18)</span></p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Równie
szeroko, jak warunki jej wyłonienia, rozumiana jest tu sama
technika. Autor </span><em><span style="font-size: 11pt;">Mitu
maszyny</span></em><span style="font-size: 11pt;"> zalicza
do niej nie tylko narzędzia i tradycyjnie rozumiane maszyny, ale
również wszelkiego rodzaju pojemniki (od jam, pułapek i sieci,
przez kosze, obory i domy, po zalewy retencyjne, kanały, a nawet
miasta </span><span style="color: blue;"><u><a href="http://machinamysli.org/dwa-modusy-techniki-cz-i/#easy-footnote-bottom-1-803"><span style="color: black;"><sup><span style="font-size: 11pt;">1</span></sup></span></a></u></span><span style="font-size: 11pt;">),
twory, które określa mianem maszyn społecznych, a nawet do pewnego
stopnia samo ciało człowieka.</span></p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;">„<span style="font-size: 11pt;">Jeżeli
człowiek rzeczywiście był wytwórcą narzędzi, to już na samym
początku miał jedno pierwotne uniwersalne narzędzie bardziej
istotne niż jakiekolwiek późniejsze urządzenie, a mianowicie
własne poruszane umysłem ciało, każdą jego część, w tym i te
członki, które wytwarzały pałki, ciosaki, czy drewniane dzidy.”
(tamże, s. 18)</span></p>
<p align="justify" style="line-height: 150%; margin-bottom: 0.28cm;"><span style="font-size: 11pt;">Późniejsze
dzieła Mumforda, jak i sam „Mit maszyny” dotyczą przede
wszystkim problemów, które w swoim filmie poruszył jego wielki
poprzednik – Charlie Chaplin. Praca Pawła Dudko daleka jest od
politycznej czy społeczno-kultorowej spekulacji. Wprowadza raczej
odbiorcę w rodzaj pozornie kontrolowanego rytuału, który wydarza
się poza ramami przewidywania. Namysł jednak nad człowiekiem, jako
swego rodzaju „twórczą maszyną” upłynnia granice między
kreacją a wytwarzaniem, intuicją a automatyzmem, władaniem wedle
woli a mechanicznym powtórzeniem. </span>
</p>
<p style="line-height: 150%; margin-bottom: 0.28cm; text-align: right;"><b>Dorota Perszko</b></p>
<p style="line-height: 115%; margin-bottom: 0.28cm; text-align: right;"><br /></p></div><h2 style="text-align: left;">
Facebook Posts: | Posty na facebooku:
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<h4 style="text-align: left;">1st of July 2020 – post #1 | 1 lipca 2020 – post 1.<br />[<a href="https://www.facebook.com/dudko.p/posts/3201580423234051" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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July in the calendar, holidays in the air, #kulturawsieci [<i>culture on the web</i>], so the "Machine Creative" starts!<br />
Over the next few months, I will share with you my work on the project that I am realizing under the Culture on the Web scholarship from the Minister of Culture and National Heritage.<br />
<a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> #stypendium #mkidn
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<h4 style="text-align: left;">14th of August 2020 – post #2 | 14 sierpnia 2020 – post 2.<br />[<a href="https://www.facebook.com/dudko.p/posts/3323300687728690" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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#kulturawsieci prowls and the "Machine Creative" works! <br />
There will be some sneak-peaking at creative work. We will meet virtually in the studio. We will build object-machine. We will write some :) <br />
This project is completely unusual for me. Typically, my works are created in secret, somewhere behind the workshop door. This time, I will share my path and I am counting on your presence and a little attention.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXmuiaCUj4hf5jIUo38oNdBdlSar1QODD_AY-fAiithRdCY-iRuEcHlUg4GTO2yhf7aLnJH_6SkAR9RAhJSj3zF9rclRlsJBBzHuAdmEAf_bmhyphenhyphendk1zXJIHz-PY6uMqjkFFztiyEioXQ/s2048/day01.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXmuiaCUj4hf5jIUo38oNdBdlSar1QODD_AY-fAiithRdCY-iRuEcHlUg4GTO2yhf7aLnJH_6SkAR9RAhJSj3zF9rclRlsJBBzHuAdmEAf_bmhyphenhyphendk1zXJIHz-PY6uMqjkFFztiyEioXQ/s900/day01.jpg" width="900px" /></a>
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<h4 style="text-align: left;">21st of August 2020 – post #3 | 21 sierpnia 2020 – post 3.<br />[<a href="https://www.facebook.com/dudko.p/posts/3343492455709513" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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The creative machine begins to become independent! 🎉 <br />
This is the second stage of work that I can successfully consider closed. The driver is prepared. The program that controls the most important parameters – written. The mechanical part of the head - ready.<br />
Soon I will show what we're going towards 😉 <br />
I like to divide my work into technical and creative stages. Of course, these stages will meet at some point and then the most interesting things will happen. However, this initial division allows for a better focus and understanding of the phenomena. The possibility of observing and working on each of the stages allows you to discover new paths.<br />
I am fascinated by how unreal, abstract programs can create physical objects thanks to 3D printing. Just thinking about the movement of electrons is engaging, let alone when it becomes the source of a new form!<br />
It's been a long post this time.<br />
It's probably not a proof of concept yet, but if it works flawlessly, it's an important moment. More soon, because #kulturawsieci does not sleep! </td></tr>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='900' height='330' src='https://www.blogger.com/video.g?token=AD6v5dyzNaNzAVvAKcicuKyBjdHutGYwgkOIQW-UtsfdxfrEBI7HlfkrrwA102XQ4c8R8hjbtX-kT8Knaa2f_WmBzw' class='b-hbp-video b-uploaded' frameborder='0'></iframe>
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<h4 style="text-align: left;">26th of August 2020 – post #4 | 26 sierpnia 2020 – post 4.<br />[<a href="https://www.facebook.com/dudko.p/posts/3357894724269286" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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Today I planned to work, not publish.<br />
However, there are days when it is difficult to gather thoughts and force the mind to work. No matter how many coffees have I drunk, nothing is moving forward. #maszynatwórcza won't move a bit! And at such a moment the technical and creative stages support each other!<br />
It was enough to organize the wires and ideas started to flow. 😃<br />
Previously, I wrote that I like to divide my work into two stages. However, I did not mention that these stages never end. In practice, at some point you have to say "ready!", But thinking about solutions and meanings goes on. Sometimes its an origin to new projects, and sometimes you just move a step backwards and improve.<br />
The Machine Creative works! The one in the head and the one on the table.<br />
Back to work while it's on!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxsebbhDssObFYp8jnPJH39xU4YlImxdSoQcgAT4SWHZ5r1hlvP2iQmkOz6itMNC3wTjbtS_Y0S-4GQxkfqQ3FV-q_sCqpfo9BmuM-oDPRttY_1Xc-lAXDaX6LS02AwEQx7J1BamlILA/s2048/day03.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxsebbhDssObFYp8jnPJH39xU4YlImxdSoQcgAT4SWHZ5r1hlvP2iQmkOz6itMNC3wTjbtS_Y0S-4GQxkfqQ3FV-q_sCqpfo9BmuM-oDPRttY_1Xc-lAXDaX6LS02AwEQx7J1BamlILA/s900/day03.jpg" width="900" /></a>
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<h4 style="text-align: left;">28th of August 2020 – post #5 | 28 sierpnia 2020 – post 5.<br />[<a href="https://www.facebook.com/dudko.p/posts/3364272626964829" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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I remember a few years ago, late in the evening, when I disassembled the 3D printer head and the first version of this idea was created from a piece of cardboard with a hole quickly drilled into and a few makeshift supports.<br />
Proof of concept, i.e. the proof that the idea can be executed.<br />
And maybe a little closer to explaining what actually arises here 🙃<br />
That particular evening, I watched in fascination as the material formed itself. At times I couldn't help feeling that it was not the filament that was flowing out of the nozzle, but rather some creature was nibbling at it in focus. My thinking about the appartus started to move from the virtual-real relationship towards an animate object. Towards a being, that is partially determined and at the same time has some potential for self-determination.<br />
In implementing the <a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> project, I wanted to make sure that I was in control of several important factors. I assumed that the moment the machine starts up, a few elements will remain predetermined: block temperature, nozzle diameter, feed rate, and filament type. Anything else that we are unable to control, or the changes are so small that they are difficult to see, will make the results unique.<br />
In the case of the Machine Creative, there are still many decisions to be made.<br />
But all in the right time...<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='900' height='330' src='https://www.blogger.com/video.g?token=AD6v5dzLvV40g8XSQAdtrtDaMcnNjcgXVtusilZFCgJJosdhigWleDaWx2ISh4CGkCDm4mpRF_3DJD7NHpJjXRrJBQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe>
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<h4 style="text-align: left;">5th of September 2020 – post #6 | 5 września 2020 – post 6.<br />[<a href="https://www.facebook.com/dudko.p/posts/3388736984518393" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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Model.<br />
These are the last fittings before the completion of the final facility. A little sketchy model allows you to check the layout, fit and, at least briefly, the proportions of the elements.<br />
From the technical side, I was afraid that the head would heat up the attached metal plate too much. Or on the contrary - will the plate dissipate too much heat, so that the filament would not melt.<br />
Finally, everything works fine 🙂<br />
Now I can prepare visualizations to make final decisions about what the <a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> will look like.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxMUguoptq64M5uSfdIqLN5NHOYZNLwVUWE4JpyxtTeAS_-ArY9mbBUhTrIS3sKkiR3e72c35kI1erRe74YrSevkEC77qfRKf-PKPHYLI7SUqgLPZ36erVI57XnuTRczjT3sWqMCkFsw/s2048/day05a.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxMUguoptq64M5uSfdIqLN5NHOYZNLwVUWE4JpyxtTeAS_-ArY9mbBUhTrIS3sKkiR3e72c35kI1erRe74YrSevkEC77qfRKf-PKPHYLI7SUqgLPZ36erVI57XnuTRczjT3sWqMCkFsw/s900/day05a.jpg" width="900" /></a>
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<h4 style="text-align: left;">18th of September 2020 – post #7 | 18 września 2020 – post 7.<br />[<a href="https://www.facebook.com/dudko.p/posts/3428517060540385" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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This is how I imagine it, i.e. visualization.<br />
3D model, exact dimensions, materials, fitting of elements. One last look before cutting, milling and gluing.<br />
I can reveal that one detail will definitely change 🙂<br />
Even though it's almost over, <a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> still surprises. Therefore, whenever I think about my work, I think about some kind of dialogue with technology. I take a step forward and reality verifies it. Then I need to step back a little and take a look from a distance.<br />
There's a livestream coming out next week!<br />
But details in the next post ... 😉<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijas0hoEIak9CgNRXNAeEHYq1vqHJvkbuclALPyZEA4crpQSdfWeffORBGD7E9PZgoxV58-zTYDhl_94kSIz75Ft-3CnLGHH9cBqppggdrgTKRHuwqw-zkDv3v-2cvuyVnGKY3g0KPew/s2048/day06.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijas0hoEIak9CgNRXNAeEHYq1vqHJvkbuclALPyZEA4crpQSdfWeffORBGD7E9PZgoxV58-zTYDhl_94kSIz75Ft-3CnLGHH9cBqppggdrgTKRHuwqw-zkDv3v-2cvuyVnGKY3g0KPew/s900/day06.jpg" width="900" /></a>
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<h4 style="text-align: left;">23rd of September 2020 – post #8 | 23 września 2020 – post 8.<br />[<a href="https://www.facebook.com/dudko.p/posts/3442878949104196" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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🔔 Livestream! 🔔<br />
Today at 14:00 live from the studio<br />
I cordially invite you!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGse0skGOHgtvinfAMEFQ7de74SxH18i4upMQsKxO7ytuvW6gw5pSRJjXGKvU25CjSQmkqKe5FwRFmvjJ20vTsn-5JhWuonFKSYJ_PNbTvcm2dF1lmu5d51PFgpMSFj7vmeFWdiFC7wQ/s2048/day07.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGse0skGOHgtvinfAMEFQ7de74SxH18i4upMQsKxO7ytuvW6gw5pSRJjXGKvU25CjSQmkqKe5FwRFmvjJ20vTsn-5JhWuonFKSYJ_PNbTvcm2dF1lmu5d51PFgpMSFj7vmeFWdiFC7wQ/s900/day07.jpg" width="900" /></a>
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<h4 style="text-align: left;">23rd of September 2020 – post #9 | 23 września 2020 – post 9.<br />[<a href="https://www.facebook.com/dudko.p/videos/3443288305729927" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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Machine Creative - livestream from the studio<br />
Live from the studio 🙂<br />
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='900' height='330' src='https://www.blogger.com/video.g?token=AD6v5dxvHKYb2WDqmkJUoG0LDoTG51RfWeLSq-Y30P-KlnuUgtqgb3g6fn5CHRD8vNTcJTwe9bgJm4Ds3nEFjAQ02Q' class='b-hbp-video b-uploaded' frameborder='0'></iframe>
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<h4 style="text-align: left;">23rd of September 2020 – post #10 | 23 września 2020 – post 10.<br />[<a href="https://www.facebook.com/dudko.p/posts/3444008668991224" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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Thank you all for being on today's livestream !!! ❤ <br />
I honestly did not count on such a large audience, especially in the middle of the day!<br />
Unfortunately, during the stream I did not see all the comments on the fly, but I tried to answer them all in writing. The material is available in a slightly lower quality (it was supposed to be fullHD) and it definitely needs to be checked 😉<br />
Richer with the new experience, I am a little calmer about our next meeting.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFn_0SS7Zr1tXjIHvDaesJlEtxmsJ8h4jGtehi4Mzn4Amn09mH5Kv8e4LQ9k-GBExYIlocC3D8oZ5Pfk6Cw5-wou8KBnxvWWr5ZjsmgaDqR8Uh2PSQG0pysU3GjccIR8AhhtsljA75hQ/s2048/day08.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFn_0SS7Zr1tXjIHvDaesJlEtxmsJ8h4jGtehi4Mzn4Amn09mH5Kv8e4LQ9k-GBExYIlocC3D8oZ5Pfk6Cw5-wou8KBnxvWWr5ZjsmgaDqR8Uh2PSQG0pysU3GjccIR8AhhtsljA75hQ/s900/day08.jpg" width="900" /></a>
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<h4 style="text-align: left;">29th of September 2020 – post #11 | 29 września 2020 – post 11.<br />[<a href="https://www.facebook.com/dudko.p/posts/3462085403850217" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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Livestream the 2nd! 🔔<br />
Today at 7:00 PM live - such an unusual evening story for the brave 😉<br />
I cordially invite you!<br /> </td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjggVIafD-_VyvXA1GYP9-jWRFNO5PikPLuYO5LKEqWDYdxu7CTrUiajkj2KGDIlYaPKfxP-9FJtgGjXgT1tQfb_lFy1dctAcNpdxb2eG9YDG6DhwjeRJMlgHH_AX1U5UswXp4TCAn1Rg/s2048/day09+-+invite.jpg"><img border="0" data-original-height="1969" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjggVIafD-_VyvXA1GYP9-jWRFNO5PikPLuYO5LKEqWDYdxu7CTrUiajkj2KGDIlYaPKfxP-9FJtgGjXgT1tQfb_lFy1dctAcNpdxb2eG9YDG6DhwjeRJMlgHH_AX1U5UswXp4TCAn1Rg/s900/day09+-+invite.jpg" width="900" /></a>
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<h4 style="text-align: left;">29th of September 2020 – post #12 | 29 września 2020 – post 12.<br />[<a href="https://www.facebook.com/dudko.p/videos/3461934890531935/" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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Machine Creative – project presentation – livestream 2.<br />
<a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a><br /> </td></tr>
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<iframe allow="autoplay; fullscreen" allowfullscreen="" frameborder="0" height="360" src="https://player.vimeo.com/video/463239486" style="background: black;" width="640"></iframe>
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<h4 style="text-align: left;">30th of September 2020 – post #13 | 30 września 2020 – post 13.<br />[<a href="https://www.facebook.com/dudko.p/posts/3465268393531918/" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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<a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> in all its glory 🔔<br />
Today is the last day of the project and I am sharing the documentation of the object. What wasn't visible during the live streams, the photos will surely explain 🙂<br />
"Machine Creative"<br />
object, 2020, wood, plywood, stainless steel, glass, electronic control system, 3D printer head, PLA filament, 30 × 30 × 150 cm<br />
<br />
P.S. Video coming soon!
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<h4 style="text-align: left;">30th of September 2020 – post #14 | 30 września 2020 – post 14.<br />[<a href="https://www.facebook.com/dudko.p/posts/3465363240189100/" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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<a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> for the almost last time (in the near future) 😉<br />
Video recordings of small, extruded objects. An opportunity to see them close in their environment.
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<iframe allow="autoplay; fullscreen" allowfullscreen="" frameborder="0" height="360" src="https://player.vimeo.com/video/463200510" style="background: black;" width="640"></iframe>
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<h4 style="text-align: left;">30th of September 2020 – post #15 | 30 września 2020 – post 15.<br />[<a href="https://www.facebook.com/dudko.p/posts/3466543493404408/" target="_blank">live post in Polish click here | oryginalny post po polsku tutaj</a>]</h4>
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September 30 is slowly coming to an end... <br />
The third phenomenal month of work on the #kulturawsieci scholarship is also ending. This year's events changed a lot, but had it not been for this time, there would probably never have been a <a href="https://www.facebook.com/hashtag/maszynatwórcza" target="_blank">#maszynatwórcza</a> in this form.<br />
It's a whole new experience to share with you my thoughts, doubts, and work before they settle down, and before they become something more than just my first impression.<br />
I would like to thank everyone for every comment, private message, reaction, presence on streams, live conversations. I greatly appreciate your kind words, shares, and questions, as well as doubts, critical remarks, and sarcastic comments 🙂<br />
At this point, I would like to thank the people who helped me with the project with their outstanding skills. It is a great joy and happiness to know such people and to be able to count on them!<br />
<br />
Damian Dworakowski helped me prepare my scholarship application and explained the intricacies of the application system. He can look from the perspective of a creator, organizer, and expert, and then choose the best solution from this ridiculous conglomerate! What's more, he is still able to develop the project and inspire 🙂<br />
<br />
Dorota Perszko wrote a phenomenal text about the project. The knowledge, contexts, and meanings she notices are always a surprise to me, and at the same time, I often feel shy about such comparisons.<br />
<br />
Radek Gurski, a modest master of the workmanship with whom we built the final facility. He always proves to me that theoretical knowledge in the workshop is only an introduction to the joy of making, and shows what understanding the material is all about.<br />
<br />
And last, but not least... Karolina Niedbało, who probably reacted to every comment, followed all possible reactions regarding the posts, was able to spam the livestream, but most importantly, she helped me plan this project and made sure that it was implemented in the best possible form. I do not even need to mention all the support and pointing the direction when it got blurry because it is obvious 😉<br />
<br />
I am very glad that this project was created. It started, as usual, with the realization of an object for an exhibition somewhere, sometime in the future... Meanwhile, our interaction over the weeks showed me a completely different face of creativity and possibilities.<br />
If someone looks here in the future, all documentation can be found on my website.<br />
Thank you again and let's stay in touch!<br />
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-37498271127842490972018-05-22T21:00:00.021+02:002023-04-30T13:14:40.674+02:00The Faces of the Circle [WRiI ASP:Gdańsk:Poland]<br />
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<b><i>The Faces of the Circle</i></b><br />artistic part of the doctoral dissertation in the discipline of fine arts<br />
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<b><i>Oblicza koła</i></b><br />
część artystyczna rozprawy doktorskiej w dyscyplinie sztuki piękne<br />
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</div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: center;"><br /></div><span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; text-align: left;"><div style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; text-align: left;"><span style="font-size: 13.2px;"><b><i>zbiór 0. (eng. 'Set 0.')</i></b></span></div><div style="text-align: left;"><font color="#888888" face="arial, tahoma, helvetica, freesans, sans-serif"><span style="font-size: 13.2px;">seria 12 obiektów, 2017, FDM PLA, ok. 20 × 21 cm każdy</span></font></div></span><span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: left;"><div style="text-align: left;"><font color="#888888" face="arial, tahoma, helvetica, freesans, sans-serif"><span style="font-size: 13.2px;">series of 12 objects, 2017, FDM PLA, ca. 20 × 21 cm each</span></font></div><div style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: left;"><span style="font-size: 13.2px;"><br /></span></div><div style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: left;"><span style="font-size: 13.2px;"><br /></span></div></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxhekC-IIZ_WtFcANKL3Txrs4Ac36x9WHZO3e8Tr4Ve4iCNqArOG-pXl3KsJ1JM8s-T_91f-AsTcKeDI7wprWT3oajs-oDPAvYCnJKOPI7cCrYcxW4DWpXFcpo98v2fvAHWTF1nncPpQ/s1600/_1210204+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Oblicza koła — zbiór 0. | Paweł Dudko" border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxhekC-IIZ_WtFcANKL3Txrs4Ac36x9WHZO3e8Tr4Ve4iCNqArOG-pXl3KsJ1JM8s-T_91f-AsTcKeDI7wprWT3oajs-oDPAvYCnJKOPI7cCrYcxW4DWpXFcpo98v2fvAHWTF1nncPpQ/s640/_1210204+as+Smart+Object-1.jpg" title="Oblicza koła — zbiór 0. | Paweł Dudko" width="640" /></a>
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Oblicza koła — zbiór 0.
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Oblicza koła — zbiór 0.
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<b style="background-color: white; color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px;"><i>zbiór 1. </i></b><span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.2px;"><b><i>(eng. ‘Set 1.’)</i></b></span></span><br />
<span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.2px;">cykl 11 obiektów, 2017, FDM PLA, 20 × 21 cm każdy</span></span><br />
<span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px;">cycle of 11 objects, 2017, FDM PLA, 20 × 21 cm each</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigwL411CjaX23N94foL6U-EqR9GE1Nb3AX97T92O9U7Js9wcUvdFx6htvfJY52qqar-PciC25tCO730Ga6XPvL3tnZseNomUj6VegYAy62yyjv1tVq8T7x53Ezbhnmn1mrTQCz3whd7w/s1600/_1210191+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Oblicza koła — zbiór 1. — 2¹⁰ | Paweł Dudko" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigwL411CjaX23N94foL6U-EqR9GE1Nb3AX97T92O9U7Js9wcUvdFx6htvfJY52qqar-PciC25tCO730Ga6XPvL3tnZseNomUj6VegYAy62yyjv1tVq8T7x53Ezbhnmn1mrTQCz3whd7w/s640/_1210191+as+Smart+Object-1.jpg" title="Oblicza koła — zbiór 1. — 2¹⁰ | Paweł Dudko" width="640" /></a>
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Oblicza koła — zbiór 1. — 2⁰
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbku-VPRWTRrvgEkrhf8bDzvlRUtXzd09x8yXWoAopThiiDHfxwcgONVKp7kgpbs2FFVGgO6d4rDhvQAFRdjsNmEhBbSjOwMTzJ5WSFhC0qXETRJkqzKhbCAQKenQj0oarljK9x5oWdg/s1600/_1180760.JPG" style="margin-left: auto; margin-right: auto;"><img alt="Oblicza koła — zbiór 1. — 2¹⁰ | Paweł Dudko" border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbku-VPRWTRrvgEkrhf8bDzvlRUtXzd09x8yXWoAopThiiDHfxwcgONVKp7kgpbs2FFVGgO6d4rDhvQAFRdjsNmEhBbSjOwMTzJ5WSFhC0qXETRJkqzKhbCAQKenQj0oarljK9x5oWdg/s640/_1180760.JPG" title="Oblicza koła — zbiór 1. — 2¹⁰ | Paweł Dudko" width="640" /></a>
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Oblicza koła — zbiór 1. — 2¹⁰
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<span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.2px;"><br /></span></span><b style="background-color: white; color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px;"><i>zbiór 2. </i></b><span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.2px;"><b><i>(eng. ‘Set 2.’)</i></b></span></span><br />
<span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.2px;">obiekt, 2017, FDM PLA, 20 × 30 × 8 cm</span></span><br />
<span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: 13.2px;">object, 2017, FDM PLA, </span></span><span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px;">20 × 30 × 8 cm</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizP-gnbt08AW_WWTKl_f2YHYETFVXvUz6d_FgUtDb44JhLDmNkRjMCMJzfaZBRMEAGxOxaZHevqzSt8WN3nCP6HwV3e2CUdGOTKac8u0Uvf1Q3vUz_JKFQiLlLxzBEV0Q7rrV5NWfs1g/s1600/_1210206+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Oblicza koła — zbiór 2. | Paweł Dudko" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizP-gnbt08AW_WWTKl_f2YHYETFVXvUz6d_FgUtDb44JhLDmNkRjMCMJzfaZBRMEAGxOxaZHevqzSt8WN3nCP6HwV3e2CUdGOTKac8u0Uvf1Q3vUz_JKFQiLlLxzBEV0Q7rrV5NWfs1g/s640/_1210206+as+Smart+Object-1.jpg" title="Oblicza koła — zbiór 2. | Paweł Dudko" width="640" /></a>
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Oblicza koła — zbiór 2.
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<i style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px;">[...] Zrealizowana część artystyczna rozprawy doktorskiej pt. „Oblicza
koła”, która stała się przedmiotem opisu i analizy rozdziału trzeciego, jest
próbą zbadania druku przestrzennego jako medium artystycznego, w oparciu o
dialog cyfrowej wirtualności z rzeczywistością. Odrzucając imperatyw zasady
mimesis autor przyjął wszystkie zjawiska towarzyszące procesowi powstawania
obiektów, takie jak przypadek czy błąd, jako równoprawne czynniki sprawcze.
Zaobserwowane zjawiska pozwoliły na dostrzeżenie wartości artystycznej
powstałych obiektów. Tym samym, zrealizowany projekt staje się pretekstem do
wysnucia tezy, że pozornie automatyczny i bezduszny proces urzeczywistniania
cyfrowego modelu przy wykorzystaniu technologii FDM, może być źródłem
obiektów, posiadających charakter artystyczny. Można również założyć w
dłuższej perspektywie, </i>
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<span style="color: #888888; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><i>że technologie addytywne uzyskają potencjał, aby być włączonymi do
zbioru równoprawnych procesów realizacji form przestrzennych.</i></span>
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ze streszczenia rozprawy doktorskiej
<i>„Oblicza koła” Druk przestrzenny jako medium. Znaczenie utworu
artystycznego w aspekcie wirtualnym i rzeczywistym</i>
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<span style="font-size: 13.2px;"><i>[...] The complete artistic part of the doctoral dissertation titled
‘The Faces of the Circle’, which became the subject of description and
analysis in the third chapter, is an attempt at examining spatial
printing as an artistic medium, based on the dialogue between digital
virtuality and reality. By rejecting the imperative of the mimesis
principle the author has accepted all phenomena accompanying the
process of object creation, such as mishap or error, as equal causal
factors. The observed phenomena allowed for an appreciation of the
artistic value of the created objects. Thus, the completed project
becomes a pretext for proposing that the seemingly automatic and
soulless process of realizing a digital model using FDM technology may
be a source of objects of artistic qualities. It may also be proposed
that, in the long term, additive technologies might potentially be
regarded as an equally valid processes of creating spatial forms.</i></span>
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<div style="font-size: 13.2px; text-align: right;">
from abstract of a doctoral thesis
<i>‘The Faces of the Circle’ Three-dimensional print as a medium. The
meaning of work of art in virtual and real aspect.</i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjyDoX86_fblw2hErTODvnKdfm-Ctypq_xaFtWwOM55BTCGfFOxuMiblw6fowYU-CQgt16H90w-pLjoCD_UilP4S8Nfe9PX8VQkaQoua-kp4AQWPx5IcUDgd5MY_0U18zY2rN7Py75tw/s1600/_1210210+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjyDoX86_fblw2hErTODvnKdfm-Ctypq_xaFtWwOM55BTCGfFOxuMiblw6fowYU-CQgt16H90w-pLjoCD_UilP4S8Nfe9PX8VQkaQoua-kp4AQWPx5IcUDgd5MY_0U18zY2rN7Py75tw/s640/_1210210+as+Smart+Object-1.jpg" width="640" /></a>
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comWydział Rzeźby i Intermediów ASP, Targ Węglowy 6, 80-836 Gdańsk, Polska54.3507022 18.64906989999997228.8286677 -22.659524100000027 79.8727367 59.957663899999972tag:blogger.com,1999:blog-4901923886311769597.post-1798402558518530302017-08-17T02:00:00.004+02:002023-04-30T13:14:43.234+02:00Alloy [WAR:miejsce sztuki44/FAMA 2017:Świnoujście:Poland]<div class="separator" style="clear: both; text-align: center;">
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<b><i>Alloy</i></b><br />
installation/object, 2017, extruders, electronic driver, PLA, plywood<br />
<br /><b><i>Aliaż</i></b><br />instalacja/obiekt, 2017, ekstrudery, elektroniczny układ sterujący, PLA, sklejka<br /><br />
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<i><span style="font-family: "times new roman";">[</span><span style="font-family: "times new roman";">scroll down for description</span><span style="font-family: "times new roman";">]</span><br /></i>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirZaBJer02yJBdc22TXZD3JOojps0U0XsOnsojrA5xCBS4agBrN0mzxUzw9-VNQknLclj6Ex8TdgNw_ILUEVFaRR1QfHSCBTZZbWFNbXmhGhnaD8kbJrs7KWHHX-XLIheQivN43xJBRQ/s1600/_1200566+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Paweł Dudko, Aliaż, Wystawa WAR, miejsce sztuki44, FAMA 2017, Świnoujście" border="0" data-original-height="1080" data-original-width="720" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirZaBJer02yJBdc22TXZD3JOojps0U0XsOnsojrA5xCBS4agBrN0mzxUzw9-VNQknLclj6Ex8TdgNw_ILUEVFaRR1QfHSCBTZZbWFNbXmhGhnaD8kbJrs7KWHHX-XLIheQivN43xJBRQ/s640/_1200566+as+Smart+Object-1.jpg" title="Paweł Dudko, Aliaż, Wystawa WAR, miejsce sztuki44, FAMA 2017, Świnoujście" width="426" /></a></div>
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<div style="text-align: justify;"><div style="text-align: justify;"><div style="text-align: justify;"><b><i>Alloy</i></b> is a continuation of the deliberations on three-dimensional print, in which deconstruction of the process takes place. The final object, based on the basics of the technology and using its compound elements, entirely loses its functional meaning.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Only the two elements used for extruding material are extracted from the device [FDM printer] and posed opposite each other. Controlling the position was eliminated from the process, and the structure increase is based on variable physical factors. The lack of direct control over the movement of the print heads and their rigid attachment to the walls of the object eliminates the possibility of creating a strictly determined form. Control is limited to the most basic of functions, i.e. maintaining the proper temperature of the printing head and inducing the movement of the motor. The final shape, pace, variation and size of the elements are influenced by many factors: starting with the material, through fluctuations in the printing head temperature, to imperfections and deformities of the construction.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The process itself is accompanied by the sounds of stepper motors, the faint ticking of revolving cylinders, reminiscent of a dialogue between the machines. This impression is magnified by the observation of the extruded material, whose thin fibres intertwine, twist, glue together in order to collapse under their own weight to the base of the platform. At this moment the increment process begins anew.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A three-dimensional structure is being formed on the platform, consisting of many loosely stacked elements. The irregular, organic forms are being ordered by simple, definitely thinner fibres, being the effect of the stretching of the collapsing material. The potential for further growth can be felt. The composition opens up in all directions, evoking similarities to a biological form – a spawn, a cell or a plant. It strongly contrasts with the minimalistic, geometrical, technical context in which it is being created.</div></div></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tXmVaMGOTKdLL9x96Z0Moog3QQNfHDykvcvWOYJYhyphenhyphenQt7Cu6kOyTIj2sU6S4shrpyR3HTPyazGpePgb3ErjUUMPODe7mnu9EblzHLZZx_njDMAtR13mcOmvABI8_65ia6ByyAYA-Yw/s1600/_1200612+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Paweł Dudko, Aliaż, Wystawa WAR, miejsce sztuki44, FAMA 2017, Świnoujście" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tXmVaMGOTKdLL9x96Z0Moog3QQNfHDykvcvWOYJYhyphenhyphenQt7Cu6kOyTIj2sU6S4shrpyR3HTPyazGpePgb3ErjUUMPODe7mnu9EblzHLZZx_njDMAtR13mcOmvABI8_65ia6ByyAYA-Yw/s640/_1200612+as+Smart+Object-1.jpg" title="Paweł Dudko, Aliaż, Wystawa WAR, miejsce sztuki44, FAMA 2017, Świnoujście" width="640" /></a></div>
<br /></div><div style="text-align: justify;"><div style="text-align: justify;"><div style="text-align: justify;"><div style="margin: 0px; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; widows: 2;"><b><i>Aliaż </i></b>jest kontynuacją rozważań dotyczących druku przestrzennego, w którym następuje dekonstrukcja procesu. Finalny obiekt, oparty na podstawach technologii i wykorzystujący jej elementy składowe, całkowicie traci swoje znaczenie funkcjonalne.</div><div style="-webkit-text-stroke-width: 0px; color: black; font-family: "times new roman"; font-size: medium; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: 400; letter-spacing: normal; margin: 0px; orphans: 2; text-align: left; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><br /></div><div style="text-align: justify;">Z praktycznego urządzenia [drukarki FDM] zostają wyodrębnione i umieszczone naprzeciw siebie jedynie dwa elementy służące ekstruzji materiału. Z procesu wyeliminowano sterowanie pozycją, a przebieg narastania struktury oparty jest na zmiennych czynnikach fizycznych. Brak bezpośredniej kontroli nad ruchem głowic oraz ich sztywne przytwierdzenie do ścian obiektu eliminują budowanie ściśle określonej formy. Sterowanie ogranicza się do zapewnienia najbardziej podstawowych funkcji, tj. utrzymywania właściwej temperatury głowicy i wymuszenia ruchu silnika. Na ostateczny kształt, tempo, wariacje i wielkość elementów wpływa szereg czynników: od materiału, przez wahania temperatury głowicy, po niedoskonałości i odkształcenia konstrukcji.</div><div><br /></div></div></div><div style="text-align: justify;"><div style="text-align: justify;">Sam proces przebiega przy akompaniamencie dźwięków silników krokowych, obracające się wały emitują ciche tykanie, przywodzące na myśl dialog prowadzony przez maszyny. Wrażenie to potęguje obserwacja ekstrudowanego materiału, którego cienkie włókna mieszają się ze sobą, zawijają, sklejają, aby na koniec pod własnym ciężarem opaść na podstawę platformy. Wówczas narastanie zaczyna się od nowa.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Na platformie nabudowuje się przestrzenna struktura, złożona z wielu luźno ułożonych </div><div style="text-align: justify;">na sobie elementów. Nieregularne, organiczne formy są porządkowane przez proste, zdecydowanie cieńsze włókna, będące efektem rozciągania opadającego materiału. Wyczuwalny jest potencjał do dalszego wzrostu. Kompozycja otwiera się we wszystkich kierunkach, wywołując skojarzenia z biologiczną formą – grzybnią, komórką czy rośliną. Zdecydowanie kontrastuje z minimalistycznym, geometrycznym, technicznym kontekstem, w jakim powstaje.</div><div><br /></div></div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
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Premierowa prezentacja podczas wystawy "WAR" w <a href="https://www.facebook.com/miejscesztuki44" target="_blank">Galerii Sztuki Współczesnej miejsce sztuki44</a> (kurator ms44: Andrzej Pawełczyk), na <a href="http://fama.org.pl/" target="_blank">47. Międzynarodowym Kampusie Artystycznym FAMA</a>, Świnoujście 2017.<br />
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-44547496713520357782017-05-21T05:00:00.003+02:002023-04-30T13:14:46.539+02:00Sound of image | Image of sound // Notes [Warsaw Biographies:Profile Foundation:Warszawa:Poland]<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSpLD1PWJ-0zzct_VgLxYzy_6vYu-Wx6_5BsEV5Sz7mhDLW22WQsxQ5-shHROUCKu9Gj61z8zNN5g6806CdsXwiEThgDRcN_pD5S9z2STswRu7h5IvjUBfdTc7W5dnGmXkHRDPBELoEA/s1600/_1200168.jpg" style="margin-left: auto; margin-right: auto;"><img alt="Dźwięk obrazu | Obraz dźwięku: Leszek | Biografie Warszawy, Fundacja Profile, 2017" border="0" data-original-height="900" data-original-width="1349" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSpLD1PWJ-0zzct_VgLxYzy_6vYu-Wx6_5BsEV5Sz7mhDLW22WQsxQ5-shHROUCKu9Gj61z8zNN5g6806CdsXwiEThgDRcN_pD5S9z2STswRu7h5IvjUBfdTc7W5dnGmXkHRDPBELoEA/s640/_1200168.jpg" title="Dźwięk obrazu | Obraz dźwięku: Leszek | Biografie Warszawy, Fundacja Profile, 2017" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Dźwięk obrazu | Obraz dźwięku</i>: Rafał | Biografie Warszawy, Fundacja Profile, 2017</td></tr>
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<b><i><br /></i></b><div><b><i>Sound of image | Image of sound // Notes</i></b><br />happening, 2017, 3D print (PLA)</div><div><b><i><br /></i></b></div><div><b><i>Dźwięk obrazu | Obraz dźwięku // Zapiski</i></b><br />
działanie, 2017, druk 3D (PLA)<br />
<br />[<i>scroll down for description</i>]</div><div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihfdcXKHUTmt-YkUnlW0pBE_WUXG4HhPmrKkYXQHMMACEvoWL6eAw3RAO-CQPWBJ69bE8-Vjjz3fKa9yZARYqrYAvjCQ7zrMP55C-uOtLN6LkCOuYyUo3B58GrWSFSq5LfXs16WtIutw/s1600/_1200164.jpg" style="margin-left: auto; margin-right: auto;"><img alt="Dźwięk obrazu | Obraz dźwięku: Leszek | Biografie Warszawy, Fundacja Profile, 2017" border="0" data-original-height="900" data-original-width="1349" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihfdcXKHUTmt-YkUnlW0pBE_WUXG4HhPmrKkYXQHMMACEvoWL6eAw3RAO-CQPWBJ69bE8-Vjjz3fKa9yZARYqrYAvjCQ7zrMP55C-uOtLN6LkCOuYyUo3B58GrWSFSq5LfXs16WtIutw/s640/_1200164.jpg" title="Dźwięk obrazu | Obraz dźwięku: Leszek | Biografie Warszawy, Fundacja Profile, 2017" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Dźwięk obrazu | Obraz dźwięku</i>: Leszek | Biografie Warszawy, Fundacja Profile, 2017</td></tr>
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<div><i><b><br /></b></i></div><div><div><b><i>Sound of image | Image of sound</i></b> is a happening at the gallery of <a href="http://www.fundacjaprofile.pl/" target="_blank">Profile Foundation</a> in Warsaw as part of the <a href="https://www.facebook.com/biografiewarszawy/?fref=ts" target="_blank">Warsaw Biographies</a> project.</div><div><div>The idea was to meet with the people of Warsaw. The natives, tourists, students, but also those who came here looking for a new life. During the meeting, everyone could recall a picture of the first memory associated with this multidimensional city and tell about it. Each statement was recorded in audio form, and during the registration itself a material object that was a physical recording of the voice was created.</div><div><br /></div><div>The author's instrument was used to transform speech to relief images. An individual character of each statement was captured in a technology based on 3D printing.<br /><br />The presentation was complemented by an interactive wall-based projection that depicted sound in real-time.</div></div></div><div><i><b><br /></b></i></div><div>
<i><b>Dźwięk obrazu | Obraz dźwięku</b></i> to działanie zrealizowane w galerii <a href="http://www.fundacjaprofile.pl/" target="_blank">Fundacji Profile</a> w Warszawie w ramach projektu <a href="https://www.facebook.com/biografiewarszawy/?fref=ts" target="_blank">Biografie Warszawy</a>.</div>
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Ideą działania było spotkanie z warszawiakami. Tymi rodowitymi, studentami, turystami, ale też i tymi, którzy przyjechali tu w poszukiwaniu innego życia. Podczas spotkania, każdy mógł przywołać obraz pierwszego wspomnienia związanego z tym wielowymiarowym miastem i opowiedzieć o nim. Każda wypowiedź została zarejestrowana w formie audio, zaś w trakcie samej rejestracji powstawał materialny obiekt będący fizycznym zapisem głosu.</div>
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Autorski instrument posłużył do wytworzenia reliefowych obrazów z mowy. Indywidualny charakter każdej wypowiedzi, został uchwycony w technologii opartej na druku przestrzennym.<br />
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Prezentację uzupełniała interaktywna projekcja na ścianie, obrazująca dźwięk w czasie rzeczywistym.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8To4oBjCLlj1km_ifr-fo7q4-OnOsJkOBgEFfwUaPdRPcl335jjxMgE4QpAhm6SnThDncEJlTIILPMEKTL0xY4bTG2iAxJQdC2tMA8esvtZyA1Rp-ThOqRxV8kWmbE0ZHLUFiB_NFTw/s1600/_1200147.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="fot. Paweł Dudko" border="0" data-original-height="900" data-original-width="1349" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8To4oBjCLlj1km_ifr-fo7q4-OnOsJkOBgEFfwUaPdRPcl335jjxMgE4QpAhm6SnThDncEJlTIILPMEKTL0xY4bTG2iAxJQdC2tMA8esvtZyA1Rp-ThOqRxV8kWmbE0ZHLUFiB_NFTw/s640/_1200147.jpg" title="fot. Paweł Dudko" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ6HYqVN5Fkt7u0nijTdELhKFu4GJTPkVpnRUvCvw03sTx-LUmHsqIF5Su_p1bl5mATZGKGq05o3t0oAuymy726KlincA2YaLjiQi0cAbow7lmJN_KXl7O3HkJJw_u9mhYBG1ySFCJ5Q/s1600/_1200153.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="fot. Paweł Dudko" border="0" data-original-height="900" data-original-width="1349" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ6HYqVN5Fkt7u0nijTdELhKFu4GJTPkVpnRUvCvw03sTx-LUmHsqIF5Su_p1bl5mATZGKGq05o3t0oAuymy726KlincA2YaLjiQi0cAbow7lmJN_KXl7O3HkJJw_u9mhYBG1ySFCJ5Q/s640/_1200153.jpg" title="fot. Paweł Dudko" width="640" /></a></div>
<div><br /></div><div><div>Happening <b><i>Sound of image | Image of sound</i></b> was an element of the project dedicated to blind and visually impaired people. Hence the idea for sound transcription into something physical and tactile.</div><div><br /></div><div>An interesting conclusion is that the works of the blind and visually impaired people significantly stood out from the rest. While listening to the speech itself or analyzing the audio recording, there were no special features. However, the recording made by the device had a very broad ring, which practically filled the entire spectrum from minimum to maximum, sometimes even moving more towards the upper limit. <b><i>Notes </i></b>of the other participants were mostly based on the minimum spectrum, with spikes, during individual words. They formed a smaller, more distinct circle with lots of tiny rays.</div></div><div><br /></div><div><br /></div><div>Działanie <i><b>Obraz dźwięku | Dźwięk obrazu</b></i> było elementem projektu dedykowanym osobom niewidomym i niedowidzącym. Stąd powstał pomysł na transkrypcję dźwięku, na coś fizycznego i taktylnego.</div><div><br /></div><div>Interesującym wnioskiem jest, iż prace osób niewidomych i niedowidzących znacząco wyróżniały się spośród pozostałych. Podczas słuchania samej wypowiedzi, czy analizy zapisu audio, nie dało się zauważyć wyjątkowych cech. Jednak zapis zrealizowany przez urządzenie, odznaczał się bardzo grubym pierścieniem, który praktycznie wypełniał całe spektrum od minimum do maksimum, czasami wręcz przesuwając się bardziej ku górnej granicy. <b><i>Zapiski </i></b>pozostałych uczestników, w większości opierały się na minimum spektrum, ze szpilkami, podczas pojedynczych słów. Tworzyły mniejszy, bardziej wyraźny okrąg, z mnóstwem drobnych promieni.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbaoXBl9lxIIZqjva2SsnZSednTqk1S7kj1cYi2Bec-aCeMaCCjiOGDlPWL628jjEzZse4HzgtQ1kzXwySfq-pIffUha-I1vH1QiuLcKal0wm6-l6DNUVGrGWoq0r9oZYGvQuiPFbVdg/s1600/_1200122.jpg" style="margin-left: auto; margin-right: auto;"><img alt="fot. Paweł Dudko" border="0" data-original-height="900" data-original-width="1349" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbaoXBl9lxIIZqjva2SsnZSednTqk1S7kj1cYi2Bec-aCeMaCCjiOGDlPWL628jjEzZse4HzgtQ1kzXwySfq-pIffUha-I1vH1QiuLcKal0wm6-l6DNUVGrGWoq0r9oZYGvQuiPFbVdg/s640/_1200122.jpg" title="fot. Paweł Dudko" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
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</div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comFranciszkńska 6, 00-214 Warszawa, Polska52.2531158 21.0048609000000452.2336638 20.96452040000004 52.272567800000004 21.045201400000039tag:blogger.com,1999:blog-4901923886311769597.post-39651081401431765902016-09-17T04:00:00.003+02:002023-04-30T13:14:49.014+02:00(Un)necessary [10th Multi.Art:Kalisz:Poland]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPHApPbx8AjgGbCN01fcwzKxqDHHf-Ye92wSsLnvdcPLkFhnLeQrKf0j8igHJ3BXtm979a82b8juAcxk8Ex28746OA0gvzWf-POYOLE8aKTn9_jl5NsEx6jWagpC3AgGBRdkrF_LcVkg/s1600/_1180856+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPHApPbx8AjgGbCN01fcwzKxqDHHf-Ye92wSsLnvdcPLkFhnLeQrKf0j8igHJ3BXtm979a82b8juAcxk8Ex28746OA0gvzWf-POYOLE8aKTn9_jl5NsEx6jWagpC3AgGBRdkrF_LcVkg/s640/_1180856+as+Smart+Object-1.jpg" width="640" /></a></div>
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<b><i>(Un)necessary</i></b><br />object, 2016, 10×10×15 cm: 3D print (PLA)<b><i><br /></i></b><div><b><i><br /></i></b></div><div><b><i>(Nie)zbędne </i></b><br />
obiekt, 2016, 10×10×15 cm: druk 3D (PLA)<br />
<br /><div>[<i>scroll down for description</i>]<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOnwO25FbGbpEjcNuFv78hfABF70kFuHUMNHAvQjhSsGgQTqWKrbx9WGP2Qzmc-l8hIfIaoXyLXIpzcm0vLXUt8shjdmkbXKpmLO8Hp5J5DE-LeXWDf4dGKT4njxCS7mhi9ZZTjydSQ/s1600/_1180857+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOnwO25FbGbpEjcNuFv78hfABF70kFuHUMNHAvQjhSsGgQTqWKrbx9WGP2Qzmc-l8hIfIaoXyLXIpzcm0vLXUt8shjdmkbXKpmLO8Hp5J5DE-LeXWDf4dGKT4njxCS7mhi9ZZTjydSQ/s640/_1180857+as+Smart+Object-1.jpg" width="480" /></a></div>
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<div style="text-align: justify;"><div class="separator" id="english" style="clear: both; text-align: justify;">The object was created as a result of the observation of 3D printing technology. Sequences of numbers and algorithms have only become guidelines for its physical representation. Expected tool inaccuracy, non-uniformity of the material and a number of external factors make, what might seem possible to duplicate information, in fact, an individual and unique form.</div><br style="text-align: left;" /><div style="text-align: justify;">Similarly, as in the case of other processes (eg. casting), so here appear elements, unwanted in the final object, but necessary due to technological reasons. Usually removed by the author, they reveal the nature of the process and constitute its clear record. Thin threads are traces of the print-head movement. At the same time their multiplication and density become the basic building material of space.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
Obiekt powstał jako wynik obserwacji technologii druku trójwymiarowego. Ciągi liczb i algorytmy stały się jedynie wskazówkami dla jego fizycznej reprezentacji. Przyjęta jako założenie niedokładność narzędzia, niejednorodność materiału oraz cały szereg czynników zewnętrznych powodują, że to, co wydawać się mogło możliwą do powielenia informacją, w rzeczywistości stanowi jednostkową i niepowtarzalną formę.</div>
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Podobnie, jak w przypadku innych procesów technologicznych (np. odlewnictwa), tak i tu pojawiają się, niechciane w obiekcie finalnym, ale konieczne ze względów technologicznych, elementy. Zazwyczaj usuwane przez twórcę, ujawniają naturę procesu i stanowią jego czytelny zapis. Cienkie włókna są śladem ruchu głowicy drukującej. Jednocześnie ich zagęszczenie i multiplikacja staje się podstawowym budulcem przestrzeni.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTy-_ecpXjpCets5G5uRe6QjPUxOofWg2uRitqaZITuxMgpGuWBU33uFeyak2EbUdhubhAugJDIfsEAvi4QA81P7r0eBFSL3DcqZjy4plC_tsylztHFYVMgV3YFWpXOfg1biZLw-Id-A/s1600/_1180878+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTy-_ecpXjpCets5G5uRe6QjPUxOofWg2uRitqaZITuxMgpGuWBU33uFeyak2EbUdhubhAugJDIfsEAvi4QA81P7r0eBFSL3DcqZjy4plC_tsylztHFYVMgV3YFWpXOfg1biZLw-Id-A/s640/_1180878+as+Smart+Object-1.jpg" width="640" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfHgdaKx80fbasNM-hkVDYnWLsfthMBnstseok2WMfwztfE6PpJ9jvRvu4dH5xxyTs8v-oMqfSYUzqRMpWcLh1Tlq4WyjXHW32WKWpif8MEeRLqWMWZwmpOevuSMV1Q8foxvn6cck_Bw/s1600/_1180880+as+Smart+Object-1.jpg" style="margin-left: auto; margin-right: auto;"><img alt="fot. P. Dudko" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfHgdaKx80fbasNM-hkVDYnWLsfthMBnstseok2WMfwztfE6PpJ9jvRvu4dH5xxyTs8v-oMqfSYUzqRMpWcLh1Tlq4WyjXHW32WKWpif8MEeRLqWMWZwmpOevuSMV1Q8foxvn6cck_Bw/s640/_1180880+as+Smart+Object-1.jpg" title="fot. P. Dudko" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. P. Dudko</td></tr>
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Praca prezentowana na wystawie "X" podczas <a href="https://www.facebook.com/MultiArtFestival/" target="_blank">10. Multi Art Festival</a> w Kaliszu, 2016.</div></div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comKalisz, Polska51.767279900000013 18.08534620000000451.60998390000001 17.762622700000005 51.924575900000015 18.408069700000002tag:blogger.com,1999:blog-4901923886311769597.post-49047004166357076002016-08-11T02:30:00.004+02:002023-04-30T13:14:51.431+02:00Populations [Ciało otwarte:miejsce sztuki44/FAMA 2016:Świnoujście:Poland]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpA7MT3Eq9i1MIu2OhaIHa18XkVksFSnn8vmUmCDT3b7MC9wCkZKlrHU-HWinF9qRXX0eMR3c08bU5-tgWBlK-CPWsdIT0qcK1JcW5g75GfaEE2AISrs3T172CkpXu04OgvCmUYrTuA/s1600/_1180545+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpA7MT3Eq9i1MIu2OhaIHa18XkVksFSnn8vmUmCDT3b7MC9wCkZKlrHU-HWinF9qRXX0eMR3c08bU5-tgWBlK-CPWsdIT0qcK1JcW5g75GfaEE2AISrs3T172CkpXu04OgvCmUYrTuA/s640/_1180545+as+Smart+Object-1.jpg" width="640" /></a></div>
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<b><i>Populations</i></b><br />installation/objects, 2016, 15 × Ø120×20 mm: medical cabinet, Petri dishes, 3D print (PLA)<b><i><br /></i></b><div><b><i><br /></i></b></div><div><b><i>Populacje</i></b><br />
instalacja/obiekty, 2016, 15 × Ø120×20 mm: szafka lekarska, szalki Petriego, druk 3D (PLA)<br />
<b><i><br /></i></b><div><i>[scroll down for description]</i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj78f8n1WIFnl2YCf5Zsz-8D0E65DfoRfT8nPvbazBjKYc-tlEwnjm4pXbl4lkCLZrDhk3bFUZLwIhbgLE_JOFZoOW_dmZbvTRbIdAo34Aq_acWTnjoCPiC0d3rWgptBY9j0TzWDZ4ZbA/s1600/_1180569+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj78f8n1WIFnl2YCf5Zsz-8D0E65DfoRfT8nPvbazBjKYc-tlEwnjm4pXbl4lkCLZrDhk3bFUZLwIhbgLE_JOFZoOW_dmZbvTRbIdAo34Aq_acWTnjoCPiC0d3rWgptBY9j0TzWDZ4ZbA/s640/_1180569+as+Smart+Object-1.jpg" width="426" /></a></div>
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<div style="text-align: justify;"><b style="text-align: justify;"><i>Populations </i></b><span style="text-align: justify;">are the result of my wander through many systems and meanings. Digitally generated and virtually soulless piece has its roots in mathematical theories that represent natural phenomena. On the other hand detail is the record of process that results from physical character of used material and tool.</span><br style="text-align: left;" /><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><i>Populations </i></b>were created inside Petri dishes – a laboratory glassware, which is used to culture microorganisms. Geometrical plan of a 3D print was developed with mathematically generated height map and resulted in three-dimensional model. Organic form reminds of urban patterns.</div><div style="text-align: justify;">Digital representation was complemented by trace recording of print-head movement over the object. Purely technical form was completed by action, that is dependable on physical basis and technical craftsmanship. Fragile threads connecting certain spots on every level of the map are created by residues of material leaking, as print-head travels from spot to spot.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><i>Populations </i></b>are cultured in the reality, where digital and physical describe and affect each other. It is the reality, where there are no "either... or", but a perfect symbiosis among the (so-called) opposites.</div></div><div style="text-align: justify;"><br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsrye4MV7u8S2qU1s7waxaKE_9VD-M4DaDJImnBEPxPAYO8fsmVg7Stg9Q4TixaUsusiWQQUu5vPZgpbE-AY_T9eCNkztzPtAX8R3tqXMyKfS95efkoeoYqEV1ovyMeak5fB-S57aCJw/s1600/_1180583+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsrye4MV7u8S2qU1s7waxaKE_9VD-M4DaDJImnBEPxPAYO8fsmVg7Stg9Q4TixaUsusiWQQUu5vPZgpbE-AY_T9eCNkztzPtAX8R3tqXMyKfS95efkoeoYqEV1ovyMeak5fB-S57aCJw/s640/_1180583+as+Smart+Object-1.jpg" width="640" /></a></div>
<br /><div style="text-align: justify;"><b><i>Populacje </i></b>są efektem wędrówki przez wiele systemów i sensów. Dzieło powstałe przy pomocy nowoczesnych technologii i oparte na matematycznych algorytmach, a jednak blisko związane z naturą i materialnością. Organiczna forma, bazująca na algorytmicznie generowanym podziale płaszczyzny i przestrzeni, wywołuje skojarzenia z systemami urbanistycznymi (organizmem miasta). Jednocześnie zmiana skali i umieszczenie w kontekście naczyń laboratoryjnych tworzy dodatkową płaszczyznę odbioru i percepcji obiektów.</div><br /><div style="text-align: justify;">Instalacja zbudowana jest z wydruków 3D umieszczonych wewnątrz naczyń laboratoryjnych, przeznaczonych do hodowli mikroorganizmów. Forma została opracowana przez podział płaszczyzny tesselacją Woronoja i dopełniona fizycznym zapisem ruchu głowicy drukarki 3D. Przemieszczająca się głowica drukująca, zostawiła ślad toru ruchu w postaci cienkich „nici”, tworząc unikalną sieć połączeń pomiędzy punktami obiektu. Pozornie cyfrowo wygenerowane i bezduszne dzieło, swoje korzenie znajduje w teoriach matematycznych odnoszących się do natury, a wykańczający detal stanowi rejestrację procesu, wynikającego z fizycznego charakteru materiału i narzędzia.</div><div><br /></div><div style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdc2ROfWjQjkfuFeoV2uG-oQ7GdyY6_cx4Tkh-2pKZ9S54qr2YyfHCgGA-vhkY5blC8Nf5hP0eebuB5sMBwyhN7OQU7oA2KgAneI-_d-_EhpWDcx8F7WAvPPSalzUysBy2M6mnzsWctA/s1600/_1180541+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdc2ROfWjQjkfuFeoV2uG-oQ7GdyY6_cx4Tkh-2pKZ9S54qr2YyfHCgGA-vhkY5blC8Nf5hP0eebuB5sMBwyhN7OQU7oA2KgAneI-_d-_EhpWDcx8F7WAvPPSalzUysBy2M6mnzsWctA/s640/_1180541+as+Smart+Object-1.jpg" width="640" /></a></div>
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Praca prezentowana podczas wystawy "Ciało otwarte - ciało ludzkie, ciało miasta, ciało państwa" w <a href="https://www.facebook.com/miejscesztuki44" target="_blank">Galerii Sztuki Współczesnej miejsce sztuki44</a> (kurator ms44: Andrzej Pawełczyk), na <a href="http://fama.org.pl/" target="_blank">46. Międzynarodowym Kampusie Artystycznym FAMA</a>, Świnoujście 2016.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2Y_xYDeemSvZwnR9WaosleLwWkCZNpwE5K3R8uDfMYv1unoo4tXS9Rv_rMQa5cZDLsG_MYUSPHBXM0JPRdqKWpcE3w0OxZ7OYXD7q6ScVH-dhfUJM6W8anp3GEDDFBPH9xWS7SwtILQ/s1600/_1180581+as+Smart+Object-1.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2Y_xYDeemSvZwnR9WaosleLwWkCZNpwE5K3R8uDfMYv1unoo4tXS9Rv_rMQa5cZDLsG_MYUSPHBXM0JPRdqKWpcE3w0OxZ7OYXD7q6ScVH-dhfUJM6W8anp3GEDDFBPH9xWS7SwtILQ/s640/_1180581+as+Smart+Object-1.jpg" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
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</div></div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comŚwinoujście, Polska53.9100327 14.24757750000003453.7602252 13.924854000000034 54.059840200000004 14.570301000000034tag:blogger.com,1999:blog-4901923886311769597.post-28642210881654344942016-05-05T07:00:00.001+02:002023-04-30T13:14:53.815+02:00Timid II [Dizaino Dienos:VTDK:Vilnius:Lithuania]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih187GocVCjAvmc1PxkV17eAAYOAcNoEAlbYEiTpVw_UuL-NAZIuqIwK1o2uU78VYfTA76H5jhA5rncOykFKbWKxG19BcGcoGk8eRZCs5Oqq-KP7mTFkeBh3A5QoLWtYpgS4MMtdGqYQ/s1600/_1180251+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih187GocVCjAvmc1PxkV17eAAYOAcNoEAlbYEiTpVw_UuL-NAZIuqIwK1o2uU78VYfTA76H5jhA5rncOykFKbWKxG19BcGcoGk8eRZCs5Oqq-KP7mTFkeBh3A5QoLWtYpgS4MMtdGqYQ/s640/_1180251+as+Smart+Object-1.jpg" width="426" /></a></div>
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<i><b><br /></b></i><b><i>Timid II </i></b><br />interactive installation, 2016, object 30×30×25 cm: steel, electroluminescent wire, PLA, electronic control system.<br /><i><b><br /></b></i>
<i><b>Płochy II</b></i><br />
instalacja interaktywna, 2016, obiekt 30×30×25 cm: stal, przewód elektroluminescencyjny, PLA, elektroniczny układ sterujący.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqYbTM3aj498PrKrLbDzLFCyJKLeeQw7-Q9jDJLNKxYrBZGO9PR-et3yX_3w_-SabuBOF-88vy77zdaCRBmUG87L-FxqNgfIX9OI9-BAYyGqinvKK-rlGlFMYOu0NOMhKRSpqliEQlJg/s1600/anim_GIF.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqYbTM3aj498PrKrLbDzLFCyJKLeeQw7-Q9jDJLNKxYrBZGO9PR-et3yX_3w_-SabuBOF-88vy77zdaCRBmUG87L-FxqNgfIX9OI9-BAYyGqinvKK-rlGlFMYOu0NOMhKRSpqliEQlJg/s640/anim_GIF.gif" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZozYMfGofGTN-_pwk900XUCR2VGg9iLPqmF4ms-R7atp8E7Zd8O9JfYG-Uvc4_jgdW3kCqyS_BOWF5LmS9FYeZ8-gYEhAV7NmB9_CDV6po-b-fYi2SKdPQYGyixWIUIIu7ctnu3D_Yg/s1600/_1180188+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZozYMfGofGTN-_pwk900XUCR2VGg9iLPqmF4ms-R7atp8E7Zd8O9JfYG-Uvc4_jgdW3kCqyS_BOWF5LmS9FYeZ8-gYEhAV7NmB9_CDV6po-b-fYi2SKdPQYGyixWIUIIu7ctnu3D_Yg/s640/_1180188+as+Smart+Object-1.jpg" width="426" /></a></div>
<i><b><br /></b></i><b><i>płochy</i></b><br />timid, fearful, cowardly, faint-hearted<br />e.g. about ...: timid, wild, fearful<br />e.g. fickle man: capricious, reckless, fickle, unstable, whimsical<i><b><br /><br /></b></i>
<i><b>płochy</b></i><br />
bojaźliwy, lękliwy, pierzchliwy, strachliwy, tchórzliwy, trwożliwy<br />
np. o zwierzynie: bojaźliwy, dziki, lękliwy, pierzchliwy, strachliwy<br />
np. zmienny człowiek: kapryśny, lekkomyślny, niestały, niestateczny, pusty, zmienny<br />
[źr.: <a href="http://synonim.net/">synonim.net</a>]<br /><div><br /></div>
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Praca prezentowana podczas <a href="https://www.facebook.com/VTDKDizainoDienos/" target="_blank">Dizaino Dienos 2016</a> na <a href="http://www.vtdko.lt/" target="_blank">Vilnius College of Technologies and Design</a>, Wilno, Litwa, 2016.<br />
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comAntokol, Wilno, Litwa54.690131117660108 25.30519366264343354.689557617660107 25.303933162643432 54.69070461766011 25.306454162643433tag:blogger.com,1999:blog-4901923886311769597.post-16939121454572633052015-10-03T05:00:00.001+02:002023-04-30T13:14:57.121+02:00Currents of Bialystok [Lumo Bjalistoko:Białystok:Poland]<div class="separator" style="clear: both; text-align: center;">
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<div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both; text-align: left;"><b><i>Currents of Bialystok</i></b></div><div class="separator" style="clear: both; text-align: left;">site-specific installation, 2015, object length ca 50 m: electroluminescent wire, power supply.</div><div><br /></div></div><div class="separator" style="clear: both; text-align: left;">
<b><i>Prądy BiałegoStoku</i></b></div>
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instalacja site-specific, 2015, obiekt dł. ok. 50 m: przewód elektroluminescencyjny, układ zasilania.</div>
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<b><i>(O)świecenie rzeki.</i></b></div>
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Symbolicznym gestem w przestrzeni publicznej Białegostoku, Paweł Dudko uruchomił proces iluminacji przepływającej przez miasto rzeki Białej. Przy czym iluminacja to, w przypadku najnowszego, ale i wielu innych site-specific Dudko, nie tylko wrażenie o-świecenia.<br />
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„Prądy BiałegoStoku” to bardzo prosta w formie land-artowa instalacja, dedykowana rodzinnemu miastu autora, złożona z przewodu elektroluminescencyjnego, umieszczonego w głębi rzeki, której nurt przecina centrum Białegostoku. Puszczone swobodnie jarzące się czerwono „nici”, poddane ruchowi rzeki, niejako zwizualizowały jej żywioł — nurt. Podobnie jak wiatr czy powietrze, jest on terminem o tyle naukowym, co abstrakcyjnym, niewidzialnym dopóty, dopóki nie ujawni go czynnik zewnętrzny, swoisty „wskaźnik”, jak powiedziałby Charles S. Peirce. Ten sam efemeryczny styl wypowiedzi artystycznej ujawnia się w wielu wcześniejszych pracach Dudko, podobnie jak zdialogowanie technologicznych mediów z naturą lub bezpośrednim środowiskiem człowieka. Narzędziem w pracy Pawła Dudko, aktywizującym niemal każdą materię, której się podejmuje, jest światło. Podobnie jak w „Prądach…”, w pracach takich jak „Palimpsest”, „znikać”, „pojaw” czy „Inkubator: nova.PK1305”, to właśnie czynnik światła stawał się zarówno przyczyną, jak i efektem uwidaczniania treści. Za każdym razem, poprzez swą ulotną formę, komunikat ten przypominał o równie efemerycznych składnikach ludzkiego życia. Cała złożoność prac Pawła Dudko polega na skoligaceniu z sobą dziedzin, uznawanych powszechnie przez humanistykę za konkurencyjne. Z pozoru wykalkulowana i nasiąknięta technologiczną fascynacją sztuka Dudko to w rzeczywistości bardzo czułe traktowanie i animowanie ludzkiego środowiska, ze wszystkimi jego składnikami. Przykładem tego są choćby „Owoce oświecenia” czy „Płochy”, piękne realizacje, wpisane w kontekst natury, lecz skonstruowane z elementów przemysłowych. Światło natomiast, jako główne medium wszystkich wymienionych prac, Paweł Dudko traktuje zgodnie z jego biologicznymi i kulturowymi uwarunkowaniami – jako wartość budzącą do życia, interaktywną i symboliczną jednocześnie.<br />
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Formuła Festiwalu Światła i Sztuki Ulicy Lumo Bjalistoko, w ramach którego po raz pierwszy pokazana została praca Pawła Dudko, zakłada realizację iluminowanych projektów w przestrzeni miejskiej. Światło transportowane przewodami elektroluminescencyjnymi po rzece Białej, pozwala intuicyjnie rozpoznać, że nie chodzi tu wyłącznie o wizualnie atrakcyjne widowisko. Podobnie jak we wcześniejszych pracach Dudko, światło staje się tu czynnikiem powołującym do życia. Rzeka, za sprawą działania autora, jak gdyby ujawnia swoje wnętrze w formie złożonego organizmu. Wobec kulturowej symbolicznej nadbudowy, z jednej strony jej postać jest tu bardzo archetypiczna, a wijące się świecące przewody przywołują na myśl zatopione w odmętach długie kobiece włosy. W kontekście klasycznych poematów, legend i baśni, rzeka utożsamiana jest jako miejsce milczące, obszar skrywania ludzkich losów i tajemnic. Z drugiej strony tętniące czerwienią „prądy” to organiczna, cielesna wręcz forma. Widz zdaje się tu obserwować pozornie chaotyczną, tętniącą „pajęczynę” układu krwionośnego, odpowiedzialnego za podtrzymywanie życia. W tym sensie wzajemna relacja wody i światła staje się tu szczególna – stricte biologiczna, a przy tym niemalże mityczna. Bez czynnika światła i wody, nie ma szansy zaistnieć żadne nowe życie. Ta druga zaś, zapośredniczona przez liniowy bieg Białej, zyskuje w kształcie nadanym przez Dudko, jakiś rodzaj ludzkiego pierwiastka, wraz z jego linearnym, rytmicznym biegiem życia, jego „źródłem” i „ujściem”, z jego nieustanną zmiennością.<br />
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Iluminacja rzeki, do której nawiązuje w swojej pracy Dudko, to jednak nie tylko jej oświetlenie. W najprostszy sposób „Prądy…” ujawniają nomen omen rzeczywiste prądy rzeki, a zatem zmysłowo niedostępne zjawisko, jakich wokół wiele – jak powietrze czy wiatr, dusza, moment śmierci, Absolut. Istniejące, lecz niewidzialne i pozazmysłowe. Iluminacja to proces oświetlania, ale również oświecania – drogi poznania, objawiania, dochodzenia prawd. Dla Św. Augustyna byłby to dar nadprzyrodzonego światła udzielonego umysłowi przez Boga, psychologia zaś nazywa iluminację po prostu „efektem AHA!”. Olśnienie to być może filozoficzny twór, lecz to także proste zauważenie tego, co na poziomie codziennego życia tak oczywiste, że bezwiednie przeoczane. Jak fakt choćby, że bez naszej kontroli krwiobieg pracuje w ciągu życia bez ani jednej przerwy, lub, że średnio 17 razy w ciągu minuty instynktownie korzystamy z nieuchwytnego zmysłowo powietrza. To właśnie konsekwentnie w swoich pracach sugeruje Paweł Dudko, by pochylać się nad cząstkowymi efemerydami życia. Czyni to między innymi w ramach festiwalu Lumo Bjalistoko, przy pomocy „oświeconej” rzeki, która nie wiedzieć zupełnie dlaczego, tłumaczona na jeden z bałkańskich języków, znaczy „lumë”.</div>
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Dorota Perszko</div>
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Praca zrealizowana w ramach Stypendium Prezydenta Miasta Białegostoku dla Młodych Twórców.<br />
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<img alt="Wschodzący Białystok" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZq0HCx7nZoRyBchHnVQDEHCNjFBetHQJftHlhtAy5XNTfDe080RgTpXm7CZtedQhY7esPZXGereYIS14UpUkjEu9qAMF-bhEzhhhtqB0ypADO8Mx6nP7UADxKCXLePZv33OAY_6304Q/s1600/LOGO.jpg" title="Wschodzący Białystok" /></div>
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Instalacja została zaprezentowana podczas <a href="http://www.lumobjalistoko.pl/" target="_blank"><i>Festiwalu Światła i Sztuki Ulicy </i>Lumo Bjalistoko</a> w 2015 r.<br />
<br />Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comPark Stary, Rzeka Biała, Białystok, Polska53.130735022838678 23.16987097263336253.130586022838678 23.169555972633361 53.130884022838679 23.170185972633362tag:blogger.com,1999:blog-4901923886311769597.post-41071956750000400092015-08-21T03:00:00.002+02:002023-04-30T13:15:00.522+02:00i-th [Ziemia Obiecana:miejsce sztuki44/FAMA 2015:Świnoujście:Poland]<div style="text-align: center;">
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<a href="https://vimeo.com/152882560">i-th [i-ty]</a> from <a href="https://vimeo.com/pdudko">Paweł Dudko</a> on <a href="https://vimeo.com/">Vimeo</a>.</div>
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<b><i><div><b style="font-style: normal;"><i>i-th</i></b><br style="font-style: normal; font-weight: 400;" /><span style="font-style: normal; font-weight: 400;">interactive installation, 2015, object 140×30×200 cm: plywood, notebook, electronic control system.</span><br style="font-style: normal; font-weight: 400;" /><br style="font-style: normal; font-weight: 400;" /><div style="font-style: normal; font-weight: 400; text-align: justify;">Creating the installation <i>i-th</i> was accompanied by feelings associated with the processes of unification, standardization, and broadly defined statistical analysis. This reality led to the idea of an ephemeral collective portrait, which is a constantly evolving image of an actor, who decides to participate. The form of <i>i-th </i>references to "utopian" (in reference to the motto of the exhibition) time in man's life - to vacation, leisure and popular commemorative "photo-booth walls" that allow, often naive, transformation into someone or something else.</div><div style="font-style: normal; font-weight: 400; text-align: justify;">Every viewer, placing their head in the frame, triggers the shutter release. Images are successively overlaid, leading to the creation of an alternating, evolving unified portrait.</div></div><div><br /></div>i-ty</i></b><br />
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instalacja interaktywna, 2015, obiekt 140×30×200 cm: sklejka drewniana, notebook, kamera, elektroniczny układ sterujący.</div>
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Tworzeniu instalacji <i>i-ty</i> towarzyszyły uczucia związane z procesami unifikacji, standaryzacji i szeroko pojętej analizy statystycznej. Z tej rzeczywistości zrodził się pomysł efemerycznego portretu zbiorowego, który stanowi nieustannie ewoluujące przedstawienie, decydującego się na udział, funkcjonariusza. Swoją formą <i>i-ty</i> nawiązuje do "utopijnego" (w nawiązaniu do hasła przewodniego wystawy) czasu w życiu człowieka - do wakacji, wypoczynku i popularnych pamiątkowych "fotościanek", które pozwalają na, często naiwne, przeobrażenie się w kogoś lub coś innego.</div>
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Każdy widz, umieszczający głowę w ramie wyzwala wykonanie zdjęcia. Obrazy są kolejno nakładane na siebie prowadząc do powstania zmiennego, ewoluującego, zunifikowanego portretu.</div>
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Praca prezentowana podczas wystawy "Ziemia obiecana. Podróż do granic utopii." w <a href="https://www.facebook.com/miejscesztuki44" target="_blank">Galerii Sztuki Współczesnej miejsce sztuki44</a> (kurator ms44: Andrzej Pawełczyk), na <a href="http://fama.org.pl/" target="_blank">45. Międzynarodowym Kampusie Artystycznym FAMA</a>, Świnoujście 2015.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlA3zHbtKGCFN0KMR7IbDiLI3j3ln2FIL2b7aoA5ODuC9Ye5LD0EFhxhglkX1oyC0Oz5VkByFakUChr3RKqCQ4KBK1TOnFu8BKKmMg9TAe3U_60usjvFGVjiwIiI3DtrFy8vNA_mop5w/s1600/_1170451+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlA3zHbtKGCFN0KMR7IbDiLI3j3ln2FIL2b7aoA5ODuC9Ye5LD0EFhxhglkX1oyC0Oz5VkByFakUChr3RKqCQ4KBK1TOnFu8BKKmMg9TAe3U_60usjvFGVjiwIiI3DtrFy8vNA_mop5w/s640/_1170451+as+Smart+Object-1.jpg" width="425" /></a></div>
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Wystawa "Ziemia obiecana" otrzymała jedną z głównych nagród FAMY:<br />
Trójząb Neptuna - Nagroda dla Najlepszego Wydarzenia Artystycznego Festiwalu - dla autorów wystawy ZIEMIA OBIECANA, fundator - Marszałek Województwa Zachodniopomorskiego.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp-Y7xd1tpu8KdwZNphdj5mAzpL7Qy9SdwB3J9woxmeXJ76F6t30p8Ys9whLhLkHBOFz-ZCAPVm6TKVPs71_1nWZpg8pAgn4WrWIiv4tUkMc9RX5-0gn4Knh2eG_vE7oJBpSCsjlltSA/s1600/_1170441+as+Smart+Object-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp-Y7xd1tpu8KdwZNphdj5mAzpL7Qy9SdwB3J9woxmeXJ76F6t30p8Ys9whLhLkHBOFz-ZCAPVm6TKVPs71_1nWZpg8pAgn4WrWIiv4tUkMc9RX5-0gn4Knh2eG_vE7oJBpSCsjlltSA/s640/_1170441+as+Smart+Object-1.jpg" width="426" /></a></div>
<br /></div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comŚwinoujście, Polska53.9100327 14.24757750000003453.7602252 13.924854000000034 54.059840200000004 14.570301000000034tag:blogger.com,1999:blog-4901923886311769597.post-43194760382076703912014-12-11T21:00:00.003+01:002023-04-30T13:14:05.473+02:001/1000 of a happening [VTDK:Vilnius:Lithuania]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdFN0_7Noh9p5HMiBcFMXvbEL0gu6AZVh4ymXzmTp1zAp-P1NULuuAMLWnmGkeWwbDjPfAW7_0TGwYi-ZOwTE9dDO3nWpNMKK0xIXj5wxRfWTgVCdM3xit22qwzxs2ayERNmRUFwys5A/s1600/_1160463_PSed.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdFN0_7Noh9p5HMiBcFMXvbEL0gu6AZVh4ymXzmTp1zAp-P1NULuuAMLWnmGkeWwbDjPfAW7_0TGwYi-ZOwTE9dDO3nWpNMKK0xIXj5wxRfWTgVCdM3xit22qwzxs2ayERNmRUFwys5A/s1600/_1160463_PSed.jpg" width="640" /></a></div>
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<br /></div><div class="separator" style="clear: both; text-align: left;"><i style="text-align: justify;">1/1000 of a happening</i><span style="text-align: justify;"> is an interactive performance inviting viewers to participate in the process. One is being invited to stand in front of the camera to have commemorative photograph taken. Before the act itself it is suggested to adjust a transparent film accordingly to one’s will.</span><br /><div style="text-align: justify;">The outcome is multilayered photograph, in which the participant and background are covered by projected image. The process itself is imperceptible, mimicking the typical studio shot. The photograph is the only record of the projection as short as 1/1000 of a second.</div></div><div class="separator" style="clear: both; text-align: center;"><br /></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66fGcFtdo6_WlIIP0QxmHV3fqsFhY_a3kyPYy3Uz06hLDqCP_2F-Icy1kjB-aGidaQEfFYHv8I8OdUa-PFXr96QJAYUYUca0hESj4zCb-kcmyRL2zUtTO7ZA6voogYzUcjN2nMq8AHg/s1600/_1160488_PSed.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66fGcFtdo6_WlIIP0QxmHV3fqsFhY_a3kyPYy3Uz06hLDqCP_2F-Icy1kjB-aGidaQEfFYHv8I8OdUa-PFXr96QJAYUYUca0hESj4zCb-kcmyRL2zUtTO7ZA6voogYzUcjN2nMq8AHg/s1600/_1160488_PSed.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">situational photographs by Radosław Górski</td></tr>
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<i>Sincere thanks</i></div>
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<i>to authorities and employees</i></div>
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<i>of <a href="http://www.vtdko.lt/en/" target="_blank"><b>Vilnius College of Technologies and Design</b></a></i></div>
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<i>for warm welcome, possibility of realization of the exhibition</i></div>
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<i>and assistance during the entire process.</i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ1kl6U9FyveDSqga9XsyzrABF8dmi66fh04Vq_SMuCMUEWlMaw3MUNDhET8cIgpZBqhlsABSq-2ACQhu8xfZZxHzGkNvFrNPR7-cZqY7UZUYz9v_B5ADbQ3SMwkpUiS_c3czRWj0OxQ/s1600/folder+A3wC+inside4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ1kl6U9FyveDSqga9XsyzrABF8dmi66fh04Vq_SMuCMUEWlMaw3MUNDhET8cIgpZBqhlsABSq-2ACQhu8xfZZxHzGkNvFrNPR7-cZqY7UZUYz9v_B5ADbQ3SMwkpUiS_c3czRWj0OxQ/s1600/folder+A3wC+inside4.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ZDpk8QwXKQ-MugVuuJ9f0eFIW6kAYO5BKeXN6Qfi522ilhYLHL9fcDXV_4rJuvbFfufkshxrNzp8zMpmLvxB5bhxPG26rwRoKrkwbiAVizyKv4mm3-F7tswzLJWVnglUIOZ1F1kO8A/s1600/folder+A3wC+inside1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ZDpk8QwXKQ-MugVuuJ9f0eFIW6kAYO5BKeXN6Qfi522ilhYLHL9fcDXV_4rJuvbFfufkshxrNzp8zMpmLvxB5bhxPG26rwRoKrkwbiAVizyKv4mm3-F7tswzLJWVnglUIOZ1F1kO8A/s1600/folder+A3wC+inside1.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkmreijQsVwvHTi1mvoqhu6rbhbM3m7wcIq2FP4BK7dlXCm6DRwpHqeXht-T_sVppjdYX0xCYBVwBWmICkQorGz3qwLiZG_TTS1HZ-ikMlO02xnzalIEQYlapfdT4GnjXui3GwGV0-XA/s1600/folder+A3wC+inside2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkmreijQsVwvHTi1mvoqhu6rbhbM3m7wcIq2FP4BK7dlXCm6DRwpHqeXht-T_sVppjdYX0xCYBVwBWmICkQorGz3qwLiZG_TTS1HZ-ikMlO02xnzalIEQYlapfdT4GnjXui3GwGV0-XA/s1600/folder+A3wC+inside2.jpg" width="640" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcRdiCpgocQNaTFn0Aga4VAa7WjttmdUk5vLfrbLLwcev27ainsLtpFdLxlJHoM8Swr7cApjK5glruTv9H76ETfcyebn64bbjj-u6hsgVVdgVU0qb7EFGQS2HJBrc1Ykx8f7uVsN3VsQ/s1600/folder+A3wC+inside3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcRdiCpgocQNaTFn0Aga4VAa7WjttmdUk5vLfrbLLwcev27ainsLtpFdLxlJHoM8Swr7cApjK5glruTv9H76ETfcyebn64bbjj-u6hsgVVdgVU0qb7EFGQS2HJBrc1Ykx8f7uVsN3VsQ/s1600/folder+A3wC+inside3.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">authors' photographs of students and staff of <a href="http://www.vtdko.lt/en/" target="_blank">Vilnius College of Technologies and Design</a> taken during the event</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHxReM6dNIGrCovEq5pIjTMK65Yk-Q5owFrfQD0g9b97KXLZrb6poKQm5S9mtB8f8Q6uLx00837N8oQaAPvs79vZhz7aZnu7fyEv9h5lofwpW5RfcqpDig7aMKlIS3gqk5PlyrpIspLQ/s1600/logoUE.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="80" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHxReM6dNIGrCovEq5pIjTMK65Yk-Q5owFrfQD0g9b97KXLZrb6poKQm5S9mtB8f8Q6uLx00837N8oQaAPvs79vZhz7aZnu7fyEv9h5lofwpW5RfcqpDig7aMKlIS3gqk5PlyrpIspLQ/s1600/logoUE.jpg" width="640" /></a></div>
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<span style="font-size: x-small;">Exhibition realized during the internship in the project</span><br />
<span style="font-size: x-small;">“Raising the potential of universities as a factor in the development of knowledge-based economy”</span><br />
<span style="font-size: x-small;">financed under the Human Capital Operational Programme cofunded by the European Social Fund.</span></div>
Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-48649247610060471112014-09-11T05:15:00.001+02:002023-04-30T13:14:03.012+02:00Fruits of illumination [Festiwal Fabryka Światła:Przasnysz:Poland]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ99wPXSb17z_7xPRfdBnTIj6DvroV388WRHF8cjfTnr313m_4Npbwf27cQB8OPMtKE3TdtfWg880tmzcgQ0TBtOPOVwalACUS3nHA__XBssnp7sC5Ydj4vqedn7I3eUYTPtgkIDwrQg/s1600/_1150768_2.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ99wPXSb17z_7xPRfdBnTIj6DvroV388WRHF8cjfTnr313m_4Npbwf27cQB8OPMtKE3TdtfWg880tmzcgQ0TBtOPOVwalACUS3nHA__XBssnp7sC5Ydj4vqedn7I3eUYTPtgkIDwrQg/s1600/_1150768_2.jpg" title=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." width="640" /></a></div>
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<b><i>Fruits of illumination</i></b><br />interactive site-specific installation, 2014, 9 objects 30×11×11 cm: 3D printing, electronic control system, porcelain light bulb socket, electrical wire.<i><b><br /></b></i><div><i><b><br /></b></i></div><div><i><b>Owoce oświecenia</b></i><br />
interaktywna instalacja site-specific, 2014, 9 obiektów 30×11×11 cm: druk 3D, elektroniczny układ sterujący, oprawka porcelanowa, przewód elektryczny.<br /><br />
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="//player.vimeo.com/video/105901456" webkitallowfullscreen="" width="640"></iframe><br /></div>
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<a href="http://vimeo.com/105901456">Fruits of illumination</a> from <a href="http://vimeo.com/pdudko">Paweł Dudko</a> on <a href="https://vimeo.com/">Vimeo</a>.</div>
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<span style="text-align: justify;"><div><span style="text-align: justify;"><div style="text-align: justify;">The installation <b><i>Fruits of illumination</i></b> is created by nine objects hung on the branches of a tree. Its form and location refer to the nature, however both the form, used materials and the creation process itself, come from the world of industrial design. </div><div style="text-align: justify;"><i>Fruits of illumination</i> discreetly exist in space, revealing its presence only to those who decide to come closer. When the viewer approaches, object lights up with warm white light.</div><div><br /></div><div><br /></div></span></div>Instalację <b><i>Owoce oświecenia</i></b> tworzy dziewięć obiektów zawieszonych na konarach drzewa. Swoją formą i lokalizacją nawiązują do naturalnych owoców, jednak zarówno forma, wykorzystane materiały, jak i sam proces tworzenia, pochodzą ze świata form przemysłowych.</span><br />
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<i>Owoce oświecenia</i> dyskretnie istnieją w przestrzeni, swoją obecność objawiając tylko tym, którzy zdecydują się podejść bliżej. Wobec bliskości widza pojedynczy obiekt jaśnieje ciepłym, białym światłem.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwwe37n_5EQox7c5eBZTfLjd0kThWB9bUMG2zZPH1lYI6G_VbI3H7gOmcApJWlq_xkDoMRG65qaUWS81_8BSQ8yMzs1jiiSB7DzEQZnRUIx-KB7KAq3i9e0FItldOd3VB1f71pu4ZZdw/s1600/_1150801_PSed.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwwe37n_5EQox7c5eBZTfLjd0kThWB9bUMG2zZPH1lYI6G_VbI3H7gOmcApJWlq_xkDoMRG65qaUWS81_8BSQ8yMzs1jiiSB7DzEQZnRUIx-KB7KAq3i9e0FItldOd3VB1f71pu4ZZdw/s1600/_1150801_PSed.jpg" title=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." width="640" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbch5vytDijinqIVjUr5eBxFfT-Tk2XWto34PLrsOFroicXP2bGVNtW-s3zvfUbOVTUWI9HQuLlryPaH_TpTxUw3bk9VJPAQlIYe5Uyh73SuYdiPxh9XdacqGt4xHI9X4sKPcqdk_-Cw/s1600/_1150777.JPG" style="margin-left: auto; margin-right: auto;"><img alt=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbch5vytDijinqIVjUr5eBxFfT-Tk2XWto34PLrsOFroicXP2bGVNtW-s3zvfUbOVTUWI9HQuLlryPaH_TpTxUw3bk9VJPAQlIYe5Uyh73SuYdiPxh9XdacqGt4xHI9X4sKPcqdk_-Cw/s1600/_1150777.JPG" title=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." width="640" /></a></td></tr>
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Praca prezentowana podczas wystawy "Wyspa światła" podczas <a href="http://festiwalfabrykaswiatla.pl/" target="_blank">Festiwalu Fabryka Światła. Przasnysz 2014</a>.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga0G0cQchttLtnVEwXIzZhK41NCIDuu6HvZLU_6oYryUDIclHbQKOauf9pHnd4DO4rhSiv65rj5VgAgWeoZ7z2LrlusKZnitxTLC_uV0kD73UZuEwPFrIf7AprAMBmfmoM-cE81W57Zw/s1600/_1150764_2.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img alt=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga0G0cQchttLtnVEwXIzZhK41NCIDuu6HvZLU_6oYryUDIclHbQKOauf9pHnd4DO4rhSiv65rj5VgAgWeoZ7z2LrlusKZnitxTLC_uV0kD73UZuEwPFrIf7AprAMBmfmoM-cE81W57Zw/s1600/_1150764_2.jpg" title=""Owoce oświecenia", instalacja interaktywna, Festiwal Fabryka Światła, wystawa Wyspa Światła, Przasnysz 2014." width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
</tbody></table>
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<div>
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</div>Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-72154289409950156322014-08-21T04:00:00.002+02:002023-04-30T13:14:00.639+02:00Płochy [Habitat:miejsce sztuki44/FAMA 2014:Świnoujście:Poland]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF63zTq8gYQOgLGO5fYrDPVrltcPIHEMlPYgYr7sNYV_hpmntIg77VVGcMogVu-EwkPLUexDXiBlhHQ34uIPL_MCLYkSPEUZjWVD0N34aOn0_vV0mNhuiafDluqQaF_aJCLPZ1j88Itg/s1600/_1150580.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF63zTq8gYQOgLGO5fYrDPVrltcPIHEMlPYgYr7sNYV_hpmntIg77VVGcMogVu-EwkPLUexDXiBlhHQ34uIPL_MCLYkSPEUZjWVD0N34aOn0_vV0mNhuiafDluqQaF_aJCLPZ1j88Itg/s1600/_1150580.jpg" title=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" width="425" /></a></div>
<i><b><div><i><b><br /></b></i></div><div><b style="font-style: normal;"><i>Płochy</i></b><br style="font-style: normal; font-weight: 400;" /><span style="font-style: normal; font-weight: 400;">interactive site-specific installation, 2014, object 35×20×20 cm: galvanized steel, electroluminescent wire, electronic control system.</span></div><div><i><b><br /></b></i></div>Płochy</b></i><br />
instalacja interaktywna site-specific, 2014, obiekt 35×20×20 cm: stal ocynkowana, przewód elektroluminescencyjny, elektroniczny układ sterujący.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGQ1lq_nffGn2ITtxQ9MBDOoTnyMOIFP-IrCNhLK1X_UzlA02Y4ryW-e2z_VvsBf2mGNDXMA0Oe9OhZovMvwyPFHTp6j-PQWwjndAFrd6aPd3MljQ-03yiZMfvHvln2JNxt5L3YwcCOQ/s1600/_1150573.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGQ1lq_nffGn2ITtxQ9MBDOoTnyMOIFP-IrCNhLK1X_UzlA02Y4ryW-e2z_VvsBf2mGNDXMA0Oe9OhZovMvwyPFHTp6j-PQWwjndAFrd6aPd3MljQ-03yiZMfvHvln2JNxt5L3YwcCOQ/s1600/_1150573.jpg" title=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" width="426" /></a></div>
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<i><b><div><b style="font-style: normal;"><i>płochy</i></b><br style="font-style: normal; font-weight: 400;" /><span style="font-style: normal; font-weight: 400;">timid, fearful, cowardly, faint-hearted</span><br style="font-style: normal; font-weight: 400;" /><span style="font-style: normal; font-weight: 400;">e.g. about ...: timid, wild, fearful</span><br style="font-style: normal; font-weight: 400;" /><span style="font-style: normal; font-weight: 400;">e.g. fickle man: capricious, reckless, fickle, unstable, whimsical</span></div><div><i><b><br /></b></i></div>płochy</b></i><br />
bojaźliwy, lękliwy, pierzchliwy, strachliwy, tchórzliwy, trwożliwy<br />
np. o zwierzynie: bojaźliwy, dziki, lękliwy, pierzchliwy, strachliwy<br />
np. zmienny człowiek: kapryśny, lekkomyślny, niestały, niestateczny, pusty, zmienny<br />
[źr.: <a href="http://synonim.net/">synonim.net</a>]<br /><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggmphXNRXAiQpP75SEOrrVGR03XhssaD3i5yW_HlUr_d_4BYTEDivrQ44FvUZ-qgoxTKiiGskwNhMrtXONQlNjQ7tK2ZuisWG0m_0KYmMXNLw2cax9zYJP1AQeIS81L3kPhR5C5RLgGQ/s1600/_1150581.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggmphXNRXAiQpP75SEOrrVGR03XhssaD3i5yW_HlUr_d_4BYTEDivrQ44FvUZ-qgoxTKiiGskwNhMrtXONQlNjQ7tK2ZuisWG0m_0KYmMXNLw2cax9zYJP1AQeIS81L3kPhR5C5RLgGQ/s1600/_1150581.jpg" title=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" width="425" /></a></div>
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<div style="text-align: justify;">The object was placed in the vault at the entrance to the gallery Miejsce sztuki44. The form made of electroluminescent wire is reminiscent of a nest (bird or other unidentified creature). Despite the inanimate nature of the object itself, it reacts to the viewer's presence. While the viewer maintains a safe distance, it pulsates in a uniform rhythm, associated with the rhythm of the heartbeat. However, after crossing the invisible border, the pace accelerates with each step until it completely disappears.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">
Obiekt umieszczony w sklepieniu przy wejściu do galerii <i><a href="https://www.facebook.com/miejscesztuki44" target="_blank">Miejsce sztuki44</a></i>. Forma wykonana z elektroluminescencyjnego przewodu przywodzi na myśl gniazdo (ptaka, czy innej niezidentyfikowanej kreatury). Pomimo nieożywionej natury samego obiektu, reaguje on na obecność widza. Przy zachowaniu bezpiecznej odległości pulsuje w jednostajnym rytmie, kojarzonym z rytmem bicia serca. Jednak po przekroczeniu niewidocznej granicy, z każdym krokiem tempo przyspiesza, aż do całkowitego zgaśnięcia.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji9DMat0-ozqucNdjCT3DxYyD5aRzAnrmtG2g7uRh1QAu6Y2PX_CWnvCLNGnPaZ9fQYrxxIY3kGQRlTeFq5DD4xivn8EDi9ljIrTebHR1s9bLZDiXMJeSDOhtmV-mZDj-c78PkM1HIBw/s1600/_1150568.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji9DMat0-ozqucNdjCT3DxYyD5aRzAnrmtG2g7uRh1QAu6Y2PX_CWnvCLNGnPaZ9fQYrxxIY3kGQRlTeFq5DD4xivn8EDi9ljIrTebHR1s9bLZDiXMJeSDOhtmV-mZDj-c78PkM1HIBw/s1600/_1150568.jpg" title=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" width="640" /></a></div>
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<div style="text-align: justify;">
Praca prezentowana podczas wystawy "Habitat" w <a href="https://www.facebook.com/miejscesztuki44" target="_blank">Galerii Sztuki Współczesnej miejsce sztuki44</a> (kurator ms44: Andrzej Pawełczyk), na <a href="http://fama.org.pl/" target="_blank">44. Międzynarodowym Kampusie Artystycznym FAMA</a>, Świnoujście 2014.<br />
<br />
Wystawa "Habitat" otrzymała jedną z głównych nagród FAMY:<br />
<b><a href="http://fama.org.pl/werdykt-festiwalu-fama-2014/" target="_blank">Trójząb Neptuna - Nagroda dla Najlepszego Wydarzenia Artystycznego Festiwalu</a></b> - dla autorów wystawy HABITAT, fundator - Marszałek Województwa Zachodniopomorskiego.</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9T8_VqKYO1R4OPQIQfXnd-NX2GBeBXGfUMw6aIIFUpgPaQfUxUA_JOJaOJa2jcBpAt_N_oDOudw3C6lA-Vt7r5UXufbEhGDnSN7EKbfBRB-VN_MbJRJEUzP2r-hnaLxT8IF9oaIf8kg/s1600/_1150565.jpg" style="margin-left: auto; margin-right: auto;"><img alt=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9T8_VqKYO1R4OPQIQfXnd-NX2GBeBXGfUMw6aIIFUpgPaQfUxUA_JOJaOJa2jcBpAt_N_oDOudw3C6lA-Vt7r5UXufbEhGDnSN7EKbfBRB-VN_MbJRJEUzP2r-hnaLxT8IF9oaIf8kg/s1600/_1150565.jpg" title=""Płochy" instalacja interaktywna, wystawa pt. "Habitat", FAMA 2014, miejsce sztuki44, Świnoujście, Polska" width="425" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
</tbody></table>
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comtag:blogger.com,1999:blog-4901923886311769597.post-54603368581106740732013-10-06T02:00:00.001+02:002023-04-30T13:13:58.157+02:00Incubator: nova.MA1310 [7. Multi.ART:Kalisz:Poland]<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqVa9ztotPT58_nDMx5VOYn4M44HKkjxOA1z_m7fOrcL_ZQqyOYrlzmRS8YNXjJZvs9FkhqHDx7doGM6mQzodjzVjxdyk68tdq6gd_AX89ZNao8uB6HFDwyUrXJ7S5fz-PHjfGxAybsg/s1600/_1110701.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqVa9ztotPT58_nDMx5VOYn4M44HKkjxOA1z_m7fOrcL_ZQqyOYrlzmRS8YNXjJZvs9FkhqHDx7doGM6mQzodjzVjxdyk68tdq6gd_AX89ZNao8uB6HFDwyUrXJ7S5fz-PHjfGxAybsg/s640/_1110701.jpg" height="426" width="640" /></a></div>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"><br /></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;">SUPERNOVA/SUPERŚMIERĆ</span></b><br />
<div class="MsoBodyText" style="line-height: 115%; margin-bottom: 12.0pt; text-align: justify;">
<span style="mso-bidi-font-family: "Times New Roman";">Dlaczego spoglądając
na obrazy Johannesa Vermeera czuję się intruzem? Dlaczego czuję rodzaj wstydu,
przyglądając się kobiecie czytającej list czy artyście w swej pracowni?
Dlaczego, jako bohaterowie sceny, rozpostarci okazale na płótnie, żyją tam
jakby dla siebie, nie dla mego oka? </span></div>
<div class="MsoBodyText" style="line-height: 115%; margin-bottom: 12.0pt; text-align: justify;">
<span style="mso-bidi-font-family: "Times New Roman";">Bo podglądam.
Płaszczyznowe medium płótna Vermeer przekształcił w dziurkę od klucza. </span><br />
<span style="mso-bidi-font-family: "Times New Roman";"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd87Ob4ylcMRvkON0Xgo6Zv3p5C0MjQsiBz2wwf_avCP6qcNn2nOex81UzH_x2P0ls3-P5pJvgKfDsdhuqHoW-PYCzymFelrT_cs6RBuXCWwfZy3SSwnA83NjovJAJeC9vkWx0c55YIg/s1600/_1110733_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd87Ob4ylcMRvkON0Xgo6Zv3p5C0MjQsiBz2wwf_avCP6qcNn2nOex81UzH_x2P0ls3-P5pJvgKfDsdhuqHoW-PYCzymFelrT_cs6RBuXCWwfZy3SSwnA83NjovJAJeC9vkWx0c55YIg/s640/_1110733_1.jpg" height="640" width="426" /></a></div>
<span style="mso-bidi-font-family: "Times New Roman";"><br /></span><span style="mso-bidi-font-family: "Times New Roman";">Spojrzenie wgłąb <b style="mso-bidi-font-weight: normal;">Inkubatora:</b> <b style="mso-bidi-font-weight: normal;">nova.MA1310</b> zanurza w analogicznie innym wymiarze. To nic, że
fizycznie stoję po zewnętrznej jego stronie. Staję się świadkiem tego, co
zarówno wizualnie, jak i symbolicznie, obce jest memu rozsądkowi i
przyzwyczajeniom. Zerkając w otwór, niczym okular peryskopu, znów z jakiegoś
powodu staję się tym Obcym…</span></div>
<div class="MsoBodyText" style="line-height: 115%; margin-bottom: 12.0pt; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: "Times New Roman";">nova.MA1310</span></b> <span style="mso-bidi-font-family: "Times New Roman";">to subtelny performance światła rozegrany w mikroskali.
Światła, które po raz kolejny w działalności artystycznej Pawła Dudko, zyskuje
materialny, fizyczny charakter. Inkubator skrywa w sobie rzeczywistość
samowystarczalną – cichą, odizolowaną od świata zewnętrznego, jak gdyby generował
się w nim swoisty (mikro)kosmos, niezależny system życia. Życia jednak
niezmiennie opartego na biegunowych zasadach procesu – początku i końca,
narodzin i znikania. Eksplozje fosforyzujących kropli światła, zanurzających
się powolnie w cieczy, tworzą niezliczone cząsteczki pomniejszych,
„rozmnażając” niejako swoje trwanie. Proces ten przywołuje na myśl zjawisko
powstawania masy gwiezdnej w kosmosie, tzw. supernowej, momentu <i>chwilowego</i>
wybuchu, kiedy ze śmierci tworzy się życie w niewyobrażalnej skali.</span><br />
<span style="mso-bidi-font-family: "Times New Roman";"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBMPJj0s4bsTvAsbo35Im99U-c-FFpwkjXvHN9Twx0lHnUG-kPXZ1Te4ymqo51Ggq8gIBtKwruCDqpgC1_9mRQLnuMSA4LoUSzDZtryGV3SGSVYkR9r4wZFT-DJBaruS3NoUokR2P-7Q/s1600/_1110730.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBMPJj0s4bsTvAsbo35Im99U-c-FFpwkjXvHN9Twx0lHnUG-kPXZ1Te4ymqo51Ggq8gIBtKwruCDqpgC1_9mRQLnuMSA4LoUSzDZtryGV3SGSVYkR9r4wZFT-DJBaruS3NoUokR2P-7Q/s640/_1110730.jpg" height="426" width="640" /></a></div>
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<span style="mso-bidi-font-family: "Times New Roman";">Jednakże zdaje się
ono istnieć wyłącznie dla ulotnej demonstracji – blasku w owej galaktyce, po to
głównie, by pozostawić po sobie pamięć zawartą w poświacie. Paradoksalna
obecność Inkubatora polega tu na desperacji ochrony i podtrzymania owego życia.
Złudnie jednak. <i style="mso-bidi-font-style: normal;">Incubo</i> z łaciny
znaczy tyle co zjawa, mara. Czy zatem Inkubator nie odwraca jedynie uwagi od
tego, co założone i nieuchronne? Czy nie staje się katalizatorem
powszechnej nadziei na przekroczenie nieuniknionego?</span></div>
<div class="MsoBodyText" style="line-height: 115%; margin-bottom: 12.0pt; text-align: justify;">
<span style="mso-bidi-font-family: "Times New Roman";">Być może dlatego,
spoglądając w okular Inkubatora czuję się jak Obcy świadek obrazów Vermeera.
Zaglądając do wewnątrz, staję się widzem metaforycznych, abstrakcyjnych scen
narodzin i śmierci – sytuacji intymnych, nieprzeznaczonych dla aplauzu,
nieoswojonych. Staję się ich <i style="mso-bidi-font-style: normal;">podglądaczem</i>.
Tak samo Obcym jak obce jest spychane w podświadomość to, co „założone i
nieuchronne”. Obserwacja każdorazowej supernowej w ambiwalentnym kontekście
inkubatora Pawła Dudko podpowiada jednak, że afirmacja owego „życia” obierać
może zgoła inny kierunek. Nie trwanie czy nieśmiertelność staje się tu
przymiotem nadrzędnym, ale dialektyczne starcie tych wartości, których relacja
trwa tyle co błysk.</span></div>
<div class="MsoBodyText" style="line-height: 115%; margin-bottom: 12.0pt; text-align: justify;">
<span style="mso-bidi-font-family: "Times New Roman";"><br /></span></div>
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Dorota
Perszko<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-H3VkCtPiD3L6kpo1zRL-UG4Nv1yE6587ODGWVSLK9M5_wfSAGvv0au6DmOk9fZnXAWHZz42mnhALsFZWtbxrbDKoDY2dA9ve7KR0UmHV6cnRS9YyqHeIJji6R4XI6-HQHFvtIjZvww/s1600/P1110741.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-H3VkCtPiD3L6kpo1zRL-UG4Nv1yE6587ODGWVSLK9M5_wfSAGvv0au6DmOk9fZnXAWHZz42mnhALsFZWtbxrbDKoDY2dA9ve7KR0UmHV6cnRS9YyqHeIJji6R4XI6-HQHFvtIjZvww/s640/P1110741.jpg" height="640" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
</tbody></table>
<div style="text-align: left;">
<b><i>Inkubator: nova.MA1310</i></b>
</div>
</div>
Praca prezentowana podczas <a href="http://www.multi.art.pl/" target="_blank">7 Multi Art Festival - Festiwalu Sztuki Młodych</a> w Kaliszu, 2013.<br />
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<br />
<div style="text-align: center;">
<u><span style="font-size: small;"><a href="https://vimeo.com/67458489" target="_blank">Zobacz też dokumentację video</a>: <i><b><a href="http://paweldudkoart.blogspot.com/2013/05/inkubator-novapk1305.html" target="_blank">Inkubator: nova.PK1305</a></b></i></span></u></div>
<div style="text-align: center;">
<b><br /></b>
<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="http://player.vimeo.com/video/67458489" webkitallowfullscreen="" width="640"></iframe>
</div>
<div style="text-align: center;">
<a href="http://vimeo.com/67458489">nova.PK1305</a> from <a href="http://vimeo.com/pdudko">Paweł Dudko</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
<div style="text-align: center;">
[authors video]</div>
<div style="text-align: center;">
<b><br /></b>
<b><br /></b></div>
Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comCentrum Rysunku i Grafiki im. Tadeusza Kulisiewicza 51.7621100927919 18.09243566375425951.7614960927919 18.091175163754258 51.7627240927919 18.093696163754259tag:blogger.com,1999:blog-4901923886311769597.post-71524809700502097092013-05-19T06:00:00.002+02:002023-04-30T13:13:54.466+02:00Incubator: nova.PK1305 [Piękne Kłamstwa VI – Blask:Warsaw:Poland]<div style="text-align: justify;"><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5gX67H3RPakE9Sb62aRjm4Kye8aGXR75XFfg7eTK0bdSV7TQT4amSnnWcNkfjqixWFzYsiwwsbalRWHD0dhA5UUPAnKuslolOgviQt-Mx7nxzzjUeiHeNIAge_Cd4EbsZLwTPrWWktA/s1600/_1100954.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5gX67H3RPakE9Sb62aRjm4Kye8aGXR75XFfg7eTK0bdSV7TQT4amSnnWcNkfjqixWFzYsiwwsbalRWHD0dhA5UUPAnKuslolOgviQt-Mx7nxzzjUeiHeNIAge_Cd4EbsZLwTPrWWktA/s640/_1100954.jpg" width="640" /></a></div>
<br />
<b><i>The Incubator: nova.PK1305</i></b><br /><b><br /></b><i>The Incubator</i> is a container designed to include an installation. This is a stand-alone object that allows the exposure in an enclosed space.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>nova.PK1305</i> is based on the ideas of creation and annihilation. It's a call for a temporary existence, to dissolve into oblivion after a few seconds.<br />
Light drops fall, creating a unique act. Explosions and diffusion form cells, networks, nebulae, galaxies. The phenomenon is visible only for a short time, to give room to new events. Intense at the beginning, the process is
fading
slowly, and eventually stops.<br />
Each exposure results in other reactions and phenomena. Each stage is determined by the previous and induces another.<br />
<br />
Presented at the Artistic Actions
and Workshops <i><a href="http://www.galeriaxx1.pl/noc-muzeow-2013-piekne-klamstwa-vi-blaskmiedzynarodowe-spotkanie-i-warsztaty-artystyczne/" target="_blank">Beautiful Lies VI - Glow</a></i>.<b><br /></b><br />
<div style="text-align: center;">
<b><br /></b>
<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="http://player.vimeo.com/video/67458489" webkitallowfullscreen="" width="640"></iframe> </div>
<div style="text-align: center;">
<a href="http://vimeo.com/67458489">nova.PK1305</a> from <a href="http://vimeo.com/pdudko">Paweł Dudko</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
<div style="text-align: center;">
[authors video]</div>
<div style="text-align: left;">
<b><br /></b>
<b><i>Inkubator: nova.PK1305</i></b></div>
<br />
<i>Inkubator</i> to pojemnik, kontener mieszczący instalację. To samodzielny obiekt, który umożliwia ekspozycję w zamkniętej przestrzeni.<br />
<br />
<i>nova.PK1305</i> to tworzenie i anihilacja. Powołanie do chwilowego istnienia, by po kilku sekundach rozpłynąć się w niebycie.<br />
Krople światła spadają, tworząc wyjątkowy spektakl. Eksplozje i dyfuzja formują komórki, sieci, mgławice, galaktyki. Zjawisko widoczne jest tylko przez krótki moment, by po chwili dać miejsce nowym zdarzeniom. Intensywny z początku proces powoli zanika, by ostatecznie ustać całkowicie.<br />
Każdorazowa ekspozycja skutkuje innymi reakcjami i zjawiskami. Każdy etap jest determinowany przez poprzedni i indukuje kolejny.<br />
<br />
Praca prezentowana podczas Działań i Warsztatów Artystycznych <a href="http://www.galeriaxx1.pl/noc-muzeow-2013-piekne-klamstwa-vi-blaskmiedzynarodowe-spotkanie-i-warsztaty-artystyczne/" target="_blank"><i>Piękne Kłamstwa VI - Blask.</i></a>
</div>
<div style="text-align: justify;">
<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6h6-9XnSpNO4Clv820SK1sMb4nDpyxCQPLRN4_iuPUI7gNcyqljeFuBi2PvmEBdl1onJjbJNpE1j-qOuAiOyGG8mvFZDXX0mGGhNBKDj8d-8s9E_g-2usHuF-fr_jFf1u8IPn-2oKnw/s1600/_1100953.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6h6-9XnSpNO4Clv820SK1sMb4nDpyxCQPLRN4_iuPUI7gNcyqljeFuBi2PvmEBdl1onJjbJNpE1j-qOuAiOyGG8mvFZDXX0mGGhNBKDj8d-8s9E_g-2usHuF-fr_jFf1u8IPn-2oKnw/s640/_1100953.jpg" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG56C5lkqS1lCOzSopMHeklpLZ_X9LeMG15mFmckSgi-z2g568bbOZfzzYtLRCXXPJbpuWSY89rAUpfpDNh6vr4esO4L1IU73zBieYm-lM7exNM-0zkjbw4Gm7v5ZFp8-Ql2XjZFqBmw/s1600/_1100926.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG56C5lkqS1lCOzSopMHeklpLZ_X9LeMG15mFmckSgi-z2g568bbOZfzzYtLRCXXPJbpuWSY89rAUpfpDNh6vr4esO4L1IU73zBieYm-lM7exNM-0zkjbw4Gm7v5ZFp8-Ql2XjZFqBmw/s640/_1100926.jpg" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB1aeuS3Qby4KyJ9LVZdBziMmhz5sjq-WXSKSSKGzin8TSmKugbOqVs1rMetsylyqHP5mnmryx1qHmB0N5_g_li6fsAuNcbwjAFB9O95ZbE8k_BO4b9l8W-Ji-kP0uPrEcrnbB-pUPNg/s1600/_1100942.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB1aeuS3Qby4KyJ9LVZdBziMmhz5sjq-WXSKSSKGzin8TSmKugbOqVs1rMetsylyqHP5mnmryx1qHmB0N5_g_li6fsAuNcbwjAFB9O95ZbE8k_BO4b9l8W-Ji-kP0uPrEcrnbB-pUPNg/s640/_1100942.jpg" width="426" /></a></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4CUmNGB-e840abf8eiVM26GIoC1cXg1oMlb8e9RCXcYxEsXEkA_8EA4v6b1HL1UCk4s1s3xDjb_1pEoqFYNtHv7JSPr5m32hxWC_tE3zG4XQipl9QggLs9Za2V6qHmxED6BNclJ-l0w/s1600/_1100958.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4CUmNGB-e840abf8eiVM26GIoC1cXg1oMlb8e9RCXcYxEsXEkA_8EA4v6b1HL1UCk4s1s3xDjb_1pEoqFYNtHv7JSPr5m32hxWC_tE3zG4XQipl9QggLs9Za2V6qHmxED6BNclJ-l0w/s640/_1100958.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
</tbody></table>
<br />Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comBUW, ul. Dobra 56/66, Warszawa, Polska52.2423917 21.02442450000000951.9311927 20.378977500000008 52.5535907 21.66987150000001tag:blogger.com,1999:blog-4901923886311769597.post-21531960494977871062013-03-27T02:00:00.001+01:002020-05-23T13:08:54.214+02:00Palimpsest [Galeria XX1:Warsaw:Poland]<br />
<br />
<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="http://player.vimeo.com/video/62901428" webkitallowfullscreen="" width="640"></iframe> </div>
<div style="text-align: center;">
<a href="http://vimeo.com/62901428">Palimpsest</a> from <a href="http://vimeo.com/pdudko">Paweł Dudko</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
<div style="text-align: center;">
[authors video]</div>
<b><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial; mso-font-kerning: 12.0pt; text-transform: uppercase;"><span style="font-family: inherit;"><br /></span></span></b>
<b><i style="mso-bidi-font-style: normal;"><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial; mso-font-kerning: 12.0pt; text-transform: uppercase;"><span style="font-family: inherit;">Palimpsest</span></span></i></b><br />
<div class="MsoNormal" style="line-height: 150%; margin-bottom: 14.15pt; text-align: justify;">
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Czy istnieje moment przejściowy pomiędzy słowem
jako </span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">początkiem</span></i><span style="font-family: inherit;"> i słowem jako </span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">ciałem</span></i><span style="font-family: inherit;">?</span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: 14.15pt; text-align: justify;">
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">W którym momencie ulotna komenda zyskuje swoją
materialną postać? Czy staje się wówczas obrazem dźwięku czy też brzmieniem
obrazu?</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH7et8Ci5W1P00qhGYAvRYBfxzPLzXxpSnYs3KkOTFuhietTQk6DgDWwyxRwkcpQzFA2biCm0kMpgWDeIk1_LmFGdilys4M3vIge6Ge_2kF3zuB9qZMqSwSnHxwM8YLVZgC6hkHkiLyw/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH7et8Ci5W1P00qhGYAvRYBfxzPLzXxpSnYs3KkOTFuhietTQk6DgDWwyxRwkcpQzFA2biCm0kMpgWDeIk1_LmFGdilys4M3vIge6Ge_2kF3zuB9qZMqSwSnHxwM8YLVZgC6hkHkiLyw/s640/1.jpg" height="426" width="640" /></a></div>
<div style="text-align: justify;">
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;"><br /></span></span>
<i style="mso-bidi-font-style: normal;"><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Nie mogę się
powstrzymać od słyszenia w słowie „głos“ (la voix) fonicznego echa słowa
„widzieć” (voir)</span></span></i><span class="MsoFootnoteReference"><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-family: Calibri; font-size: 11.0pt; mso-ansi-language: PL; mso-bidi-font-family: Arial; mso-bidi-language: HI; mso-fareast-font-family: "Lucida Sans Unicode"; mso-fareast-language: HI; mso-font-kerning: .5pt;"><span style="font-family: inherit;">[1]</span></span></span></span></span></span><i style="mso-bidi-font-style: normal;"><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;"> ‑ </span></span></i><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">pisze w
rozważaniach Louis Marin. Sens tej słownej gry polega jednak na czymś więcej
niż podobieństwo brzmienia. Na czymś więcej również niż intryga paradoksów w
rodzaju odczytania </span><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">narracji obrazu</span></i></b><span style="font-family: inherit;">, podjęcia </span><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">lektury dzieła</span></i></b><span style="font-family: inherit;"> czy interpretacji
jego </span><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">wydźwięku</span></i></b><span style="font-family: inherit;">.
</span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">Pozwolić zobaczyć głos byłoby dziwnym
przedsięwzięciem, być może szczytem przedsięwzięcia nazywanego przedstawieniem
malarskim </span></i><span style="font-family: inherit;">– powiada Louis Marin.</span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: 14.15pt; text-align: justify;">
<div style="text-align: justify;">
<br /></div>
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Wypowiadanie słów nosi w sobie walor performatywny,
będąc zawsze początkiem tego, co zyskuje realną substancję. Podpisanie słownej
deklaracji wojny, oznacza realną wojnę. Paweł Dudko w instalacji </span><b style="mso-bidi-font-weight: normal;"><span style="font-family: inherit;">PALIMPSEST</span></b><span style="font-family: inherit;"> przekuwa dźwięk słowa w
światło, światło w obraz, obraz w ulotność. </span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: 14.15pt; text-align: justify;">
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Siła sprawcza aktu twórczego tkwi po stronie wiązki
światła. Pozbawia go przypisanemu procesowi stworzenia śladu dłoni, kontaktu z
narzędziem. Niewidoczna czynność znajduje swój zapis w fizycznym materiale,
zawsze indywidualna, jednostkowa.</span><span style="mso-spacerun: yes;"><span style="font-family: inherit;"> </span></span><span style="font-family: inherit;">W materiale,
co paradoksalne, z natury pozbawionym trwałej pamięci. Staje się oznaką
naturalnego pragnienia utrwalania i jednocześnie dowodem jego nietrwałości.</span></span><br />
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;"><br /></span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivna3zMIj_asAirBmMCXFjXBU-FEEwm4r8gwmUsLymO1s9R3bknI2kMQExvAP7S_DT_GZLll6snZVfmDCjvfvz1QzYBNKg8zm8_fqVsa3673KPV3cGfpUuOZhWWA2upScIdTOAyS_qLQ/s1600/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivna3zMIj_asAirBmMCXFjXBU-FEEwm4r8gwmUsLymO1s9R3bknI2kMQExvAP7S_DT_GZLll6snZVfmDCjvfvz1QzYBNKg8zm8_fqVsa3673KPV3cGfpUuOZhWWA2upScIdTOAyS_qLQ/s640/2.jpg" height="434" width="640" /></a></div>
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Starożytni, chcąc uwiecznić niesioną przez słowo
myśl, kreślili ją na woskowych tabliczkach. Jako jedyne medium pisarskie
pozwalało istnieć treści do czasu jej zatarcia – wyrównania powierzchni wosku w
celu ponownego zapisania. O ile jednak wznowiona powierzchnia przyjmowała nową
myśl, o tyle, w sposób niewidoczny, podskórny, pamiętała minioną. Palimpsest
jest warstwowością pamięci. Paradoksem utrwalenia skazanego na rozproszenie. Słowo
wypowiedziane przez Pawła Dudko, ucieleśnione poprzez światło, staje się krótkotrwałym
obrazem chwili i pamięcią czasu minionego. </span></span><span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;"><br /></span></span>
</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDWIYGfOiCEYDdI6t7dnICHBbRnjiTweP2l8d0bvnhaLVynOORPhfUep5wUjQuDXbccvEgiTZYmmNWqRLrJut72TQ9jfmt7smdxY6Zwq5XXXcV08KmhoPUDaXsKwsqGEbiPJuIfaJXPA/s1600/3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDWIYGfOiCEYDdI6t7dnICHBbRnjiTweP2l8d0bvnhaLVynOORPhfUep5wUjQuDXbccvEgiTZYmmNWqRLrJut72TQ9jfmt7smdxY6Zwq5XXXcV08KmhoPUDaXsKwsqGEbiPJuIfaJXPA/s640/3.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">fot. autora</td></tr>
</tbody></table>
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Proces STAWANIA SIĘ obrazu ze źródła dźwięku
zyskuje tu walor gramatycznego spójnika, łączy moment "pomiędzy"
etapem wypowiadania </span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">słowa-rozkazu</span></i><span style="font-family: inherit;"> i widocznością
</span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">słowa-ciała</span></i><span style="font-family: inherit;">.</span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: 14.15pt;">
<span style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="font-family: inherit;">Dorota Perszko</span></span></div>
<div style="mso-element: footnote-list;">
<span style="font-family: inherit;"><br clear="all" /></span><span style="font-family: inherit;">
</span><br />
<hr align="left" size="1" width="33%" />
<div id="ftn1" style="mso-element: footnote;">
<div class="MsoFootnoteText">
<span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-family: "Times New Roman"; font-size: 10.0pt; mso-ansi-language: PL; mso-bidi-font-family: Mangal; mso-bidi-font-size: 9.0pt; mso-bidi-language: HI; mso-fareast-font-family: "Lucida Sans Unicode"; mso-fareast-language: HI; mso-font-kerning: .5pt;"><span style="font-family: inherit;">[1]</span></span></span></span></span><span style="font-family: inherit;"> Louis Marin, </span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">Na marginesach obrazu: zobaczyć głos</span></i><span style="font-family: inherit;">,
[w:] </span><i style="mso-bidi-font-style: normal;"><span style="font-family: inherit;">O przedstawieniu</span></i><span style="font-family: inherit;">, słowo/obraz
terytoria, Gdańsk 2011, s. 397</span></div>
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<br />Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comAleja Jana Pawła II 36, Warszawa, Polska52.2402399 20.9954030000000126.7182054 -20.313190999999989 77.7622744 62.30399700000001tag:blogger.com,1999:blog-4901923886311769597.post-38307755573565242402013-01-19T03:00:00.001+01:002020-05-23T13:10:42.155+02:00to disappear [Galeria Pod Arkadami:Łomża:Poland]<div><b><i>to disappear </i><br /></b><br />Description: <br />In a painted room every 15 seconds flash captures for a moment a shadow of the audience moving around the hall. What is more, the visitors, in addition to their primary role as the recipient of art, become also a co-author of an art object. The undertaken problem of a temporary commemoration relates to existentially marked questions about a human beings, physical existence, and finally the disappearance, when after the momentary perpetuated sign, it dissipates, leaving space to next entities.<br /><u><b><a href="http://www.unicell.pl/">Unicell Poland</a>, owner of Primacol brand, manufacturer of Neon paint helped to create the installation 'to disappear'.</b></u><br /><u><b><br /></b></u><a href="http://paweldudkoart.blogspot.com/2011/11/znikac-polska-zbaszyn.html" target="_blank"><i>Here you can read the full text of </i>Plexus Solaris<i> by Dorota Perszko [polish version only].</i></a><u><b><br /></b></u></div><div style="text-align: justify;">
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<i><div><i><br /></i></div><div><i><br /></i></div><b>znikać</b></i><br />
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Opis pracy:<br />
W pomalowanym pomieszczeniu co 15 sekund lampa błyskowa utrwala na moment cień przemieszczającego się w obrębie sali widza. Zwiedzający, prócz swej podstawowej roli odbiorcy sztuki, staje się współtwórcą obiektu artystycznego. Podejmowany tutaj problem chwilowego upamiętnienia odnosi się do nacechowanych egzystencjalnie pytań o istnienie, fizyczną obecność, wreszcie o znikanie, kiedy po chwilowym zaznaczeniu swego śladu, rozprasza się zostawiając miejsce kolejnym istnieniom.<br />
<u><b>Instalację 'znikać' pomogła zrealizować firma <a href="http://www.unicell.pl/">Unicell Poland</a>, właściciel marki Primacol, producent farby fosforescencyjn</b></u><u><b>ej <i>Neon</i></b></u><u><b>.</b></u><br />
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<a href="http://paweldudkoart.blogspot.com/2011/11/znikac-polska-zbaszyn.html" target="_blank"><i>Tu można przeczytać pełen tekst </i>Plexus Solaris<i> autorstwa Doroty Perszko.</i></a><u><b><br /></b></u><br />
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<tr><td class="tr-caption" style="text-align: center;">fot. autor</td></tr>
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Paweł Dudkohttp://www.blogger.com/profile/08836777011558371623noreply@blogger.comPlac Stary Rynek, Łomża, Polska53.1798391 22.08149490000005253.1786496 22.078973400000052 53.181028600000005 22.084016400000053